Fernsehreporterin Vanessa berichtet über einen Bauern, der von seinen Hühnern angegriffen wurde, und entdeckt, dass dies kein Einzelfall ist ...Fernsehreporterin Vanessa berichtet über einen Bauern, der von seinen Hühnern angegriffen wurde, und entdeckt, dass dies kein Einzelfall ist ...Fernsehreporterin Vanessa berichtet über einen Bauern, der von seinen Hühnern angegriffen wurde, und entdeckt, dass dies kein Einzelfall ist ...
- Regie
- Drehbuch
- Hauptbesetzung
Nené Morales
- Sharon
- (as Nene Morales)
Cintia Lodetti
- Susan
- (as Carol Connery)
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I just watched this film...no kidding I mean I JUST watched it. The credits rolled less then a minute ago before I stopped the DVD and ran to my computer. This film is absolutely dreadful, awful. No, it's worse then that. 'Awful' is a good description of a bad film. But this movie is deserving of some other word and I don't know what it is. It isn't just bad, while watching the film I found myself grinding my teeth and hurling obscenities in rage and frustration. From the very beginning with the 9 minute handgliding sequence which amounts to...NOTHING, this film had me...p*ssed. I couldn't believe what I was seeing. How can anything on Earth be so horrible on so many levels? This film blatantly abuses the slo-mo sequence, especially in places that don't need to be slo-mo'd. In fact, I wager that if you played all the slo-mo footage at normal speed along with the rest of the film...the film would run about 30 minutes. The main story is about a (sometimes naked) reporter and her faithful lapdog--er...cameraman. But for some reason 80% of the flick revolves around 8 or 9 groups of people in 'bird peril', WHY?????????????? I'm not exactly sure how to express my feelings on this film correctly. I have nothing but absolute contempt for the cast and crew responsible for this travesty... ARGHHHHH!!!!!!!
Rene Cardona Jr.'s spin on Hitchcock's THE BIRDS isn't just a bad movie – it's an incredibly trashy one, seemingly made with little regard for quality, coherence, editing or linear storytelling. Plenty of effort has been made to give the movie an international feel – parts of it were filmed in North and South America as well as Europe – and all that effort goes to waste in what is nothing more than a schlocky Z-grade attempt to emulate greatness. It has the same kind of quality to it as something like Bruno Mattei's ZOMBIE CREEPING FLESH, except without the fun factor.
Things do kick off on a good note, with an ultra-gruesome moment involving an eagle. There are some hilarious attacks of people being 'ambushed' by birds achieved by somebody chucking pigeons, off camera, at the cast members! Then the film loses it and turns into a rambling narrative, setting up about five different sets of characters for an hour or so before throwing them into siege situations: a party attacked; a camper van seeking refuge; a train at the mercy of flocking winged terror. None of this is as interesting as it sounds, and the gore effects are in short supply, limited to a few scratches on the back of people's hands and on their faces.
Christopher Atkins and Michelle Johnson are set up as the nominal protagonists – a female reporter covering the avian crime and her cameraman sidekick. There's even some body-double nudity and a cheesy sex scene thrown in. However, these guys have little to do in the film and their acting absolutely sucks, with the kind of awful dubbing you expect from late '80s Spanish and Italian flicks. There's no characterisation anywhere in the film, and aside from a brief cameo from Italian star Gabriele Tinti, no interest from the varied cast.
In the end the film becomes overwhelming senseless, with more pigeons being chucked about than is strictly necessary; there's an exploding eagle and some annoyingly whiny kids around too, including the most irritating little red-haired girl whose awful scream leads you to hope that a pigeon will fly down and pluck out her throat! No such luck. Cardona made a long string of Mexican exploitation movies, but this is one of his very worst. It's not the worst I've seen, though; it may be an absolutely diabolical film, but like Z-grade trash such as THE ABOMINATION, it's never boring.
Things do kick off on a good note, with an ultra-gruesome moment involving an eagle. There are some hilarious attacks of people being 'ambushed' by birds achieved by somebody chucking pigeons, off camera, at the cast members! Then the film loses it and turns into a rambling narrative, setting up about five different sets of characters for an hour or so before throwing them into siege situations: a party attacked; a camper van seeking refuge; a train at the mercy of flocking winged terror. None of this is as interesting as it sounds, and the gore effects are in short supply, limited to a few scratches on the back of people's hands and on their faces.
Christopher Atkins and Michelle Johnson are set up as the nominal protagonists – a female reporter covering the avian crime and her cameraman sidekick. There's even some body-double nudity and a cheesy sex scene thrown in. However, these guys have little to do in the film and their acting absolutely sucks, with the kind of awful dubbing you expect from late '80s Spanish and Italian flicks. There's no characterisation anywhere in the film, and aside from a brief cameo from Italian star Gabriele Tinti, no interest from the varied cast.
In the end the film becomes overwhelming senseless, with more pigeons being chucked about than is strictly necessary; there's an exploding eagle and some annoyingly whiny kids around too, including the most irritating little red-haired girl whose awful scream leads you to hope that a pigeon will fly down and pluck out her throat! No such luck. Cardona made a long string of Mexican exploitation movies, but this is one of his very worst. It's not the worst I've seen, though; it may be an absolutely diabolical film, but like Z-grade trash such as THE ABOMINATION, it's never boring.
Such an obvious ripoff of Hitchcock's movie. But Michelle Johnson is so hot. She's one of the best looking chicks of the 80s. Hehe chicks.
Broadcast journalist Michelle Johnson (as Vanessa Cartwright) and cameraman Christopher Atkins (as Peter) stumble upon the story of the century - BIRDS, formerly our feathered friends, have taken a foul turn! They are attacking people all over the world! The cute shirt-shedding blonde couple track the mostly pesky pigeons as they make mince meat out of people's faces. As the attacks increase, you get less of Ms. Johnson and Mr. Atkins showing their chests, and more pigeon poking.
A real trouper, Mr. Atkins manages to utter the line, "We're sitting ducks," with a straight face.
"I know what we saw was awful, but it's over," says Salvador Pineda when he thinks he's escaped from danger. Not so fast. That could be your reaction after seeing this Rene Cardona Jr. homage to Alfred Hitchcock's "The Birds" (1963). There are some promising scenes, but the pace and editing are astonishingly bad - perhaps no editing was done, and Mr. Cardona tried to make a movie with the footage he had. And, it looks like they used up a lot of pigeons during production.
** Beaks (10/87) Rene Cardona Jr. ~ Michelle Johnson, Christopher Atkins, Sonia Infante, Salvador Pineda
A real trouper, Mr. Atkins manages to utter the line, "We're sitting ducks," with a straight face.
"I know what we saw was awful, but it's over," says Salvador Pineda when he thinks he's escaped from danger. Not so fast. That could be your reaction after seeing this Rene Cardona Jr. homage to Alfred Hitchcock's "The Birds" (1963). There are some promising scenes, but the pace and editing are astonishingly bad - perhaps no editing was done, and Mr. Cardona tried to make a movie with the footage he had. And, it looks like they used up a lot of pigeons during production.
** Beaks (10/87) Rene Cardona Jr. ~ Michelle Johnson, Christopher Atkins, Sonia Infante, Salvador Pineda
It's hard to condone a film that starts off with some muppet shooting pigeons for sport, but this film is so overwhelmingly stupid that it's hard not to enjoy it. Basically, it's The Birds only made by Spaniards and Italians. Which is probably why it starts with a guy shooting pigeons.
Basically, the birds are annoyed that man is damaging the Earth and are now looking for payback. Although we have countless shot of Flamingoes, Storks, seagulls etc any time there's a mass bird attack the films uses pigeons. You know, one of the least threatening birds of all. Fair enough, a couple of eagles show up to pull people's eyeballs out but it's pigeons all the way for this film.
You've got a reporter and her cameraman seemingly travelling all over the world trying to get to the bottom of all these bird attacks (and failing miserably) while interviewing people who've been attacked, like Aldo Sambrell and another guy who had an eyeball stolen by an eagle. Also the guy who was the husband of the junkie girl in the Living Dead at the Manchester Morgue is in this for about five minutes.
But what makes it so enjoyable? The bad acting, fluffed lines, the scene where the pigeons 'eavesdrop' on our heroes, the crap ending and the even crapper (but most welcome) epilogue. What about the guy having a heart attack in the middle of a bird attack? I can just imagine some Spanish racing pigeon enthusiast being bunged a couple of grand only to watch in horror as his pigeons are thrown at confused actors trying to look terrified. They probably just poured breadcrumbs all over everything too.
Basically, the birds are annoyed that man is damaging the Earth and are now looking for payback. Although we have countless shot of Flamingoes, Storks, seagulls etc any time there's a mass bird attack the films uses pigeons. You know, one of the least threatening birds of all. Fair enough, a couple of eagles show up to pull people's eyeballs out but it's pigeons all the way for this film.
You've got a reporter and her cameraman seemingly travelling all over the world trying to get to the bottom of all these bird attacks (and failing miserably) while interviewing people who've been attacked, like Aldo Sambrell and another guy who had an eyeball stolen by an eagle. Also the guy who was the husband of the junkie girl in the Living Dead at the Manchester Morgue is in this for about five minutes.
But what makes it so enjoyable? The bad acting, fluffed lines, the scene where the pigeons 'eavesdrop' on our heroes, the crap ending and the even crapper (but most welcome) epilogue. What about the guy having a heart attack in the middle of a bird attack? I can just imagine some Spanish racing pigeon enthusiast being bunged a couple of grand only to watch in horror as his pigeons are thrown at confused actors trying to look terrified. They probably just poured breadcrumbs all over everything too.
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- WissenswertesPresented in Italy as "the sequel to Alfred Hitchcock's Die Vögel (1963)".
- Alternative VersionenThe IVE VHS under the name of "Beaks: The Movie" has 14 minutes of gore trimmed from the film. The Japanese VHS has the original 100 minute cut of the film.
- VerbindungenEdited into Beaks! (2020)
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- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was El ataque de los pájaros (1987) officially released in India in English?
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