Candy Mountain

You would think that a movie with Leon Redbone, Tom Waits, Dr. John, and David Johannsen is going to be one of the best films you've ever seen, right? God, how I looked forward to this. When I finally got to see it, it was like I got kicked in the guts.

Boring, moody, contrived, over stylized, and PRETENTIOUS. The main character is a total dick! There's nothing nice or cool here. It made me want to brush my teeth! Why Leon Redbone, Tom Waits, Dr. John, and David Johannsen allowed themselves to appear in this dog is beyond me.

You know what? Go buy the Johnny Winter album "Third Degree." There are some cool duets between Johnny and Dr. John. If you're a fan of the genre you'll love it, I promise. If you love that album you'll hate this movie.

This film is probably not for everybody, but if you like slightly surreal off-beat movies (Hal Hartley, Jim Jarmousch, Tom Dicillo) with interesting characters, than check out this movie.

Although it's a little sloppily put together and obviously low budget, the characters are memorable and the performances are authentic. Laurie Metcalfe (from "Roseanne") play her usual way-over-the-top self but pushes even farther over the top here, but it works somehow because it sticks out so oddly against all the other subdued performances. Tom Waits is great as the tacky-clothes-wearing, golf-playing crooner. ("Hell, I got money, look around.") This is one of those anti-hero movies, where everybody is either crazy or an asshole, even the main character and it's really hard to like any of them, but that's the point. Some very funny lines, realistic yet weird situations and touching moments. The ending is pretty weak though. 7/10.

As a music fanatic I obviously loved this movie. But had it not been for Dr. John, Waits, Redbone and Johansen etc. I would most likely not have given it the time of day.

Got to love it though!

It scores a 7 for the cast, effort and humour.

I've seen a few no-budget films before, but "Candy Mountain" really takes the cake. It feels like it was filmed on weekends and vacations with friends and relatives, and no one was paid anything. That might not be entirely true, but it's the impression I got. I watched the movie for Tom Waits, who doesn't have a big part, but is entertaining. Kevin J. O'Connor is good as Julius. All the various cameos are amusing, surely more so if you have a personal familiarity with the actors/musicians. It's a distinctly Canadian story, even though it hints at originating in the states.

The director, Robert Frank, leaves one with the distinct impression that he doesn't know how to make a compelling movie. It's well-intentioned enough, but lethargic as hell. When Julius wakes up to drag himself through another long day, you start to feel about the same as the viewer. If the photography was better, or maybe the silences had more depth and power, it wouldn't seem so sloppy. The pace is maddeningly slow. I got... a bit out of it, I guess. But it's really just not that great. At best, it convinces you that it's real. As for anything beyond that, well, never mind.

Greetings again from the darkness. The pedigree alone makes this cult favorite one to check out now that it's been digitally restored. Co-director Robert Frank was a renowned Swiss-American photographer and filmmaker, while co-director and screenwriter Ruby Wurlitzer was behind another popular cult flick from years earlier, TWO-LANE BLACKTOP (1971). The re-release is set to coincide with what would have been Mr. Frank's one hundredth birthday (he passed in 2019 at age 94).

The story begins in NYC when not-so-talented musician Julius (Kevin J O'Connor) overhears a successful recording artist (David Johansen of New York Dolls) talking about his desire to buy up guitars handmade by the reclusive and legendary Elmore Silk. Julius, being the hustler and scammer that he is, claims to know Elmore Silk and offers to track him down. It's all part of his latest scheme to become rich and famous without actually doing anything.

What follows is an oddball road trip of wrong turns, where Julius crosses paths with other ne'er do wells who each take advantage of him in some way. You might say Julius is not the sharpest knife in the drawer, yet he is persistent and continues his trek into Canada where, after being kidnapped, he locates Elmore Silk (Harris Yulin) and the guitars. Of course, the movie isn't really about the guitars. It's really about Julius's trek and his desire to break out of the lifelong doldrums. What he doesn't realize (though we do) is that even if he gets a big break, he'll likely find a way to mess it up.

The real fun with this movie comes in spotting the faces of known actors and musicians. In addition to O'Connor and Yulin, you'll see a young Laurie Metcalf (Oscar nominated for LADY BIRD, 2017), Tantoo Cardinal (KILLERS OF THE FLOWER MOON, 2023), French legend Bulle Ogier (THE DISCREET CHARM OF THE BOURGEOISE, 1972), Rockets Redglare (bodyguard for the Sex Pistols), and Robert Blossom (Kevin's scary neighbor in HOME ALONE). As for musicians, in addition to Johansen (also known as Buster Poindexter and for driving Bill Murray's cab in SCROOGED), you'll spot Joe Strummer of The Clash, the great Tom Waits, Arto Lindsay, Dr John, and Leon Redbone.

Kevin J O'Connor hasn't acted on screen in a few years, but his unconventional looks have graced multiple high-profile films: PEGGY SUE GOT MARRIED (1986), STEEL MAGNOLIAS (1989), AMISTAD (1997), GODS AND MONSTERS (1998), VAN HELSING (2004), THERE WILL BE BLOOD (2007), and THE MASTER (2012). It's an impressive career for a guy who rarely plays 'normal'. Nostalgia also plays a part here as we see a sign at a service station flaunting 79 cents per gallon gas. Julius spends some time hitchhiking, which was common for the time, and his foray into Canada goes against the reputation of a country filled with polite and friendly folks. It helps make sense of the film's best quote, "It always seems colder when you're leaving some place." The remastered version open in select theaters on October 25, 2024.