Fist of the North Star

For me Fist of the North Star will and always be the "BEST" that Manga's ever produced.

Violence and humor were here. I'm amazed to just realize that this was made in 1984 as I first viewed this back in 1993 assuming it that it came out then?

Brilliant artwork excellent voice-over characterization really help give this film a convincing approach as to how well you immerse yourself with both plot and character details.

Don't let this one pass you by, Fist of the North Star rules. . ..

"Fist of the North Star", originally called "Hokuto no Ken", is an Action/Fighting-Anime which aired on Japanese TV from 1984 to 1987. This anime is based on the popular Manga series with the same name, and was produced by Toei Animation and Fuji Television Network.

Basic plot: In the year 199X a nuclear war has wiped out most of the humanity, and there seems to be no life on Earth. The surviving people, fighting over the remaining amount of food and water, are either killed or becoming slaves for punk-like people and villainous giants.

The series follows our hero Kenshiro, the successor of the Hokuto Shinken, a secret martial arts style which can literally make his enemies explode from the inside. Kenshiro, who's fiancée Yuria has been taken away by Nanto Seiken master Shin, wanders around the wasteland with seven scars on his chest. And together with two kids (Bat and Lin), he goes around and saves the weak and innocent people from the gruesome acts of the said enemies, while he sets out to save Yuria from his rival Shin.

The animation style is good, even though it seems to be dated as the anime was made during the 80s. Many of the scenes with heads and bodies exploding has been toned down probably in order to avoid eventually censorship, but still this anime has loads of action scenes and some scenes of humor and dramatic to make the fans of 80s action-filled anime entertained. This is a classic fighting anime after all.

The soundtrack is also good, and fits very well with many of the dramatic and battle scenes taking place. The theme song "Ai Wo Torimodose" by Crystal King is catchy as well.

Because of all of the things I've mentioned here in this review: By all of the fighting anime I've seen, like "Bleach", "Naruto" and "Dragonball", this one has to be the best fighting anime series I've watched so far, if not the best anime TV-series of all time.

The Malay DVD box I've got as a Christmas gift, as bought through eBay before Christmas 2013, contains as follows: The original 109-episode series and it's 43-episode long sequel, and six movies which also includes the 1986 movie remake.

Worth checking out if you're into action-packed anime, regardless if it was made in 1984 or 2014. A true classic after all. My overall rating: A well deserved 10/10.

The characters aren't mutated warriors like that other fellow said (at least not in the original japanese version). These people are extremely gifted martial artists. Kenshirô, the main character, is a master assassin and the next in line to take over the Hokuto shin ken art. As Ken is chosen to be the master of the art by his teacher, his older school brothers (mainly the menacing Rao) are outraged by this and choose to violently leave the order, killing their teacher in the process. Keep in mind that only one master can be chosen and the rest of the students must either have their memories erased or their ken (fists) destroyed. Apparently the art is only meant for the best warrior and no internal struggle must persist. The character, Shin is a master of the Nanto sei ken (south fist or something like that). He is the first of four other nanto masters who will confront Ken.

Anywho, one can describe Kenshirô as a mix of Mad Max and Bruce Lee with a Road Warrior/kung fu/samurai flick backdrop. The series goes on as Ken battles his brothers, the nanto masters, and a bunch of other freaks with some flash backs here and there to help explain the story. The great thing about this series are the characters. They're not just evil dudes who kill kill and kill. Not only are they extremely colorful, they all have their reasons for their actions. You'll find that most of the major villains are regarded as heroes by the end.

Because this series is based on a comic book, you can expect to find some glitchy plot holes. But don't worry, the characters and the action are enough to make you forget about these plot holes.

Don't get me wrong, this manga production is seriously flawed in places. As most would point out, it is excessively gory. Heads pop and people explode, frequently. The plot, basically about a guy searching for his kidknapped girlfriend, in a post nuclear war ravaged planet, is kinda weak. The japanese humour may also annoy the less tolerant viewer but, and this is an important one- the excellency of this anime story is its perfect atmospherics and ambience. Forget the over-hyped Akira, (though it was much more stylish). FOTNS is a triumph for its desolate tone, and great portrayl of post-apocalyptic isolation.

This series itself retains something of a cult following - not least because of its distinctive tone and setting, which packages pounding martial arts action, a deconstruction of the family, as well as interesting homo-erotic undertones - all set in a Mad Max style post-catastrophe landscape. After a devastating global war, we are told, life for mankind has turned into a nightmarish struggle, not only because of the barren environment but through the depredations of mentally deranged, mutated savages.

Ranged against them, and all evildoers, is Kenshiro, master of a particular fighting technique, Hokuto Shinken, a virtually unbeatable martial skill that works on manipulating the secret power points of opponent's bodies, destroying them from within. Ken was trained up with his evil half-brother Shin, the Fist of the South Star, and who represents a polar opposite from him. He practices Nanto Seiken, a martial art that destroys from without. But Shin stole Ken's beloved Julia, this after fighting our hero, marking his chest with the seven distinctive scars which echo the sign of the Big Dipper and leaving him for dead. The narrative of Fist Of The North Star primarily consists of Ken's attempts to regain Julia and overcoming various champions of Shin.

The series makes almost no concessions to reality - not least of which are the sheer number of Shin's followers, duly met and thrashed on each occasion by Ken (or come to that, the amount of thin T-shirts which the hero destroys, then replaces unseen, with each encounter). His opponents are generally the mutants, who as a group are unsympathetic, grotesque and brutish. Many viewers have commented on the surreal arrogance of these killers, their bodies often drawn ridiculously out of proportion, towering over hero Ken and the regular humans. But mutation is just as it suggests, although the animators feel free to add to the macho incongruity of it all by adding Mohican haircuts, outrageous outfits and snarling dialogue. In comparison Ken is a model of sobriety, often warning his opponents to cease their activities before he strikes.

On his travels Ken is accompanied by two youthful helpers, both acquired in the first few episodes. One is the orphan girl Lynn and her puppy. The other is Bart, Ken's self styled 'business manager' as he makes clear in an earlier episode always, ostensibly on the fighters behalf, always looking for the main chance to profit from Ken's unique skills. Together with a repeated emphasis on Ken's lost love Julia, this group makes up a peculiarly fractured family, with normal relationships distorted by the world in which they find themselves. From this point of view, Ken's repeated attempts to get his woman back, as well as his repeated rescuing of social groupings (the mutants never have kin), equates a drive for regular familial balance.

The twist is North Star's visual insistence at the same time on butch body display and the repeated physical contact between the vaguely camp males making up the greatest number of dominant characters each week. (My favourite is the handlebar-moustached and splendidly named Colonel Mad, who fights with his blades dipped in scorpion venom.) In fact Ken faces no villainesses at all, at least until well into the second DVD volume. This is a series where the exaggerated torsos of the combatants is a hallmark, only equalled by their swollen braggadocio, itself suggestive of sexual taunting. Blood in the show is never the common red; rather it assumes a weird milky colour, exploding into the air at the climax of each encounter, while Ken's characteristic chest scarring was symbolically produced by the slow penetration of his skin by Shin's powerful fingers - a moment echoed later in the series. The result of all this imagery is thematic psychosis, arguably as pronounced as that enjoyed by the mutants who populate the landscape of future Earth: heterosexual Ken has a lady love and two children in tow; 'other' Ken with his body builder physique, has an intense relationship with his half brother, wears tight T-shirts and sleeveless jackets, and spills all that uniquely coloured blood in one casual encounter after another...

The distinctive 1980s' animation style is an advantage when depicting such a barren landscape, the desolation of which also reflecting Ken's emotional emptiness, deprived of Julia's presumed humanising contact. Manga's box set offers generally excellent picture quality. Opinion has been divided over the relative merits of the two soundtracks on offer; the original Japanese suffers from its mono origins while the re-release English dub offers a more visceral techno musical score, which more easily conveys the urgent brutality of it all. However this reviewer, at least, prefers the original with its far more sympathetic voicing of Ken's young followers - his modern voice in particular makes of Bart an irritating brat - while the score, although less monolithic, has a contemporary charm. Most especially, each episode is interrupted for an on-screen announcement of the baroque martial technique Ken has selected for the current fight ('Spinning Wheel Explosive Punch', 'The Hundred Crack Fist', 'Mountain Splitting Wave', etc). The modern version does its best, but the original intonation makes such moments highlights in themselves.

Fist Of The North Star is full of such ritualistic moments: the repeated (and failed) attempts of Shin to woe Julia for instance, or the rending of Ken's red shirt; the various exploding heads, or the fighter's famous pronouncement over those opponents whom, it appears, he has just touched, and who continue their arrogance yet: "You are already dead." In addition, each of the episodes is named in vengeful, declamatory fashion: Villains! Ready Your One Way Ticket To Hell!; Stormy Times, Titanic Battles, Is Battle All That Awaits Me?; Sinners! Thy Name Is Fang! etc. It's a characteristic that seems bizarre to western eyes, but the self-awareness reveals something about the original, local deliberation behind the series. Seen today, despite - or because of - its extremes, and curious undertones, it remains strangely addictive.