Dudes - Halt mich fest, die Wüste bebt!

This is not a serious film. It tries to be in a couple of places but doesnt make it. Some of the dream sequences are just a tad laboured but only a tad. Apart from this small points it is full of good humour and I certainly enjoyed it. I do not watch films for messages, for me that just escapes the point. Film is escapism, that is why it exists, to take us out of ourselves, to make us laugh,cry and smile. This is what DUDES does. We follow 3 punks cross country and their encounters with different people. They are products of the multi-cultural mix that is New York, the scene of all three bored in the VW driving thru the desert is truly hilarious. The second half of this film is bit more bleaker with dream sequences et al but still this is remains a joy. I was left with a good feeling after the end of this film and do so every time I revisit it.

'Dudes' (1987) is a delightfully rowdy black road comedy that for some inexplicable reason remains relatively unheralded. And it is a cultural travesty that, Penelope Spheeris's endearingly ludicrous cow punk road comedy is still unavailable on a UK-friendly Blu? Jon Cryer, Daniel Roebuck and Flea decide that the life of a big apple punker is a stone-cold snooze, and in a prescient moment of drunken inspiration they decide that a road trip to California might demonstratively improve their dour, metropolitan ennui. A righteous bummer for them, but fortunately for the viewer, their riotously ramshackle exodus is amusingly fraught with all manner of improbable calamity. An especially memorable interlude is a violent encounter with some low-down desert skeezoids, headed by the murderous red neck, Missoula, vividly played with gleeful mania by ex-Fear vocalist, Lee 'Black Moon Rising' Ving.

'Dudes' is a thoroughly engaging, roughshod road-movie oddity that begs for rediscovery, due largely to the endearingly daft twin lead performances from Roebuck & Cryer, the exhilarating RAWK soundtrack, and playfully eccentric mise-en-scene by maestro, Penelope Spheeris. For me, the REAL clincher is when the divinely bickering punkers over-imbibe a bottle of lysergic snake juice, procured from amiable renaissance man, Daredelvis (Pete Wilcox) and suddenly Spheeris plunges us deep into squirrelly, Alex Cox territory wherein all manner of gonzoid western archetypes are purloined for our midnight movie edification! It's the film's flaws, mad energy, and joyful incongruities that make it such a winning VHS-era cult gem! And my vinyl soundtrack album featuring Keel's boisterous 'Rock N' Roll Outlaw' cover is something I shall, hopefully, never have to part with!

I first saw dudes when I was seventeen,I rented the movie and returned it two years later.Well I have always wished I added it to my collection.As far as plot is concerned, the film is a little weak,but there are some more memorable lines including Dare-Delvises line regarding angry beef.The personal development of Grant and Biscuit make the film worth it.If you are looking for a serious film to learn something from this isn't it but if you are looking for some escapist comedy with some serious moments then you have come to the right place.

Dudes became one of my favorites quickly and has never really let me go. The weaker moments include a seemingly out of sync dream sequence,and the bar scene when Grant finally meets Missoula. So check it out with an open mind and enjoy Dudes for what it is worth.

This movie is fun. And it's great in that it is remarkably fun, as opposed to "about anything." If you can take it in context of "Punk-Western" as a "rock" movie and a western the bar is not set incredibly high to begin with, and this clears the hurdle with ease in merging two genres that usually droop into the exploitation movie quality level. Penelope Spheeris's prior works: Decline of Western Civilization and Suburbia were genuine and earnest portraits of punk-rock music, the first from a documentary perspective of the performers, and the second from the subjective fictional live of the fans of the genre. this is an attempt to launch these concepts into the language of mainstream genre cinema and succeeds better than adequately. Admirably, exceptionally, debate and quibble about the adjective. no matter what. this is approximately 1 1/2 hors of fun movie watching with that little extra to think about. And I occasionally entertain the bizarre notion of building a religion around Daredelvis. If one respects a youth culture as an anthropological phenomenon, tis film shines out as the "punk" take on westerns almost in the way that "LITTLE BIG MAN' was a 60's hippie western

Dudes is a fun albeit weirdly different movie. I didn't love it as much as Pepper Anne, but yeah - it's fun. From the opening with The Vandals to Lee Ving popping up as Cryer's nemesis, it never takes itself too seriously, even when it's taking itself too seriously. The plot is basically summed up in the Vandals tune "Urban Struggle" and P.A. above. Cryer and co. become disillusioned with the NY scene and head out west to see what lies out there. Run into Ving and his boys and things take a turn for the worse and then it's Cryer in Eastwood mode. Avenging angel.Anyway - take our words for it - Dudes is a semi-cult classic that's good for watching once every couple of years.