Dämonia

I didn't have high expectations going into this, which is the right way to approach it. I mostly wanted to see the infamous death-by-snail scene, which did not disappoint.

The film didn't make a lot of sense in general, but it's mostly well shot and has Fulci's trademark atmosphere and grit.

Overall, there's nothing earth shattering, but its story is told in unusual ways and I enjoyed it. That's good enough for me.

At a school for wayward girls that would give any British/Australian TV presenter/entertainer from the seventies a stroke, a prank has gone way, way wrong. Cathy, the weirdo daughter of the weirdo cleaner, has been set up on a date with Fred, the gym instructor (more on him later). After being given a horrendous eighties make up job by her two 'friends', to the tune of horrendous eighties song that wouldn't be out of place on a Bowie album from the same era, she sets out with Fred, who puts the moves on her. What Cathy doesn't know is that everyone else at the school, and their boyfriends, are all listening in and shortly chase her around in their cars, causing her to be run over.

Now in a coma and because this is a Fulci film, we get to see Cathy's spirit float above a model town (with some leftover model buildings from The New Gladiators – I wonder if Fulci kept them in the same cupboard as Jared Martin, who stars in both films). She decides to possess the body of new pupil Eva, who's goal in life is to shag as many men as possible. There's about six other actresses playing pupils in this film but for the life of me I can't remember any of their names.

Eva's first port of call is Fred. Now, he's not in the film long, but he's worth a mention. Fred is the gym teacher for the school, and he loves to date the pupils, slap them on the arse, give them leg massages, tell the pupils that they're fat, and inadvertently cause them to get run over by cars. So Eva sets up a date with him but doesn't quite get there as his reflection comes to life and strangles him, as they tend to do.

Basically, Fulci at some point has watched both Carrie and Patrick and thought "Me too!" Cathy is now possessing Eva, and causing the deaths of all involved in her accident. At one point Eva throws a hissy fit which brings her to the attention of Doctor Jared Martin, who of course is also Cathy's doctor, and they hit it off.

So the rest of the film plays out like you'd expect, with those girls all meeting their demises in various surreal ways (death by snail, death by a statue coming to life in an art gallery after a picture comes to life and stabs itself, raining blood on one of the girls, a run of the mill falling out the window gag), until Eva's family show up suddenly and take her home, causing Jared to go out with yet another one of the girls. This doesn't make Cathy a happy camper.

What surprised me after watching Aenigma was how it wasn't a pile of crap at all. In fact, I quite enjoyed it! Judging by how ill Fulci looks when he makes his usual cameo, I'm surprised he managed to make something that has an actual storyline (see Manhattan Baby for the opposite of this). Sure, it's your run of the mill late era Italian horror, but the snails, art gallery bit and completely original storyline if you haven't seen Patrick make it worth a watch. It's got all the visual trademark's of our Lucio, and looks pretty good in general. The fake heads look…faker than usual, but that seems to go with the low budgets. Seriously, see the fake head in Red Monks for a further example of the decline in fake head quality.

Judging by the amount of other user-comments and their content around here, this "Aenigma" (love the alternate spelling!) is a lesser known and thoroughly hated Lucio Fulci film. Well sure, it's not a patch on his earlier work but still it remains a remotely enjoyable bloodbath with some inventive killings (the snails!!) and an appealing cast of young & sexy schoolgirls. The story, although highly unoriginal, is easy to follow, unpretentious and fast-paced. Black sheep of Catholic girl's dorm Kathy is involved in a near-fatal car accident after a prank with the school's gym teacher. Shortly after, a new and extrovert girl makes her entry in the dorm but her mind seems controlled by the comatose Kathy. Through Eva Gordon, Kathy and her spiritual mother see a chance for revenge, starting with the death of the insufferable macho gym teacher. Fulci keeps the gore under control this time and focuses more on the brooding atmosphere. "Aenigma" features some beautiful camera-work, although admittedly, the same camera angles are often re-used several times. The girls' acting is extremely hammy and it's a good thing they all all look so cute, otherwise it would have been a lot more difficult to struggle yourself through the movie. Nothing spectacular or special, but it certainly isn't terrible, neither.

Watching this movie is a lot like self-dismemberment. You want to do it before, but after you wish you hadn't. Lucio Fulci, director of many pasta-land splatter films, releases this not-so-famous film in 1987. The basic story is a dorky girl gets picked on by all the rich stuck up girls of a private school. They all play a cruel trick on her when a handsome boy of the school pretends to like her, only to laugh and laugh at her when she tries to "make out" with him. She runs away only to afterward get hit by a car. While in her coma, she some-how manages to possess a new girl in the school, who in turn commits murder against the "bad" students that hurt the girl. This movie has the infamous "rape by snail" scene which isn't as gruesome as you might expect from Fulci after the spiders and dogs in 'The Beyond." I watched the UNCUT Japanese print, but from what I could tell nothing was cut out of the old 86 minute version violence-wise except for the "lip biting" scene.

Overall, a 4/10 because of a rape-by-snail scene. Come on Lucio, more gore PLEASE!

I am not surprised to see mostly negative reviews for Fulci's 1987 "Carrie" inspired "Aenigma". It does not stand up to his late 70's/early 80's gore epics that you all are familiar with. But wait, let's remember that Fulci is still visually inventive in 87, with lots of great camera moves and flair. The man knew how to tell a story, folks. He may have been a jerk to his colleagues, but what a great craftsman. He was trying to make a US style teenager quasi slasher popcorn movie here, a lighter less horrifying type of deal. I think it should also be said that this was well cast. The beautiful college girls each play their roles with unique personalities, something you won't find in most US films of this type. The geeky girl in the red dress is a hoot, and so is the famous snail scene. Best of all is the English new wave/pop sappy romance song that sets up the audience perfectly. It's an interesting and engaging story, even if it is clearly inspired by Carrie. And unlike so many other horror films, the ending is rewarding, logical AND suspenseful. I still haven't seen a Fulci film that I don't like, and this is no exception...check it out!