Füge eine Handlung in deiner Sprache hinzuWhen a Japanese automobile company buys an American plant, the American liaison must mediate the clash of work attitudes between the foreign management and native labor.When a Japanese automobile company buys an American plant, the American liaison must mediate the clash of work attitudes between the foreign management and native labor.When a Japanese automobile company buys an American plant, the American liaison must mediate the clash of work attitudes between the foreign management and native labor.
- Auszeichnungen
- 1 wins total
- Mr. Sakamoto
- (as Soh Yamamura)
- Umeki Kazihiro
- (as Patti Yasuiake)
Empfohlene Bewertungen
Come back with me, children, to a time when Michael Keaton was a straight-up comedy guy, and you might find some joy in this film. It's a gentle comedy -- the kind Ron Howard specializes in -- but if that's your thing, you should check this out. Keaton's low-key charm is just right for this project.
"Gung Ho" is a bit dated, because it takes places in the last stage of the pre-global economy world, when it still mattered what country a business was based in. That said, it delivers laughs as well as a lesson on how people can learn from each other, to great benefit.
You could watch this film and enjoy it without remembering one scene in particular you really liked, but that's because the whole movie provides a slow but constant stream of laughs. It's like an I.V. drip. And I mean that in a good way.
There is plenty of comedy relief in the film, from culture clashes to slapstick humor. There's also bits of heroism in the film, including Hunt's town's survival being contingent on the car company staying afloat and including Japanese company manager Oishi Kazihiro (Gedde Watanabe) showing honor to his boss, colleagues and family in getting the car making job done.
Overall, an entertaining film with touches of Americana and Japanese cultures.
Grade B+
Therefore, before hucking it under the pile, never to be seen again, you might want to look upon it in a most serious light and see if it doesn't share some elements of truth that you've experienced when interfacing with other cultures in your life.
Just a thought.
David I. Brager
Wusstest du schon
- WissenswertesAccording to Bloomberg Businessweek, Toyota executives later used the movie as an example of how not to manage Americans.
- PatzerWhen Hunt Stevenson meets the Japanese managers for the first time, they hand their business cards over with one hand. Japanese business protocol requires formally presenting business cards, holding them with both hands.
- Zitate
Hunt Stevenson: If you walk out that door, you're going to miss a great comeback. We're ready to roll here, Jack.
Mr. Sakamoto: This will never be like a Japanese factory... *Jack.*
Hunt Stevenson: Oh, yeah? You're right. You know what else? So what?
Mr. Sakamoto: You failed.
Hunt Stevenson: Really? Wanna know something? I got one of the first cars ever made here. I got *the* first car ever - I don't think I want it anymore. As a matter of fact, here.
[hands keys to Mr. Sakamoto]
Hunt Stevenson: Why don't you take the keys, okay? I'd rather have one of those cars.
[points to cars in assembly line]
Hunt Stevenson: I'd rather have one of these cars that *we* made *together,* by hand. Your guys and my guys, together. You know why? Because those cars stand for something. Those cars stand for something pretty great. I'm proud of those cars. I'm taking one.
[Turns to workers]
Hunt Stevenson: Gentlemen, I'm going home in my new car!
[All workers cheer and applaud, then silently pray that Hunt's new car has a working engine. Hunt starts the car, and the workers cheer. However, the car literally falls apart after about two yards, and the workers start to moan. Hunter gets out of the car]
Hunt Stevenson: I tell ya, I thought it handled great!
- Alternative VersionenSome international editions distributed by Paramount on DVD, reduced the aspect ratio from original 2.39:1 to 2.09:1.
- VerbindungenFeatured in Generation X: The Power of Disruption (2016)
- SoundtracksDon't Get Me Wrong
Written by Chrissie Hynde
Performed by The Pretenders
Produced by Jimmy Lavine and Bob Clearmountain
Courtesy of Sire Records Company
Top-Auswahl
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Details
Box Office
- Budget
- 18.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 36.611.610 $
- Eröffnungswochenende in den USA und in Kanada
- 7.170.830 $
- 16. März 1986
- Weltweiter Bruttoertrag
- 36.611.610 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1