Der weiße Hai IV - Die Abrechnung

Jaws: The Revenge is the final entry into the Jaws series, and thank God for that. Ellen Brody is now living in the Bahamas after her youngest son Sean, who has followed in the footsteps of his father and become Chief of the Amity police, is killed by another Great White Shark. In what is the most ridiculous plots of all time, we find out that one specific shark is holding a grudge against the Brody family, and after it kills Sean, it swims against the Gulf Stream down to the Bahamas so it can kill Ellen and Michael as well. Jaws: The Revenge is an embarrassment to anyone who knows anything about sharks, and is the worst of the series.

The plot is completely wrong in this movie. The whole plot is built off of bs. I can't even allow suspension of disbelief to let me ignore that the shark is hunting the Brody family. It's ridiculous! Aside from that is that the film contains any number of factual errors about sharks ranging from having the shark swim backwards, roar like a lion, stand on its tail, and devour a helicopter. The shark in the first film did unusual things, but nothing that would make a shark lover cry.

The acting in this movie is so bad that...You know what? I don't even want to discuss it. It's bad. Terrible. Loathsome. Repugnant. What else is there? Lorraine Gray played Ellen just fine in the first film, but for some reason in this film she let all of her acting skill slip away. Even Michael Caine, who is a vastly talented actor, shows absolutely no skill at all.

Every copy of Jaws: The Revenge should be swallowed by the shark from the first film.

1/10

If there ever were proof of the law of diminishing returns, the fourth entry in the Jaws series is it. The original was a taut thriller that launched the career of one of Hollywood's most celebrated directors. By comparison, Michael Caine often looks as if he is incredibly upset to be missing his award ceremony in order to appear in this piece. Lance Guest and Mario Van Peebles frequently appear to be wishing to have better things to do, while Lorraine Gary frequently looks stoned in moments when she is supposed to look frightening.

Clearly, the budget spent on this film didn't go into the research, script, or mechanical shark. Exactly why Michael Brody and his pals are putting what are apparently tracking devices on conch shells is never explained. Perhaps any explanation they thought of was so incredibly stupid that they thought it best to give up. An alternate explanation of why Michael is working in the water was never thought of, either. The true Ed Wood moment of the film comes towards the end of the piece, when the shark rises out of the water, and roars at Elaine. This is the first time I've heard of sharks having vocal cords. Given the box office draw this stinker had, I suspect it will be the last.

The shark takes a real beating here, too. The reason the shark wasn't seen often in the original was because Spielberg noticed that if one put it in front of the camera for long enough, the audience would notice that it doesn't move like a real shark. In this edition of the Jaws story, not only do they keep the camera focused upon the shark for more than enough time for the audience to notice the model's flaws, in so doing they make it crystal clear that this shark was made on the cheap. There are some shots in which the support structure of the shark is visible under the outer layer. There is even what appears to be a seam in the back of the shark's main fin.

To its credit, Jaws: The Revenge is well-photographed. While the 2.35:1 frame is often sparsely populated, depth of field is used with great effect in several shots. The fact that even frames with one character in them won't make sense when cropped to fit analogue television is a credit to the director and cinematographer. If only this kind of workmanship could have been seen in other aspects of the film.

Another area where Jaws: The Revenge deserves due credit is the score music. While the score is very much inspired by that which John Williams provided for the original, it distinguishes itself and genuinely works in its own right. In fact, one could almost say that the score music is more than the rest of the film deserves. The music is literally able to inject dramatic tension into scenes that, by all rights granted under the accepted rules of film-making, really shouldn't have any.

When all is said and done, I gave Jaws: The Revenge a one out of ten. It works as a comedy in the sense that it is a stinking pile of crap, but there are precious few moments when the people making it seem privy to the fact. As a result, the film winds up in a class all of its own. It's not just so bad its good, it is so utterly bad it is incredible.

It's personal because I hate this audience-insulting movie. This has got to be the stupidest horror flick of all times. The ending (all of them) alone would be enough to justify this film's place on the bottom 100 list. I mean the premise (shark is after the Brody family for revenge. It chases (and beats) the Brody's to Jamaica to harrass them and snack on a few extras).

The effects went WAY downhill for this one. The shark on the Universial Studios tram tour is more convincing then this duct-taped-at-the-seams roboshark. The acting is atrocious (especially Mario Van Peeble and his grating "hey mon" accent)

I am completely dumbfounded. What in the world were the people behind this mess thinking? When the movie was over, Jaws: The Revenge left me with more questions than answers. Here's a laundry list of my questions:

1. How did a movie as good as Jaws spawn this junk?

2. Regardless of where the shark is in the ocean, how is it capable of knowing the moment a Brody sticks so much as a big toe into the water?

3. If you attributed your husband's and son's deaths to a great white shark, wouldn't you want to go to someplace like Oklahoma instead of the Bahamas?

4. Do all Bahamians slip in and out of their accents the way Mario Van Peebles does in Jaws: The Revenge?

5. Could they have possibly made the shark look any more fake?

6. Snails?

7. You mean that piece of welded together scrap metal was supposed to represent all that is good about the Bahamas?

8. Do sharks really jump out of the water like Shamu and roar like a lion?

9. What's more frightening - a great white shark or Ellen Brody's hair?

10. Is there a bigger acting whore on the planet than Michael Caine?

The best way to watch a movie like Jaws: The Revenge is with a group of friends. There's plenty here to make fun of.

There is Montezuma's revenge and then there is Jaws: The Revenge, in either case diarrhea is produced. This is really a terrible film, as if a shark would go out and take revenge on the family that "murdered" his cousins. Nonsense! It is awful to see Michael Caine in this film, I don't know why Michael appears in films like this, he must only do it for the money because the artistic merits of this film are zilch. Poor Lorraine Gary, went into retirement and then only to come out of retirement to do this turkey, and to think she felt obliged to as well, hardly a fitting finale to the end of a career. This film should have won more Razzies than it did but then against it was up against Leonard part 6!