Paco - Kampfmaschine des Todes

Sergio Martino's next futuristic film after his classic AFTER THE FALL OF NEW YORK, is unfortunately not apocalyptic, instead deciding to go more after the "bleak future" feel from BLADE RUNNER. Borrowing quite a bit from BLADE RUNNER and THE TERMINATOR, the movie stars Greene (a muscle-bound carbon copy of Mel Gibson for all practical purposes) as a cyborg who gets in a whole lot of trouble and has to find a way to get his old personality back.

The action scenes are wonderfully lame and cheaply done, the cast was outrageously tiny (and packed full of no-names in pivotal roles, many of whom aren't even credited), and the special effects often cheap and uninteresting. Poor production design, poor costumes, bad writing, but the general silly but meaning-to-be-serious atmosphere work well. This is thanks in large part to Claudio Simonetti's wonderfully cheesy downbeat synth score which has a way of staying with you long after seeing the film.

The colorful supporting cast of veteran Italian performers also nearly made up for these flaws. The late Claudio Cassinelli is great in his final role as a crazed bounty hunter, as is George Eastman as a vengeful Mexican arm wrestler. Donald O'Brian is sadly wasted in a nothing role as a mad scientist. Strangely enough, recognizable veteran stuntman Sergio Testori gets an unusually large part as John Saxon's top henchman (and even gets a couple lines in as well). Saxon is underused until the last act where he gets to run around with a laser gun bigger than he is!

Unfortunately large chunks of this film are rather dull and uneventful, and sure takes its time to get going. The last 20 minutes or so are pretty fast paced and feature some cool and out-of-place Sergio Stivalleti gore FX. A likable enough cheapo Italian cheapo action adventure, just very disappointing if you consider Martino's other work. Stay tuned for the ending freeze-frame and quote, which are thoroughly amusing.

THIS is a totally awesome, adrenalin rushing, down and dirty in-your-face 80's Italian exploitation effort, but of course you have to be cautious who you may recommend it to! If you're, for example, attending a convention for people with an enormous IQ and you got a couple of hours to kill, you probably shouldn't suggest watching "Fists of Steel" because the script's intellectual value is rather questionable. Or in case you're a guest at a feminist gathering, I wouldn't advise mentioning "Fists of Steel" neither, as the film is literally stuffed with macho characters and typically male showdowns. In fact, to put it rather bluntly, "Fists of Steel" is a movie for guys, and preferably guys that like their heroes invincible, their women docile, their action & violence graphic & plentiful and their dialogs and story lines rudimentary. I'm not implying you have to be a retard in order to enjoy this film (otherwise, I'd be one myself) but it's merely a relaxing and undemanding film to watch after a hard day's work or together with a group of friends where there's loads of beer and pizza.

"Fists of Steel" is basically an attempt to cash in on the huge success of James Cameron's "The Terminator", but without the rather complex time-traveling structure and advanced character developments. In futuristic America, where acid rain hurtles down daily and breathing poisonous air may kill you, beefcake Cyborg Paco Querak is programmed to terminate a blind & crippled environmentalist whose movement is seriously annoying big-shot industrialist John Saxon. However, Paco's conscience prevents him from finishing the job and he flees into the Arizonan desert. He entrenches himself in a cheap & sleazy motel where he falls in love with the friendly owner, arm-wrestles against aggressive truckers and patiently awaits the army of hired killers to come after him. There isn't a single moment of dullness in this movie and I was actually sad when it finished. The arm wrestling contests are incredibly entertaining to behold (muscles all over the screen), the car/truck/helicopter chases are extremely exciting and the fistfights are so harsh you can almost feel them. Daniel Greene is more than adequate in his heroic Cyborg-role but the supportive cast is even better with the almighty John Saxon as the über-bad guy, George Eastman as the jealous lead-trucker and Claudio Cassinelli (who sadly died during shooting) as one of the relentless hit men. Cassinelli's untimely death clearly caused a scripting problem, as his character is killed off screen. As always, Sergio Martino's direction is fast-paced and competent but nothing more than that. He was one of Italy's busiest and most versatile directors during the 60's, 70's and 80's, so don't expect too much typical trademarks or personalized styles as he just wanted to finish the job quick and proper. Claudio Simonetti, the multi-talented brain behind cult band Goblin, was in charge of the music and that's another reason for avid fans of Italian exploitation film to track this puppy down. Great testosterone-driven entertainment, love it or hate it!

If you were to have watched this film when it was released, you'd have probably thought it was OK, or been a little disappointed. But watch it now, in 2017, and it takes on a whole different identity.

Hands of Steel is just a pure cheese fest of 80's stereotypes. The fight scenes are badly choreographed, the shoot outs have over the top sound effects dubbed on, magazine clips that never run out, and helicopters that seem to be able to withstand hundreds of bullets with no effect. The bad guys are even worse shots than in Commando!

The music and sound effects are typically and wonderfully 80's, and the script has to contain some of the corniest lines ever. And when they unleash the 'futuristic' laser weapon.. well, that was the final touch of perfection for me!

If you loved the 1980's and the action films it produced, then you will absolutely love Hands of Steel. I have never smiled and laughed so much watching a film in a long time. It's fantastic!

Watch it with a few friends and some beers, and you're guaranteed a fantastic evening.

I actually saw this movie many years ago. I was a kid when I saw it. The thing is, the movie never left my memory. Unlike so many other low budget action flicks, this one still has a spot in my memory. That is why it is great. I remember the awesome stereotype bounty hunter character (long white hair, long white beard, black leather trenchcoat, sawed off shotgun), I remember the arm wrestling match where the loser gets his wrist pinned in a shackle to be bitten by a poisonous snake, and how the cyborg beat the former champ (who had much bigger arms, by the way), but then saved him from his own snake, I remember the acid rain scene where the cyborg must quickly drive through the acid rain road section, and how you see the hood of the car start to dissolve, and more. For some reason, this movie just was pretty good. It is very low budget looking, but don't let the looks fool you. I have been wanting to see this again for a long time now but I haven't been able to find it anymore. Well, if you find it, consider yourself lucky and watch it. I don't remember much more about it, so, that's all, folks.

Martino's cyborg movie is definitely one of the better exploitation flicks of it's kind. Daniel Greene makes a good beefcake hero roaming the well-photographed wasteland wasting the sleazy corporate villains. The dire dialog and rather slow pacing tend to work with this Italian B-movie shlocker rather well.