Ein Amisch-Junge wird Zeuge eines Mordes; der Polizist John Book taucht im Land der Amischen unter, um ihn bis Prozessbeginn zu beschützen.Ein Amisch-Junge wird Zeuge eines Mordes; der Polizist John Book taucht im Land der Amischen unter, um ihn bis Prozessbeginn zu beschützen.Ein Amisch-Junge wird Zeuge eines Mordes; der Polizist John Book taucht im Land der Amischen unter, um ihn bis Prozessbeginn zu beschützen.
- 2 Oscars gewonnen
- 13 Gewinne & 28 Nominierungen insgesamt
The Life and Times of Harrison Ford
The Life and Times of Harrison Ford
Take a look back at Harrison Ford's movie career in photos.
Handlung
WUSSTEST DU SCHON:
- WissenswertesIn preparation for her role, Kelly McGillis lived with an actual Amish widow and her seven children for a while before filming began to get the speech cadence down and to observe the daily life of an Amish widowed mother.
- PatzerJohn Book's Volkswagen hit the birdhouse and broke its windshield. Later the car is seen in the barn with an unbroken windshield.
- Crazy CreditsThe closing shot of John Book driving away in his car passing Daniel provides an initial backdrop for the end credits.
- Alternative VersionenIn the original theatrical stereo mix, just after John Book is shot, we see a close-up of his gun and a voice-over from an earlier conversation Book had with the captain. We hear the words: "Who else knows about this? "Just you and me." In the DVD version, which contains a remixed 5.1 track, we see the close-up of the gun and then it segues to Book's sister waking up Rachel and her son Samuel, but the voice-over is missing. In addition to that, there are also new sound effects like ambient noise and especially gunshots added throughout. However Arrow's 2023 4K release restores the theatrical mix which contains the original sound effects and the missing parking garage dialogue.
- Soundtracks(What a) Wonderful World
(1959)
Written by Sam Cooke, Herb Alpert and Lou Adler
Performed by Greg Chapman
Courtesy of Abkco Music, Inc.
Ausgewählte Rezension
This is one of those movies whose virtues and subtleties become more and more apparent with subsequent viewings. The crime story is nothing more than a pretense - a "MacGuffin", in Hitchcock's phrase - on which to hang this sensitive and insightful story of the conflict between modernity and the culture of the Amish, which is portrayed here with admiring respect and not a hint of condescension.
Harrison Ford's portrayal of John Book is perhaps his finest work on screen so far. In particular, Book's struggle to suppress his rising attraction for Rachel, and his tormented realization that a relationship between them is not possible, is achingly portrayed. Ford's effort is well-matched by Kelly McGillis, whose beauty here is almost breathtaking. The erotic interplay between them, because it is unconsummated, radiates an almost painful tension, and the easily lampooned "running through the field" scene - because it has been led up to so convincingly - is almost heartbreaking. The character of Eli Lapp, wonderfully played by Jan Rubes, is richly multifaceted. His suspicion of the "English" outsider and his anger at Rachel's attraction to him, is surmounted by an underlying humanity. His parting words to Book, "You be careful out there among them English," are moving testimony to his acceptance of him. His stern yet loving dialogue to his grandson about renouncing hatred and violence is a treasured moment.
Both direction and cinematography are splendid. The simplicity of Amish interiors is shot in a way that makes its austerity almost beautiful, and the barnraising scene is an exercise in cinematic lyricism.
It would be easy to fault the movie for the facile scene in which the punks taunting of Book's newfound friends and protectors drives him over the edge (Eli: "It's not our way, Book" / Book: "No, but it's MY way."), but his gift to the young thug of a bloody nose is mighty satisfying to behold.
My one criticism is with the music; certainly not with the venerable Maurice Jarre's score itself, but with its paltry synthesized realization. They should have found the money to spring for a full orchestra.
In short, a highly satisfying, richly themed, and multifaceted film which is well worth watching.
Harrison Ford's portrayal of John Book is perhaps his finest work on screen so far. In particular, Book's struggle to suppress his rising attraction for Rachel, and his tormented realization that a relationship between them is not possible, is achingly portrayed. Ford's effort is well-matched by Kelly McGillis, whose beauty here is almost breathtaking. The erotic interplay between them, because it is unconsummated, radiates an almost painful tension, and the easily lampooned "running through the field" scene - because it has been led up to so convincingly - is almost heartbreaking. The character of Eli Lapp, wonderfully played by Jan Rubes, is richly multifaceted. His suspicion of the "English" outsider and his anger at Rachel's attraction to him, is surmounted by an underlying humanity. His parting words to Book, "You be careful out there among them English," are moving testimony to his acceptance of him. His stern yet loving dialogue to his grandson about renouncing hatred and violence is a treasured moment.
Both direction and cinematography are splendid. The simplicity of Amish interiors is shot in a way that makes its austerity almost beautiful, and the barnraising scene is an exercise in cinematic lyricism.
It would be easy to fault the movie for the facile scene in which the punks taunting of Book's newfound friends and protectors drives him over the edge (Eli: "It's not our way, Book" / Book: "No, but it's MY way."), but his gift to the young thug of a bloody nose is mighty satisfying to behold.
My one criticism is with the music; certainly not with the venerable Maurice Jarre's score itself, but with its paltry synthesized realization. They should have found the money to spring for a full orchestra.
In short, a highly satisfying, richly themed, and multifaceted film which is well worth watching.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Testigo en peligro
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 68.706.993 $
- Eröffnungswochenende in den USA und in Kanada
- 4.539.990 $
- 10. Feb. 1985
- Weltweiter Bruttoertrag
- 68.706.993 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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