Body Count - Die Mathematik des Schreckens

Well, Body Count is as average a slasher flick as it gets. It's not a bad movie (if you like 80's slashers) but in no way is it good. The movie takes place out in a forest campground (sound familiar) where two teens are killed. Skip about 15 years later. A group of kids (teens or college kids?) decide to take a camping trip and they pick up a hitchhiker on the way who just got out of the service. He tells them they can stay at his place with his parents. His parents place just happens to be in the same forest that those murders took place in. When they all get there they are given a hole hearted welcome from service boys father (David Hess). It turns out that David Hess is a little on the angry side and is setting up traps all over the forest for a local legend called "The Shaman". Can you guess what happens with the rest of the movie? If not, go back and watch Friday the 13th.

As stupid as this movie is, it is still stand-able. The main problems are the characters are so cliché and the storyline has been done a million times. Ruggero Deodato directed this movie (Cannibal Holocaust, Jungle Holocaust) and it is hard to tell whether he was making this movie cliché on purpose or whether he was actually trying to make something original. The gore isn't even that great in the movie except for may be three or four scenes.

Nonetheless, great score by Claudio Simonetti and look for David Hess, Charles Napier and Ivan Rassimov. They all do fairly decent parts in the movie. 5/10

I first saw this in the late 80's on a rented vhs. As a kid in the 80s, the creepy vhs cover enticed me into renting this movie without any knowledge about the director. Revisted it recently. The main problem in this flick is the sheer tons of stupidity n the rubber mask.

It does boasts of lots of horror veterans, Mimsy Farmer, John Stiener, Ivan Rassimov, David Hess, Bruce Penhall and Charles Napier.

The best thing going for Body Count is the location which is definitely one of the pulling factors. The mountainous woodlands are a sight to see and have a very alienating feel that tells you that you are never safe, no matter if its daylight or night. The mountain pass, the lake n the woods r serene but creepy cos of the desolation.

Most of the kills happen in broad daylight, which i am a fan of. I hate darkly lit scenes, flickering lights n shaking cam stuff.

When i saw this for the first time in the late 80s, i enjoyed the nudity n found the kills very brutal but didn't noticed the stupidities.

Lemme point out some stupid stuff:

1)A girl is attacked by a fella n later she finds her boyfriend covered in blood but rather than running straight out in the open, she lies down on a bed...

2) A girl witnesses her boyfriend tumble down a mountain but rather checking on him or running to a populated place, she enters an abandoned bathhouse n removes her clothes....

3) The killer manages to convince a dead girl's boyfriend by jus wearing a wig. How the killer got the wig, how the killer assumed that the dead girl's boyfriend wont be able to recognize the difference in the body is beyond me. To top it all, the boyfriend ain't able to differentiate between a man n a woman's body structure.....

4) A doctor is somehow able to tell a story about a murder so fluently as if he witnessed the incident. That too, the doc tells this story to a cop who looks completely lost.....

5) The toy's significance is a big wtf....

6) The husband is aware of the wife's infidelity but he goes on with his life n his wierd obsession with the shaman n traps....

7) As audiences we r never explained how many similar masks r readily available whenever the killer wants to strike n that too outta nowhere..

8) And what's with the growling sound....

What a relief to find out that Ruggero Deodato is a fallible human being after all. His teen slasher BODY COUNT is the perfect pill for anyone who might make the mistake of finding him to be maybe more than human. I've read comments from people saying he is a god, a genius, a bastard, and Satan, and my advice to any/all of those who feel that way is to watch this film.

It could have been made by anybody, with only the remarkable supporting cast of Italian cult movie favorites as the selling point: David Hess, Mimsey Farmer, Charles Napier, Ivan Rassimov, John Steiner -- these are heavyweight names, so what are they doing in a disposable, formulaic and ultimately silly teen slasher movie? The answer is making a living, which is exactly what Deodato was doing as well. I would imagine he was under contract to direct a movie that would have to sell and this was what he chose to do. Anyone who has seen any three slasher horror thrillers made since 1981 or so will have a fairly easy time figuring out what is going to happen next, and if like me you've developed a taste for slightly offbeat, lower budgeted examples of the form this will prove to be somewhat more interesting than most.

Besides it's cast the best thing the film has going for it is the use of locations -- one commenter has already identified much of it as Colorado, which may be the case but certain locations will be very, very familiar to anyone who has seen a Spaghetti Western or two. I recognized a waterfall location from THE GRAND DUEL, a field of boulders from DAYS OF VIOLENCE and some patches of woods from WHITE COMANCHE, so it looks like maybe they either filmed part of this in Spain or France in addition to Colorado and edited it all together to look like a seamless shoot.

Who knows. It's wonderful to see an actor like John Steiner with that hollow, unemotional deadpan alongside Ivan Rassimov scowling at a bunch of college nitwits who are about to be chopped to bits. Deodato does deliver some good gore sequences during the butchery and the film is replete with the nudity the genre calls for, but honestly it could have been directed by just about anyone with a feel for shot composition, has none of the crackling immediacy or controversial nature of CANNIBAL HOLOCAUST, and serves as a workmanlike effort by a director who has been hailed as some sort of a demigod or agent of the Devil, depending on your sentiment.

Nope, he's just a man, and as capable as anyone of making a routine, paint by the numbers movie that is of interest because he was the one that made it. How refreshingly stupid!

6/10

(**1/2 out of *****) For his first venture into straight slasher territory, Deodato (famous for the notorious gross-out classic "Cannibal Holocaust") pulls together an interesting, international cast of B-movie/genre film veterans, including David Hess ("Last House on the Left" and Deodato's "The House on the Edge of the Park"), Mimsy Farmer (Dario Argento's "Four Flies on Grey Velvet"), Ivan Rassimov (from Deodato's other cannibal `epic' "Jungle Holocaust"), John Steiner(Argento's "Tenebre" and Deodato's "Cut and Run") and Charles Napier (one of Hannibal's unfortunate guards in "Silence of the Lambs"). With Deodato directing and this unique cast (not to mention Claudio Simonetti of Italian group Goblin providing the soundtrack), I expected -- well, I don't exactly know what I expected, but what I got was a so-so thriller with some interesting ideas, a bit more plot than usual, and a few suspenseful chase and murder sequences here and there, but not a whole lot else. Hess and Farmer play a dysfunctional married couple who own a campground that was closed down after two kids were murdered by an `Indian shaman' killer. Well, it's fifteen years later, and the killings are starting all over again, and, coincidentally, an RV full of dumb teenagers (including the couple's traumatized son) just happens to show up for the onslaught. There's your typical horny stud who wants to screw all the girls, your typical prankster clown who you'd like to see get offed after about three minutes, your typical nympho babes who take showers every five or ten minutes, and the hit list goes on. Hess's character, while still decidedly mean and ugly, is at least not quite as despicable as the sadistic characters he played in the two afore-mentioned House movies. Deodato tries to make the identity of the killer a surprise, but it's still pretty much a no-brainer. Thanks to the "Friday the 13th" franchise, these killer-in-the-woods movies are the most prolific of the slasher genre.

HIGHLIGHT: Hess's and Farmer's son has a totally WHACKED-OUT dream with sexy severed legs, strangling tentacles, constricting nets -- it reminded me of some of the frat parties I went to in college.

Body Count is excellent late night slasher fun, if you have a couple of hours to "kill" and you have access to Body Count then play it on your VHS or DVD and enjoy. This isn't rocket science but slasher films about nutty guys, masks and large knives have a select audience, being teenagers and twenty somethings, so the audience and screen market will go on forever. Mixing legends, slasher killings, campers and the question 'who will get it next' isn't original, the formulas been done before, but that doesn't matter here. The real entertainment is in the setting and the low budget film making, sure the director never meant it that way. But this is late night fodder for popcorn and fizzy drinks. Switch off brain and watch. There's some clever camera work and though there are holes in the plot and in the way some characters behave, this only adds to the spectacle. The hybrid US-Italian production has created a half decent half naff film with a young, willing to do anything cast and some useful forest and mountain settings. The story is worth watching for, though I couldn't help feeling some of the bigger name cast members, just turned up to say the lines and then run. The twentysomethings playing teenagers do well as dim wit campers looking for fun and a camping road trip. The magic-myth-legend Native American shaman element is a great touch and though the plot dwells on the haunted burial site well-used story it does create some tension. Budget and professional standards do take a toll and some stylish stalk and slash scenes are wasted in dumb sketches and weak visuals. The film is worth a watch and I would recommend it for slasher lovers. The cast are like-able and it is shocking to witness their demise when it seems some are going to survive the ordeal. All in all, 7 out of 10 for effort and imagination. Italian style and American balls.