Dogs in Space

This is one of my favorite movies, but for personal - not cinematic - reasons.

During high school I lived without parents, and frequently my house resembled the house in the pic. It was filled with teens and early twenty-somethings who were trying to either get the hang of standing alone as adults or ignoring the fact that they'd passed childhood up altogether.

Most people may not realize that the movie gives a fairly accurate description of that (sur)reality. It may seem shallow or pretentious, and it may lack in "deep" plot twists and turns. The thing is, at that age, and in that type of life you live without worrying about the next day because it's just too big a concern to deal with. Most will never live, or think/feel this way.

On the cinematic side: the movie is not for someone sitting down to "view a good book." It's more a chance to turn off higher functions and experience another side of the world (not just Australia, but the time period and lifestyle). It's also important to note that this is not a Hollywood "teen" or "young adult" comedy - it's a drama with a lot of nonsense included, because that's what life is like.

It really is a shame that the movie isn't more widely available. I still own it from the original release, and only one of the rental stores (family owned) in my area has a copy. I'm sure it would more than meet the price to release to DVD. (I'm certain that a double disk including the original soundtrack would actually sell quite well!)

If you find it, watch it.

After donkeys years of buzz, I finally got a copied-copy of this film that I was told was the Aussie Sid & Nancy. Well, aside from the problems with the copy of the movie I have (several scenes skipped out - I had to go to YouTube to see them!!), I have to agree and disagree.

I can see how some people could make that comparison, as they both deal with the punk era and the fact that both movies end with a white limo scene. But in truth, I find Dogs In Space a more enjoyable trip down memory lane than S&N, and with a few nods to Breaking Glass thrown in for good measure.

The loose story is about trying to make it through the late 70's via the musical medium. The central characters are Anna and Sammy, not exactly icon or groupie, who live in a house with about 7000 other people, or so it seems some days. Some are studious, some are lost. Some desperately want to be musically inclined but can't seem to be much good at anything, and some hang around just to judge. Some want to score. Some want to fade away. Some want to change the world but can't even succeed in changing a light bulb. In short, your usual gang of punks. And just like in those party days, you're taken along room to room, conversation to conversation, sex to drug trip, ducking puke, furniture and arguments over nothing. These were the scenes that brought it all back for me - it's as if I were wandering through a party I'd gone to back in the day.

Anna is tolerant of her house mates and of her boyfriend, and seems to be the only one with a job. She is gracious and giving to a fault, and it is because of this that things go sadly wrong for her. Sammy is the lead singer of the band, content to be a kept boy by family and everyone else. He flops around with the cocksure swagger that only comes from oblivion, whether youth or chemically inspired. Or both. They have moments in which they create their own world together in the midst of all the chaos, and it's in those moments where we can see who they really could be. Those moments are quite touching on the 2nd viewing. Saskia Post gave a very sweet performance as Anna. And I have to say that Michael Hutchence was damn good in his role. His having known the guy he was portraying, and his coming from the punk scene, certainly helped.

Someone mentioned that it can be chancy to cast a musician in an acting role, but I've always thought it was a good bet. Musicians have to put on a persona of "rock star" every time they step on stage. They're used to playing a role almost every night. Many musicians are pretty good actors, but not many are given the chance. However, Michael Hutchence showed great promise. He was aspiring to do further work before his tragic and very sad demise. He is missed by millions to this day.

I'm not sure that this is a movie for everyone (understatement). It will, however, be incredibly nostalgic for those who were part of the punk scene, either as a band or a "poseur" (hanger-on). There was something very special about that time, and punks. They were pi**ed off, but on the whole good people who felt that they couldn't be good...if that makes sense. If you were friends, you stuck together and helped each other out the best you knew how. It may seem as if they treated everyone like the enemy, but they were just embroiled and united against whatever they perceived to be authority. Because, authority had let them down. They had been told that those of power would take care of their concerns, but in the same breath many were subject to poverty, mental/physical/sexual abuse, neglect - they saw the hypocrisy, and it angered them (as it would anyone). Many tried to escape these conflicts and problems, and bonded together in music, drugs, scrounging, sex - whatever they could grasp. It didn't feel so desperate, though, when you're in a house with 20 other people in a shanty or a "felony flat", and maybe that's why the memories are not all terrible. The only thing that ends it is someone dying. Someone always dies in everyone's group of friends. Which forces the group to no longer be a group and go it alone, shocked into reality, sadder, and hopefully a little bit more wise...or at least cautious.

If you made it through those days, this will be a tremendous flashback, complete with chainsaw and sheep but without the smell. What more could you ask from a punk film?

It has been about 15 years since I saw the movie. The best part, as I can remember was when Michael Hutchence (the late lead singer of INXS) was lying with his girlfriend in their bedroom and he told her the story of the "Green Monster". They were both very high and it was totally pointless. As a teenager, watching Michael Hutchence in a film was a very moving experience for my girlfriend and I who idolized INXS. We each memorized the story about the "Green Monster" [which is on the soundtrack to the movie as well]. I also believe that the movie had a fairly good volkswagon crash. There were also some other destructive and disgusting, but entertaining events that were kind of quirky. Some Americans would enjoy viewing this film.

I lived in Melbourne in this time frame. In share houses and went to lots of parties. Very much catches the ambiance, feel, human desires and dilemmas of being a youth in this era. Unless you lived there and know it you can't really appreciate the truth of this life. So many perished from overdoses. Many went on to live happy lives. But if you have been to these times for me they were the most free and some of the happiest times of my life because no one judged you, people encouraged individuality and a freedom of mind. There was a loyalty. Qualities in humanity that are not around today. People are emotionless now and do not discern right from wrong. The world is too dangerous. This was a cherished time.

I had fond memories of this movie for years, but on a recent re-viewing I was put off by the obnoxiousness of many of the characters here. They all seem shallow and self-obsessed, but that is probably an accurate portrayal of this period in Melbourne music history, and my reaction most likely has a lot to do with getting older, and being less sympathetic to the follies of youth.

'Dogs In Space' documents a fairly obscure but important period of Australian music history - the "little bands" scene, when punk turned weirder, artier, and generally more electronic. No other music scene in the world was EXACTLY the same, but the New York 'No Wave' era is the closest equivalent. Out of this melee came cult heroes The Birthday Party, but also many other acts that were hardly recorded, if recorded at all. This movie attempts to redress that. Director Richard Lowenstein lived in the house that inspired this story and hung out with the real band that is fictionalized here.

While not perfect, this movie has a lot of energy, some great music on the soundtrack (Iggy, Boys Next Door, Eno, Gang Of Four, Marching Girls), and there's enough of interest going on to make it highly recommended to anyone curious about late 70s/early 80s music. The late Michael Hutchence (INXS) may have rough acting chops, but he exudes enough charisma to make you wonder what might have been movie-wise for him.

By the way, keep an eye open for an early appearance of Noah Taylor now seen in more mainstream Hollywood fare like Tomb Raider!