Der nackte Wahnsinn

Rating: *** out of five

Too Scared to Scream is actually a better slasher movie from the 1980's than many would expect. Mike Connors (from TV's Mannix) plays a police detective with his partner (Anne Archer, in one of her first major screen roles) who try and solve puzzling murders that are happening at a sky rise apartment building in New York. There are a few suspects including the apartment building's gentle, kind doorman (Ian McShane) who lives with his mute, paralyzed mother (Maureen O'Sullivan, who played Jane in the Tarzan films). Other suspects include a fashion designer (Sully Boyer), and countless persons in and around the building. The film has aged poorly, and the script could have used some more originally and maybe a larger budget since it was not picked up by a major distribution studio, but Tony Lo Bianco's solid direction and fine acting and special effects and suspenseful musical score make this film a tense shocker. Supporting actors include John Heard, Ruth Ford, Leon Issac Kennedy, Carrie Nye and even Murray Hamilton, who we remember as Mayor Vaughn in Jaws. Charles Azonvour sings the film's song "I'll Be There" in the opening sequence.

There's something curiously fascinating about the obscure and almost entirely forgotten mid-80s slasher entitled "Too Scared to Scream". In the blessed year 1985, director Tony Lo Bianco (primarily an actor and probably best known for his role as Lonely Hearts Murderer Ray Fernandez in "The Honeymoon Killers") seemingly attempted to make a mix of two specific exploitation sub-genres that were at the end of their glory days. I may just be imagining things, of course, but yours truly spotted in "Too Scared to Scream" a tribute to both the Italian Giallo and those typical New York 42nd Street Grindhouse trash flicks. The similarities with the Giallo are mainly to be found in the plotting department, as the film deals with a sadist killer who preferably slaughters lewd women when they are completely undressed and his/her favorite weapon is a giant butcher knife! There also are several (poor) attempts at plot twists, red herrings and even a surprise ending that is far-fetched and downright hilarious. As the icing on the cake, the investigation is led by a grumpy detective almost as misogynist as the culprit self. The link with the 42nd Street Grindhouse cinema obviously lies within the New York filming locations and its portrayal of the city. Very much like in modest classics such as "Maniac", "Ms. 45", "Night of the Juggler" and "The Exterminator", this film is like an anti-tourist campaign for the city of New York! Nothing you see here will ever make you want to go city-tripping in the Big Apple! The cast is full of unlikable people and many scenes play at raunchy, neon-lit districts. The horror action mostly takes place at a wannabe fancy hotel, the Royal Arms, where apparently unrelated residents turn up savagely murdered. The script desperately wants us to believe that the killer is the eccentric night porter / aspiring Broadway actor Vincent Hardwick, but I don't think anyone is gullible enough to believe he's the one. In spite of many flaws and too many boring parts, "Too Scared to Scream" is nonetheless enjoyable if you're a fan of eighties slashers and/or the above-mentioned exploitation sub-genres.

Great little 80s slacker flick with many nods to Psycho. No cheese so it may get a little dry at times for the standard slasher fanatic, but if you can stand a more serious type of horror, go for it. But make no mistake- this isn't art either.

Purists or experts might disagree, but I believe "Too Scared To Scream" is an earnest attempt by the filmmakers to create an American version of the Italian "giallo" thrillers. Although the violence isn't particularly graphic, the film plays like a murder mystery in which you think you know who the murderer is, but you can't be sure until the last frame. It does have its flaws (some obvious red herrings, some ridiculous "fake scares"), but it offers a few tense moments, an unexpected (if far-fetched) conclusion, and good performances by most of the cast (especially by the man who plays the chief suspect). A good choice for mystery fans. (**)

Tony Lo Bianco directs this thriller mystery like a conventional television show, only he loads it with bloody violence and lots of nudity. The result isn't really that bad. The first three-fourths, in point of fact, are very engrossing as we tag along with cops Mike Connors and his "buddy" Anne Archer as they try to unravel the identity of a killer killing in the Royal Arms, a swanky hotel in New York City. The deaths seem to be unrelated, and the ways in which each is killed is horrifying. The prime suspect is the evening doorman Ian McShane. McShane gives a fantastic performance as a dour, reserved, yet mentally unstable man who still lives at home caring for his invalid mother(played by Maureen O'Sullivan). Images of Psycho will resonate as you watch, but the film is in no way a reproduction of that classic film. The film, however, starts to fall apart as the mystery is finally revealed and logic takes a holiday. Agatha Christie could not(and probably would not) have dreamed up an ending like this film has. But despite its illogical conclusion, the acting, direction, and script are tight enough through most of the film to be very entertaining.