Manons Rache

Following the death of her father, Manon (Emmanuelle Beart) has remained in the farm house tending goats. Galinette (Auteuil) and his uncle Cesar (Montard) have greatly prospered from the fresh spring water and their carnations grow well. Galinette begins to turn towards ideas of love and steadily falls for the distant Manon. Meanwhile she has discovered the treachery that once befell her father and begins her plan to uncover the culprits.

This follows on from the open-ended story of "Jean de Florette". Time has passed and Manon is now a beautiful young woman. This film will satisfy those who felt the bleak ending of the first film was not satisfying. This sees those who acted in greed receive their deserves. As a conclusion to the story it is satisfactory - the film begins quite relaxed and is quite humorous throughout. However the "punishment" of both Galinette and Cesar is moving. Cesar's fate is particularly impacting and you feel sorry for him and his greediness.

The performances are not as strong as before. In the first film both Montard and Auteuil had set characters to play. Here they are less set and act out their roles rather than their characters. Beart is good as Manon, but she is too different in heart from the angel of the first - it's understandable why she has changed but where she was since the last film is not clear, it's unlikely that her mother would have left her at the farm or that she would have let her leave to return. But this is a minor complaint over a moving tale of deserves. I would say this rather than revenge - because both Galinette and Cesar bring their pains upon themselves.

My only problem with this is that it follows the story of the first film. However to me the first film was more about human nature (greed & hope specifically) rather than the story of the farmland and the spring. Although the end of Jean de Florette was bleak it was perhaps understandable that things should end that way. That said this is a good conclusion to the story if that's what you want - although as a further look at human nature it doesn't convince as well as the first did.

Manon des Sources is a good film that has all the visual beauty of the first film and continues the strong emotive story - as a pair of films they are an excellent piece of work. However for me, the first film is so strong in all areas that it leaves too much for the second to live up to.

A moving sequel that almost manages to live up to what went before.

Having adored Jean De Florette, of which Manon of the Spring(or Manon Des Sources) follows on from, I found this film every bit as amazing. Once again the cinematography shimmers and the scenery is some of the best I have seen in any film. There is also a haunting score, a compelling story and a genuinely moving script, and Berri's direction is paced perfectly to suit life under the scorching sun. The performances are every bit as impressive, Emmanuelle Beart is alluring and very believable, and Yves Montand and Daniel Auteuil are once again outstanding, particularly Auteuil when he tries to atone. Overall, an amazing and I think poignant film. 10/10 Bethany Cox

Manon of the Spring is the sequel to Jean de Florette, released the same year. By no means should Manon be rented without having first seen Jean. By no means, in either case, should one glance at the movie notes on the reverse side of the video box.

Almost nothing can be said safely about Manon without giving away the overall plot or this or that twist or turn. Suffice to explain that Jean concerns an urbanite hunchback who relocates to the Provencal countryside with his wife and daughter, intent on raising rabbits. Manon picks up some years after the Jean conclusion, with the daughter having grown to young womanhood. (More prudish prospective viewers need to know that this will be explicitly evident.)

This is superb movie-making. Other reviewers accurately call it a masterpiece. The story line dominates, not the acting. Even so, Yves Montand continues his excellent performance from Jean, and Daniel Auteuil as the unsightly nephew is more impressive after one sees him clean-cut and sophisticate in something like Un Coeur en Hiver (1992). Emmanuelle Beart and Hipployte Girardot say very little, yet it doesn't detract from their respective essential portrayals. Anyone who becomes a Beart fan is advised to rent Nelly & Monsieur Arnaud (1995).

The two movies, prequel and sequel, work as a team. By virtue of its powerful denouement, however, Manon of the Spring is the standout of the pair. For the same reason, in my opinion, it is one of the very best films of the 1980s.

This (and Jean de Florette) is the most moving, well thought out film I have ever watched. The countryside makes me long to go to France, to where it was filmed, to see "Les Romarins" and "Les Bastides". The music is like an eerie prayer that reminds my soul of "pauvre Galinette et ses rouges oeillets, et Papet Soubeyrans, et Manon Cadoret". The red carnations are a haunting image...

Both books are as good as the movies; I recommend anybody who likes this film to buy them (if you can read French, that is!). I would give everyone, Marcel Pagnol, Claude Berri, etc etc a gold medal for these works- well done!

By the way, have a look at the earlier version of "Manon des Sources". An actress called Jaqueline Pagnol is in it -she is the wife of Marcel Pagnol who wrote both books!

This is my favourite French movie of all time. The cycle of life and death, as symbolized at the wedding at the end while one of the characters visits the cemetary, is so poetically portrayed in this movie. Nobody is crudely and simply drawn here--you understand motivation, human nature, and the capacity for both good and evil that exists in all of us. The film would also be an excellent travelogue of Provence, and its slow, deliberate pacing enables you to envelop yourself in a story that unveils itself in its own sweet time. Even though Daniel Auteil's character was supposed to be evil, his love for Manon was so heartbreakingly portrayed you couldn't help but feel for him. And of course what can be said about Yves Montand--he can say more with one raised eyebrow on that great wrinkled face than Bruce Willis can mumble in an entire movie...the highest recommendation for both Jean de Florette and Manon of the Spring