Der Volltreffer

Having fallen for John Cusack's engaging performance as Rob in 'High Fidelity', I jumped at the chance to watch one of his earliest films, 'The Sure Thing'. And, despite a life-long hatred of "girly" films and all things romantic comedy, this slice of 80s college cheese surprisingly hit the spot.

The story is nothing new: boy (an effervescent Cusack as Walt Gibson) meets girl (Daphne Zuniga), and an antagonistic relationship is formed. He hates her studious, organised approach to life; she frowns upon his laddish, devil-may-care attitude. Inevitably, they are soon thrown together - namely by Gib's trip to California on the promise of a blond, beautiful "sure thing" from best friend Lance (Anthony Edwards) coinciding with her journey to visit her boyfriend - and opposites begin to attract.

Yet to complain that the plot is predictable would be to miss the point. You know the ending within the first five minutes: it is the journey there which is important. Director Rob Reiner handles the script with a necessarily light touch, and allows the humour to be more character-driven than situational. To the writers' credit, even the film's most obvious scenes are always relieved through it's witty and eminently quotable dialogue.

What elevates 'The Sure Thing' above the ranks of its genre contemporaries is Reiner's deft hand with a character; in particular his ability to transcend stereotypes yet create instantly recognisable, believable people, a feat he later put to effective use in 'Stand By Me'. This is underpinned by Cusack's energetic performance, showcasing what has become his staple character: the spikily droll male whose shining qualities just avoid being undermined by his easily discernible flaws.

'The Sure Thing' is also notable for its treatment of - and fondness for - the minor characters, few of whom suffer from the "obvious spare part" phenomenon of so many high school based films. Particularly commendable are Tim Robbins' disappointingly brief turn as one half of the cutesy couple from hell, and a remarkably young-looking Anthony Edwards in the long-term buddy role (notable especially for what must be one of the worst 80s fashion statements since Vanilla Ice decided on baggy trousers - see the pool scene featuring Lance's phone call from California).

Despite its premise, this film always endeavours to be about love rather than sex. A refreshing angle on a well-worn tale, 'The Sure Thing' provides a welcome escape from the 'American Pie' view of teenage romance. With consistently endearing performances from both Cusack and Zuniga, this is one romantic comedy I would happily give a second viewing.

Just for the heck of it, I pulled out my copy of The Sure Thing and watched it again. It's held up well since I first saw it on video in 1986. Yeah, the music is a little old, and Jason, Alison's boyfriend, still grates on me because I looked like him, but in all other respects it has held up well. What carries it is that it's the classic John Cusack Movie, where Cusack is just being... John Cusack. Totally real, totally unpretentious. You can see it in everything else he's done, even things of totally different style, like "Eight Men Out" and "The Grifters." He just rules the screen and the production ends up recalling pictures like "His Girl Friday" and "It Happened One Night." This has stood up to nearly fifteen years of viewing pretty well. Compare and contrast other stuff of that era, like "St. Elmo's Fire," and "Fast Times At Ridgemont High." Or any Tom Hanks movie of the period.

I've now come back five years after originally posting this review (it's now May, 2007) and I say, this film STILL stands as a classic Cusack, even after I have (in the interim) loved "Pushing Tin," "Being John Malkovich" and of course the amazing "High Fidelity." And to this day, I have been known to say, in bars, "BARKEEP! Bring this man...a TROUGH... of spritzer!"

And just remember...

"Credit cards work on a completely different kind of lock!"

Bearing in mind all the obvious issues with this film, it is a great surprise to me that it is one of my favourites. Firstly, it is a romantic comedy. I don't "do" romantic comedy. I am one of those males who the thought of softening to a rom-com reduces to a pre-teen "err, I wouldn't kiss a girl" state. I enjoyed 'Last of the Mohicans' but that was an adventure with a romantic element. This is definitely a rom-com, dead square and centre. Secondly, the whole film is so dated {to an era which was not the greatest of my life). Within five minutes of the start, with the music, clothes and 'Miami Vice' font, I would expect anyone born before 1975 to be able to date this film to within 1 year either side. Thirdly, despite the journey, not enough is made of location to describe this as a road movie. Lastly, the plot is entirely predictable within the rom-com formula. As soon as the male and female leads fall out you know what is going to happen by the end of the film... (whoops, is that a spoiler!?!).

Despite these problems, 'The Sure Thing' hits the mark. This era produced some now badly dated and still immensely enjoyable American films like 'Ferris Bueller', 'Weird Science', 'The Breakfast Club' and 'Flight of the Navigator'. Like those films, the script, acting and direction are first-rate: you can laugh at and laugh with the Cusack character and understand why he gets up the nose of the Zuniga character. There are many genuinely funny moments and an underlying humour through it all. The minor parts - the party animal, the geek, the irritating couple - are all stereotypes but sympathetically drawn. Campus life is fun but innocent fun. Yes, there is drinking and fooling round, but no drunkenness, fighting, drugs or pregnancy. This is the ultimate appeal of the film, and it is a nostalgic one. It is innocent and simple like you wish your teenage years had been. The way the central characters draw together and meet halfway, not one adapting to the other, sustains the film throughout. For all its obviousness, this is an enjoyable film to watch.

I like this one. Having always been a fan of Daphne Z, I have to say its strange that her career hasn't taken off better than this promised. She has poise, presance, looks, ability. Cusack himself is still around, be it in 'Thin Red Line' or '8 Men Out' or whatever.

I like how sweet natured this is, and how these kids aren't all cock-sure sex-fiends, unlike in all those other Porky's type flix of the era.

The soundtrack is pretty good too-the Cars, Huey Lewis, Wang Chung, Rod Stewart too. Who would thought that Rob Reiner'd turn out to be such a good director? This was his first traditional movie Move, if you will-after the Psuedo-documentary 'Spinal Tap' from the previous year-and it's a good one.

Very 80s, but a Good 80s flick. You will like this if you get a chance to see it.

*** outta ****

There are a few 80's teen movies I enjoy, and some I enjoy very much. But this is my favorite one of all time. This movie introduced a new kind of guy to me; the really cool Everyman with an Alterna-geek bent, and I have loved John Cusack since. No matter how many times I see this movie, it's still fresh and hilarious, and John is in peak form as the Average College Guy, sprinting across the USA to get with the lovely blond fantasy girl. The plot is predictable, but this version of "boy-wants-dumb-chick-ends-up-with-smart-chick" is really witty and terrific. Daphne Zuniga is the perfect Straight (wo)Man to Gib's charming goofiness. Eventually she sees the fun in things, and he sees that not everything is a joke. Someone here said every character has quotable lines, and they are right. Consider outer space, grab a trough of spritzer and watch this movie.