Five Corners

Offbeat--to say the least--comedy-drama from director Tony Bill and writer/co-producer John Patrick Shanley combines unforced, unshowy nostalgia with dark (and rather wobbly) comedic undertones. In a troubled Bronx neighborhood in the 1960s, Jodie Foster is a young woman hounded by just-released convict John Turturro, while Tim Robbins is a former classmate reevaluating his priorities based on turbulent world events. Foster has little to work with in a weakly-written role (she's not going to meet this nutcase in the park at night!), but Robbins' quiet sincerity is lovely, and his handsome face and expressive manner keeps the film grounded in reality. Overall, it's much too flighty, with a melodramatic final 30 minutes which doesn't do anything good for anybody--least of all the viewer. However, there is some dryly eccentric humor in Shanley's screenplay, and when director Bill's touch is light the film generally works. **1/2 from ****

Some interesting performances from people who went on to bigger and better things. Turturro in particular gives a controlled turn to a role that could easily have been over the top. Many discontinuities mar the script, and there are plot elements which seem to come out of nowhere. But overall it is a movie worth seeing when the cupboard is bare.

This film is a little gem. A very good quirky understated drama. The story is well-developed, reasonably believable, and directed quite nicely. The story is set in a New York neighborhood in the time period of early 60s - both aspects are portrayed well in the film - realistic and believable but not so hammed up as to come across as phony. The acting is superb. Tarturro is great - plays the part of a local psycho bully very well - quite edgy and frightening but not over-the-top. Both Jodie Foster and Tim Robbins also do really well in this movie and is probably the best of that time period (the 80s) for either actor. Would recommend the movie for anyone looking for a good drama or for a movie with some social commentary that does not overwhelm the story.

Five Corners is a socially relevant film with a unique visual style

and a sense of humor. the cast is superb. Robbins, Foster and

Turturro give hints as to what they would go on to accomplish as

their careers grew. Todd Graff is also awesome but seems to be

having better luck as a screenwriter and producer. The two

females who play the glue sniffers are hilarious in roles that could

have easily be unsympathetic. The two mothers (Chalfant and

Gregorios) carry their weight in smaller but no less significant

roles. The two cops are straight out of the old crime dramas of the

1940's and 50's. There is also a good sense of 'place' in the film. I

got a genuine feel for the neighborhood where these characters

dwelt. I have also had the pleasure of being directed by Tony Bill in

a made for T.V. movie, A Chance of Snow. He's a professional. I

wish that he'd do more along the lines of Five Corners.

I came across this film on sale, and purchased it because I saw the leading roles- Jodie Foster and Tim Robbins, before they really got famous, and I was surprised at how well the movie was done. Set in the 60s, Five Corners rings true with tone and mood of the times. Plot is straightfoward and even mildly believable, but what the film's shining aspect is its portrayal of human emotions- its very clean, raw look at the fundamental of social interaction.

Listen to Jamie's cries at his abducted girlfriend through the steel subway bars. Feel his pain as he scratches for the just-beyond-reach token. Though seemingly one dimensional at first, Heinz is a complex, tortured character with roots (albeit predictably) from youth and upbringing.

The film belies its innocent appearance with a few unexpected flashes of violence, yet maintains a positive feel with occaisional punchlines. Another surprise is Eriq La Salle, who plays a commanding role in the film's racial commentary. (Look for his surgeonesque brusque manner in his pre-Benton, MD role.)

All together with a mysterious archer vigilante (?) in the midst and cute penguins mucking about, this film is worthy of your time if you have some extra.

Verdict for a five dollar DVD? A+ simply on the Beatles tune alone.