IMDb-BEWERTUNG
5,6/10
2042
IHRE BEWERTUNG
Historische Fiktion vor dem Hintergrund von Hongkong in den ersten Jahren der britischen Herrschaft.Historische Fiktion vor dem Hintergrund von Hongkong in den ersten Jahren der britischen Herrschaft.Historische Fiktion vor dem Hintergrund von Hongkong in den ersten Jahren der britischen Herrschaft.
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TAI-PAN
Aspect ratio: 2.39:1 (J-D-C Scope)
Sound format: Dolby Stereo
1840's China: Thrown off the mainland because of his opium dealings, a western merchant (Bryan Brown) sets up home on the island of Hong Kong where he faces conflict from friend and foe alike in the lead-up to colonization.
Hugely derided at the time of its release, this handsome production - based on the novel by James Clavell, and directed by TV specialist Daryl Duke (THE THORN BIRDS) - plays to the gallery at every turn, embracing the book's labyrinthine plot and outrageous melodrama with unashamed fervour, an approach which appears to have sealed its fate at the box-office. The movie opens a little too abruptly, indicating a troubled post-production, but John Briley's busy screenplay (co-written with Stanley Mann) unfolds against a colorful historical backdrop and includes just enough nudity and violence to keep boredom at bay. Brown's performance is compromised by an unconvincing Scottish accent, and he's upstaged by Joan Chen (THE LAST EMPEROR) as the Chinese girl who loves him regardless of his failings, while handsome Tim Guinee (HOW TO MAKE AN American QUILT) is achingly sincere as Brown's naive young son, led astray by villainous merchants plotting his family's downfall. Also starring John Stanton, Russell Wong, Norman Rodway, Kyra Sedgwick and Bert Remsen in supporting roles. Production values strive to capture an epic feel and are largely successful, though no one's ever going to mistake this for "Lawrence of Hong Kong"! Italian makeup maestro Giannetto de Rossi (a regular contributor to the films of Lucio Fulci) provides some occasional flashes of gore, including a brief - but realistic - decapitation near the beginning of the picture.
Aspect ratio: 2.39:1 (J-D-C Scope)
Sound format: Dolby Stereo
1840's China: Thrown off the mainland because of his opium dealings, a western merchant (Bryan Brown) sets up home on the island of Hong Kong where he faces conflict from friend and foe alike in the lead-up to colonization.
Hugely derided at the time of its release, this handsome production - based on the novel by James Clavell, and directed by TV specialist Daryl Duke (THE THORN BIRDS) - plays to the gallery at every turn, embracing the book's labyrinthine plot and outrageous melodrama with unashamed fervour, an approach which appears to have sealed its fate at the box-office. The movie opens a little too abruptly, indicating a troubled post-production, but John Briley's busy screenplay (co-written with Stanley Mann) unfolds against a colorful historical backdrop and includes just enough nudity and violence to keep boredom at bay. Brown's performance is compromised by an unconvincing Scottish accent, and he's upstaged by Joan Chen (THE LAST EMPEROR) as the Chinese girl who loves him regardless of his failings, while handsome Tim Guinee (HOW TO MAKE AN American QUILT) is achingly sincere as Brown's naive young son, led astray by villainous merchants plotting his family's downfall. Also starring John Stanton, Russell Wong, Norman Rodway, Kyra Sedgwick and Bert Remsen in supporting roles. Production values strive to capture an epic feel and are largely successful, though no one's ever going to mistake this for "Lawrence of Hong Kong"! Italian makeup maestro Giannetto de Rossi (a regular contributor to the films of Lucio Fulci) provides some occasional flashes of gore, including a brief - but realistic - decapitation near the beginning of the picture.
Last night on Turner Classic Movies, I saw a trailer from the sixties called "Lion Power" about all the big projects audiences could expect from MGM in the months and years ahead. Included among them were clips from "Far From the Madding Crowd" and "Where Were You When the Lights Went Out?", plus mention of "Where Eagles Dare" with Richard Burton (not mentioning Clint Eastwood, as perhaps he wasn't signed yet), "Ice Station Zebra", and "2001: A Space Odyssey" with very early-form artwork of its making. Among the many films mentioned in passing near the end of the trailer was "James Clavell's 'Tai-Pan'", yet no earlier version of the film was ever made. Just how long was this thing in the making, and what casts were potentially involved at different times? It would be interesting to see the planned history of such a movie that took so long to finally get made, bad as it reportedly is.
It's worth pointing out that I came to this film having read James Clavell's excellent novel, TAI-PAN, on which this is based. If I hadn't read the book beforehand, I probably would have enjoyed this adaptation a lot more.
Sadly, I was left feeling that the filmed TAI-PAN is a crushing disappointment, purely because it cuts so very much out of the story. The whole background is missing, the Triad stuff, the politics, the trade with the Chinese. The story is reduced to the human relationships and particularly the family rivalries between the main characters, but there was so much more to it than that.
I do understand that films are very different to books and that adaptations have to cut material out, but TAI-PAN has a two hour running time and a lot of it is slow-paced. If it had told events at a much faster pace, it would have been able to include a lot more of the details and subtleties that are missing here. As it is, there are elements of greatness - plus the novelty of seeing Bryan Brown in a leading role - but it could have been so much more. A miniseries would suffice better, I think.
Sadly, I was left feeling that the filmed TAI-PAN is a crushing disappointment, purely because it cuts so very much out of the story. The whole background is missing, the Triad stuff, the politics, the trade with the Chinese. The story is reduced to the human relationships and particularly the family rivalries between the main characters, but there was so much more to it than that.
I do understand that films are very different to books and that adaptations have to cut material out, but TAI-PAN has a two hour running time and a lot of it is slow-paced. If it had told events at a much faster pace, it would have been able to include a lot more of the details and subtleties that are missing here. As it is, there are elements of greatness - plus the novelty of seeing Bryan Brown in a leading role - but it could have been so much more. A miniseries would suffice better, I think.
first, inject countless clichés and stereotypes, populate the cast with some well-knowns, and add some 'tit'illation.
and wait for the box office receipts to pour in!!!
I am very very disappointed in this film which I purchased on VHS. its one of those I *know* I wont be watching a 2nd time.
it meanders, gap toothed, and those stereotypes just weigh it down till it sinks in Hong Kong harbor. and of course, top it all off with a quickie pan of modern day Hong Kong.
some good acting but not enough to overcome the numerous shortcomings.
I didn't read the book but Im sure it far outclasses this quickie 2 + hour 'featurette'. is there a Hollywood ombudsman you can call up to you know, get your money back or something?
Im glad IMDb exists so that duds like this can be outed and red-flagged.
and wait for the box office receipts to pour in!!!
I am very very disappointed in this film which I purchased on VHS. its one of those I *know* I wont be watching a 2nd time.
it meanders, gap toothed, and those stereotypes just weigh it down till it sinks in Hong Kong harbor. and of course, top it all off with a quickie pan of modern day Hong Kong.
some good acting but not enough to overcome the numerous shortcomings.
I didn't read the book but Im sure it far outclasses this quickie 2 + hour 'featurette'. is there a Hollywood ombudsman you can call up to you know, get your money back or something?
Im glad IMDb exists so that duds like this can be outed and red-flagged.
As another reviewer put it, this movie was very similar to Dune. Very interesting comparison, since Raffaella De Laurentiis produced them both. This was her first project right after Dune. Both were sweeping epic sagas with multiple intertwined plotlines. Both should have been six or eight hour mini series and not feature films. As with Dune, you will find that if you have not read the book, you will not understand the movie. However, if you have read the book, then the movie isn't all that bad. James Clavell's 'Asian Saga' is one of my favorite book series, so I bought this movie cheap just to see it. The characters are like old friends to me, so I didn't think that the movie was all that bad. I realized while watching it though, that someone who had not read the book would not be able to keep up with all of the plot points. My suggestion to you is to read the book, then watch the movie. You will discover two things; first it's a super good book. Second, this movie had everything going for it in cast and settings; it just had too much story to tell in too short a time. It definitely should have been a six-hour miniseries.
Wusstest du schon
- WissenswertesProducer Martin Ransohoff and the Metro-Goldwyn-Mayer studio in 1966 acquired the rights to James Clavell's source "Tai-Pan" novel for US $500,000. The movie was then announced by MGM in 1967-68 to star Patrick McGoohan to play Dirk Struan, to be directed by Michael Anderson, with source novelist Clavell writing the screenplay. The picture was originally budgeted to cost US $26 million which was then reduced to US $20 million. The project sat around stagnant for a time in development hell. However, after severe operating losses, the epic was one of a number of expensive projects the new management at the MGM studio dropped as being too costly. The project and the development of the movie at MGM was in the end canceled by executive James T. Aubrey.
- PatzerIn a scene, set in 1841, several of the ladies were wearing bright mauve outfits. That would have been most unlikely for the wives of middle class traders at that time as the color purple was prohibitively expensive before the invention of analine dyes in London - in 1856. By 1870 these gaudy colors had become so cheap and commonplace that it became a status symbol to mimic the subtler, paler colors of the pre analine dye days.
- Zitate
Dirk Struan: No emperor has seen the guns of a British man-of-war.
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Details
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.007.250 $
- Eröffnungswochenende in den USA und in Kanada
- 1.863.469 $
- 9. Nov. 1986
- Weltweiter Bruttoertrag
- 4.007.250 $
- Laufzeit2 Stunden 7 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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