Axel Foley kehrt nach Beverly Hills zurück, um Taggart und Rosewood bei der Untersuchung von Chief Bogomils Beinahe-Todesschüssen und der damit verbundenen Reihe von "Alphabetverbrechen" zu ... Alles lesenAxel Foley kehrt nach Beverly Hills zurück, um Taggart und Rosewood bei der Untersuchung von Chief Bogomils Beinahe-Todesschüssen und der damit verbundenen Reihe von "Alphabetverbrechen" zu unterstützen.Axel Foley kehrt nach Beverly Hills zurück, um Taggart und Rosewood bei der Untersuchung von Chief Bogomils Beinahe-Todesschüssen und der damit verbundenen Reihe von "Alphabetverbrechen" zu unterstützen.
- Für 1 Oscar nominiert
- 6 Gewinne & 6 Nominierungen insgesamt
- Inspector Todd
- (as Gil Hill)
- Mayor Egan
- (as Robert Ridgley)
- Biddle
- (as Brian O'Connor)
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With a bit more originality in the script and a bit more daring this really could have been great. But for a sequel this isn't to bad just more of the same but not quite as good.
6/10 - Not as good as the original but far superior to the tepid third instalment.
Following the success of Beverly Hills Cop, Paramount Pictures, producers Jerry Bruckheimer and Don Simpson, and star Eddie Murphy were eager to do a follow-up. While original director Martin Brest turned down the opportunity to return, Tony Scott who'd directed Top Gun for Bruckheimer and Simpson was hired due not only to his work on Top Gun but also due to Scott's desire to work with Murphy. As with the original film there was a lot of re-writes going on behind the scenes, but in addition to the usual on the fly improvisation the film also needed reshoots as Tony Scott proved more adept at action rather than comedy necessitating the inclusion of additional comedy scenes. While the film was not as successful as its predecessor, it still made enough to be considered a blockbuster hit becoming the third highest grossing film of 1987. Critical reception tended to run more mixed and even Eddie Murphy has voiced similar feelings saying "it was probably the most successful mediocre movie in history". Beverly Hills Cop II isn't an awful movie and is perfectly serviceable, but it also feels like a more manufactured take on the first film often eschewing the rawness of the original in favor of flash and polish.
Despite not having the best material to work with, Eddie Murphy is still fun playing Axel Foley who still gets to use his motormouthed lies to work his way through situations such as how he manages to live in a mansion for the duration of the plot. Admittedly there's a lot of scenes where it seems like Murphy's trying to wring life out of not all that impressive sequences (an opening bit involving Foley investigating fraudulent credit cards goes nowhere except a reference to a one off character from the opening scene of the last movie) and some of his lies don't have the feeling of spontaneity they had previously such as one involving the Playboy Mansion. Murphy, Reinhold, and Ashton work well together and the fact they share so much screentime together is a plus to the movie. In terms of the rest of the movie, it does feel like it's more of a traditional blockbuster this time around. If the first Beverly Hills Cop was a comic detective story with an edge and some action, Beverly Hills Cop is an action movie where the comedy is largely secondary. There are many more action setpieces in this sequel with each one trying to up the ante on the climactic ending from the first film, but in the process the movie loses a lot of the raw identity that resonated so much in the first film. The plot basically follows the same path as the original with Foley investigating in Beverly Hills for personal reasons (in this case rapidly setting up Foley and Bogomil have since become friends) but there's so little build-up or personal investment that the stakes never feel as high and you're constantly reminded of how much better the first one did this. Jurgen Prochnow and Brigette Nielsen are at least charismatic and imposing villains, but they don't play against Murphy as successfully as Steven berkoff did.
Beverly Hills Cop II is the definition of "servicable". There's nothing especially wrong with it, but there's also nothing especially right with it and it mostly rests on the goodwill of its cast to justify its existence.
Never one to turn down a sequel to a hit film (how many has he done now?) Murphy returns for part 2. The first problem the film has is how to keep the material fresh. One of the first things we discover is that the producers didn't manage to answer this question very well. The plot again is nothing special it could be any cop thriller although the action scenes are a little bigger this time around.
In terms of comedy, Murphy's shtick isn't as funny this time around as he merely wheels out the same sort of jokes all over again we even have the difficult Lieutant from part one replaced with, you guessed it, another difficult authoruty figure! While Murphy tries hard he can't lift this the way he lifted the first one, however it still has some funny touches added.
The best addition (and one of the few that works) is Rosewood's sudden obsession with big guns that works because it's new, but it's the only bit. Ashton replays his performance as the annoyed Taggart. The baddies are not as good as before Nielsen is pretty vapid if you ask me, and I don't think she's sexy in the least. Prochnow is ok I guess but really can't match the `ham and eggs' haminess of Berkoff. Stockwell is a nice addition and Reiser is always watchable.
Overall it's still fun but really it's an inferior copy to the original (just like all Murphy's sequels). Lacks spark, flair and freshness but is still a passable cop comedy.
That's pretty much the case for "Beverly Hills Cop II" as it followed close on the heels of the original. Eddie Murphy remains a motor-mouthed comedian and has enough charisma to keep the movie afloat. His shtick isn't all that funny from a distance but it's good enough.
The rest of the movie is rather trite and the script a nonsense that lacks even action film logic. You've got an arms dealer, some violent robberies and Hugh Hefner. I suppose that made sense when strip clubs were a Hollywood staple but now it's just embarrassing.
Still the film isn't awful and it's an easy, relatively short watch. You've got plenty of action, a reasonable quota of recycled jokes and some decent actors. Not great but not terrible.
Eddie Murphy Through the Years
Eddie Murphy Through the Years
Wusstest du schon
- WissenswertesGilbert Gottfried stated he and Eddie Murphy improvised their dialogue after Axel brings up Sidney Bernstein's parking violations.
- PatzerBogomil gets chewed out by Chief Lutz for involving the FBI in solving "The Alphabet Crimes." But the diamond store robbery is the "A" crime; i.e. the first and only crime. How does anyone know (at this point in the movie) that there are going to be further "Alphabet Crimes"?
Because in robbing Adriano's jewelry store, the criminals leave a letter in an envelope with the capital letter "A" emblazoned on it, which would suggest that the first letter of the business played a part in its selection as a target and that there will be more to come.
- Zitate
[Axel sees Rosewood with a huge pistol]
Axel Foley: Yo, man! What's that for?
Billy Rosewood: After the shootout at the club, I figured I needed more firepower.
Axel Foley: Yo man, we gotta talk, seriously. Who do you think you are, Clint Eastwood? Dirty Rosewood?
- Alternative VersionenIn Ontario, the film was rated Restricted, which meant that no one under 18 could attend. In hopes of reaching a wider audience in the province, Paramount appealed the rating and asked that it be reduced to Adult Accompaniment (under 14 must be accompanied by a parent or adult guardian). The Ontario Censor Board agreed to their request as long as the line "She can suck a golf ball through twenty feet of garden hose" was removed. The studio made the cut and the rating was changed from R to AA. The line remained in the subsequent video release.
- VerbindungenFeatured in Siskel & Ebert & the Movies: Previews of Coming Attractions (1987)
- SoundtracksShakedown
By Harold Faltermeyer, Keith Forsey & Bob Seger
Performed by Bob Seger
Produced by Harold Faltermeyer & Keith Forsey
Courtesy of Capitol Records, Inc.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Un detective suelto en Hollywood 2
- Drehorte
- Acapulco - 385 North La Cienega Boulevard, Hollywood, Los Angeles, Kalifornien, USA(strip club shoot out, now demolished)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 27.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 153.665.036 $
- Eröffnungswochenende in den USA und in Kanada
- 26.348.555 $
- 24. Mai 1987
- Weltweiter Bruttoertrag
- 299.965.036 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1