Der Chaoten-Cop

An easy way to tick off Hoskins or Washington when you meet them may be your mentioning of this movie to them. I saw it at it's Los Angeles premiere and it contained ONE funny scene, which consisted of Hoskins trying to wrest a cheeseburger from spirit Washington. The movie was unfunny, racially offensive(I didn't appreciate the "endowment" comment that Washington made) and dramatically untrue in spots(if a mother just lost her son, would she be discussing her child's sexual habits with ANYONE, especially a stranger?).

It would have been a completely forgettable experience had it not been for Hoskins and Washington. They do not elevate this movie, for no one really could, but it sticks in the mind as a film that makes you wonder why these talented actors decided to do it in the first place.

People are comparing this to "Ghost" and that is indeed not without merit, however, for more enjoyable movies with ghosts, I would suggest "The Ghost Goes West" with Robert Donat and Eugene Pallette or for a more romantic turn, "The Ghost and Mrs. Muir.

As "Heart Condition" was made at roughly the same time as "Ghost", it was not a "copy". It ("Heart Condition") isn't a "love story" (as "Ghost" is), which let it's comedic portrayal overshadow "Ghost", in my opinion.

GREAT movie!

Jack Moony (Hoskins), a somewhat racist, white police officer, has problems with the black lawyer Napoleon Stone (Washington), because he represents the interests of dealers. Then Stone is shot and Moony has a heart attack. To his horror, he has received Stone's heart, who now lives with him as a kind of ghost. Moreover, Stone wants Moony to track down the culprits of his death.

Sometimes a film that you saw many years ago and now watch again is good and sometimes it disappoints, this one is very disappointing.

Bob Hoskins overacts like a charm and Washington is also far from convincing, add to that the plot is not at all captivating, sometimes I wondered what Jack was so worried about (especially that ex-girlfriend) it is all just too confusing and too boring.

The racism theme slowly started to take on hypocritical features in Hollywood, Jack's police chief also openly admitted it, I was quite surprised how this scene was allowed to remain in the film, but it was an eye-opener.

In Los Angeles, the call girls Crystal Gerrity (Chloe Webb) and Peisha (Eva LaRue) are partying with the prominent Senator Marquand (Frank R. Roach) that has an overdose. Crystal keeps the film with the photos she had taken and together with Peisha, she meets the lawyer Napoleon Stone (Denzel Washington) that is her boyfriend. Meanwhile the racist and bigoted cop Jack Moony (Bob Hoskins) sees Stone in his car with Crystal, who was his girlfriend, and chases him despite the protest of his partner Harry Zara (Ray Baker) that wants to be promoted to detective. However Jack has a heart attack but is saved by the heart of Stone, who had a car accident. Out of the blue, Jack sees the ghost of Stone that tells him that he was murdered. Jack is forced to team-up with Stone to investigate who killed him. But no one else can see Stone but him.

"Heart Condition" is a strange film that is lost between comedy with heavy hand and crime. The plot is funny is some moments and violent in others. There are holes in the story, like for example, how Jack would explain the large amount that he had spent. In addition, this character is non-likable. My vote is five.

Title (Brazil): "Uma Estranha Condição" ("A Strange Condition")

This little known fantasy action comedy released in 1990 is most notable for being an early screen appearance of Denzel Washington. Savaged by critics upon release, it has the distinguished honor of being one of a handful of films with a stunning 0% critic score on Rotten Tomatoes. Misunderstood by critics and audiences alike at the time it came out, I think this film deserves to be reappraised. It's a great film, entertaining, funny, interesting for the concept alone, and maybe even a little moving depending on the mood you're in.

This film is weird though, for sure. It tries to be a little bit of everything: A buddy cop movie, a comedy, a romantic drama, and an action movie. It actually succeeds, at least somewhat, even if it's not perfect. I totally get the hate for this movie, I understand why it was savaged, and maybe it's just my love of Denzel that makes me soft to this, but I didn't mind it.

This film occurred during Denzel's strange string of films during his rise to success in the 80s and 90s. Denzel was obviously being nudged in the action star direction by his agent, which makes sense looking at his early career. It seems like for every successful, important film he did, he did another less successful, more exploitative action/thriller film; Mo' Better Blues/Heart Condition (1990), Mississippi Masala/Ricochet (1991), Much Ado About Nothing/The Pelican Brief (1993), Devil in a Blue Dress/Crimson Tide/Virtuosity (1995), He Got Game/The Siege (1998), The Hurricane/The Bone Collector (1999). Notice the pattern? Basically Denzel made a lot of great underrated films on his rise to success.

Bob Hoskins and Denzel Washington are both great in their roles, and Denzel is definitely likable even if his character is supposed to be sleazy and despicable. Hoskins isn't exactly likable, at least until halfway through the movie, but he does grow on you, and both actors definitely elevate the material above a dumb made-for-TV piece of crap.

This is described as an action comedy, but it's definitely more of a comedy with action in it. There're two action scenes, the car and foot chase in the beginning, and the final shootout. In between it's basically comedic dialogue and romantic drama. The film's drawn-out climax definitely feels like it belongs in another movie, and Hoskins isn't the first actor I'd've picked to see in a shootout (then again, I wouldn't've picked Denzel to play an obnoxious but funny ghost).

The movie's main problem is its tonal shifts. Any genre-hybrid movies will often have this problem, and this film does too. A light fantasy comedy sometimes, a heavy drama at others, and the violent climax all don't fit incredibly well-together, but it's fun so who cares? It just gave itself too many things to juggle at once, and a film shouldn't have to work too hard to achieve its purpose.

You have to go into this movie with low expectations, like me, and you'll probably be surprised, or you just have to be in a good mood.