IMDb-BEWERTUNG
7,5/10
12.224
IHRE BEWERTUNG
Als drei enge Freunde aus Hongkong ins kriegsgeplagte Saigon fliehen, um ein kriminelles Leben zu beginnen, machen sie alle eine erschütternde Erfahrung, die ihr Leben und ihre Freundschaft ... Alles lesenAls drei enge Freunde aus Hongkong ins kriegsgeplagte Saigon fliehen, um ein kriminelles Leben zu beginnen, machen sie alle eine erschütternde Erfahrung, die ihr Leben und ihre Freundschaft für immer erschüttert.Als drei enge Freunde aus Hongkong ins kriegsgeplagte Saigon fliehen, um ein kriminelles Leben zu beginnen, machen sie alle eine erschütternde Erfahrung, die ihr Leben und ihre Freundschaft für immer erschüttert.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Tony Leung Chiu-wai
- Ben
- (as Tony Chiu Wai Leung)
- …
Empfohlene Bewertungen
How can you not like a movie that starts out with a bloody street fight to an instrumental version of The Monkees "I'm a believer"?
When you start watching this you'll probably laugh at some of the sentiment of the beginning, (the three main guys jump rope, ride bikes, and sing together for instance. Go ahead, try not to snicker, you won't succeed.) This is all a perfect setup for the following sucker punch of the most brutally and entertainingly violent and horrifying series of events ever put on film. People are shot in their head, people explode, demonstrators are shot, exploding Cuban cigars, etc. The thing is that this mix of melodrama, action, and violence comes together into a cohesive whole and works amazingly well.
By the end of the film will drain you physically and emotionally from what you have seen, which is probably why so many people would prefer the shorter ending of this movie. The ending fight is one of the best ever filmed, but by the time you get to it you'll be exhausted. Personally, I like the long ending.
Honestly, this is the best movie I have ever seen. It is the best mix of melodrama and violence ever put on film. It's over the top in almost every way imaginable. It's suprisingly moving. I love it.
When you start watching this you'll probably laugh at some of the sentiment of the beginning, (the three main guys jump rope, ride bikes, and sing together for instance. Go ahead, try not to snicker, you won't succeed.) This is all a perfect setup for the following sucker punch of the most brutally and entertainingly violent and horrifying series of events ever put on film. People are shot in their head, people explode, demonstrators are shot, exploding Cuban cigars, etc. The thing is that this mix of melodrama, action, and violence comes together into a cohesive whole and works amazingly well.
By the end of the film will drain you physically and emotionally from what you have seen, which is probably why so many people would prefer the shorter ending of this movie. The ending fight is one of the best ever filmed, but by the time you get to it you'll be exhausted. Personally, I like the long ending.
Honestly, this is the best movie I have ever seen. It is the best mix of melodrama and violence ever put on film. It's over the top in almost every way imaginable. It's suprisingly moving. I love it.
In 1989, John Woo made a film that would simultaneously redefine and reinvent the action genre forever. The film I speak of is, of course, The Killer. Blending a touching storyline with exuberant gunfights, The Killer worked through excess and it was an absolute delight to be behold. It's hard to follow up on something like that, and for his next A-class feature; Bullet in the Head, John Woo wasn't quite able to recreate that what he did so incredibly well a year earlier. However, what he has created is still an excellent thrill ride and one that fans of The Killer wont want to miss! Woo is keen to keep that gang element from The Killer, except this time he fuses it was action from the Vietnam war, and as the story spans across many different locations, it can aptly be considered an epic. We follow the stories of three young men who leave Hong Kong after two of them kill another gang member. They decide to become smugglers and take advantage of the Vietnam War, but little did they know that they would end up in the thick of it.
The film takes obvious influence from the classic Vietnam war dramas such as 'The Deer Hunter' and 'Platoon', but through Woo's stylising, it takes on a life of it's own and stands apart from those films that influenced it. Woo is known for going over the top, and seeing three men in suits in the middle of the Vietnam war is over the top alright! However, also going over the top is the sentiment and I don't know if it's just the way that Chinese translates into English or what, but this film is definitely cheesy! The sentiment boded well in The Killer, but here it definitely doesn't and the film would be a lot better if the amount of sentiment was more realistic. The sentiment messes up the characters as well as the film too, as seeing one or more of them break into great long speeches undermines the fact that they're supposed to be criminals. However, all this doesn't matter once you get into the gun battles; which are incredible to say the least. If it wasn't for the sentiment, it would have been a complete whole; but it's still a damn good movie regardless.
The film takes obvious influence from the classic Vietnam war dramas such as 'The Deer Hunter' and 'Platoon', but through Woo's stylising, it takes on a life of it's own and stands apart from those films that influenced it. Woo is known for going over the top, and seeing three men in suits in the middle of the Vietnam war is over the top alright! However, also going over the top is the sentiment and I don't know if it's just the way that Chinese translates into English or what, but this film is definitely cheesy! The sentiment boded well in The Killer, but here it definitely doesn't and the film would be a lot better if the amount of sentiment was more realistic. The sentiment messes up the characters as well as the film too, as seeing one or more of them break into great long speeches undermines the fact that they're supposed to be criminals. However, all this doesn't matter once you get into the gun battles; which are incredible to say the least. If it wasn't for the sentiment, it would have been a complete whole; but it's still a damn good movie regardless.
John Woo directs an absolute merciless Vietnam war drama that is comparable to The Deer Hunter in it's power and is quite possibly one of the greatest movies of Woo's career. The movie follows three trouble-making kids (Tony Leung, Waise Lee and Jackie Cheung) who are exiled to Vietnam to escape the Hong Kong authorities after a rival gang member is killed by them, once in Saigon the run into "The Viet Cong" who are far worse than the HK authorities and their rival gang and what the V.C do to our trio makes them regret in all their hearts that they didn't go to prison in the much safer Hong Kong. A Bullet In The Head would be a tale about friendship overcoming the hard times of war, if the friendships in the movie actually prevailed. Instead the movie gives us a heart wrenching look at war and what it does to the three friends in the movie. The kids in the movie are in the beginning not very sympathetic and give off the impression that they deserve what they get but once they go to Vietnam you realize just how much in over their head they are and Woo filters the emotion from this situation and effectively conveys a story that is hard to watch but very rewarding nonetheless. After witnessing the debacle of Windtalkers I decided to see if Woo could direct war, well it goes without saying this blows that one out of the water. This is up there with Hard Boiled and The Killer as Woo's best film.
* * * * out of 4-(Excellent. A Must See!)
* * * * out of 4-(Excellent. A Must See!)
10arara
I saw this film once with my friends and it ruined our nerves. This film grabs and doesn´t let loose till its finished. It is the only film I ever saw that had violence really, not only so to say, non-stop. Even if the guys crossed a street or bought something to eat the bullet-showers didn´t stop. Watching this film is a nightmare because it just doesn´t stop till nearly everyone is dead. What it makes so attracting is the fact, that it works, this film is the climax of its genre, it is hard to imagine that any film can be more focused on violence than this film. Its also hard to tell entertainment from rejection and thats what John Woo can do better than anyone. His intensity in violence is close to Pasolinis 120 Days Of Sodom And Gomorrha and some films of David Lynch, but he does it in his own unique consequent ways, which certainly generated a new set a new style and standard in filming. This film though not so amusing as hard boiled got 10 instead of 9 because of its extraordinary strangeness. Watch this film and be sure to have a good beer with friends afterwards to come down again, otherwise your sleep will be affected.
This is the opposite of a kid's movie. Many R rated violent movies are fine for kids, but the story, the tragedy, the horror, and just the characters are too much for children. This is not a movie to watch if you are having a party. This is a fine, fine work by John Woo. The four main characters are excellent, and one is a killing machine. In the end you get more from this than even The Killer (which I feel is a better movie). While The Killer may tug at your heart, this will screw with your mind. This movie must be seen much more than the Matrix when it comes to being unable to explain what's going on. John Woo's opening seems very in character for him, but it might not be perfect for this film. Still, it serves its purpose and the end is truly incredible.
Wusstest du schon
- WissenswertesJohn Woo's original cut of Bullet In The Head was over three hours long. Much like he was forced to do with A Better Tomorrow 2 (1987), Woo reluctantly re-cut the film down to little over two hours long running time. But, as Woo himself confirmed, the version of the movie that was premiered in Hong Kong the day before it was actually released was 2 hours and 35 minutes long. It was decided this version was still too long, so all the prints of the film had to be re-edited and delivered back to the cinemas all over Hong Kong by the next day. Even after all the re-edits that movie already had, many other different cuts of it were made due to local market/censorship, which is why even today there are many different versions of the film with different running times.
Since it had been radically cut down, there are some still photos of the film, which indicate that entire subplots have been removed from the film, which aren't even referenced in the final cut. On one such photo, you can see Tony Chiu Wai Leung's face in bandages, his girlfriend standing near him. This is from a subplot in which Ben gets his face burnt with acid by a rival gang. Some of the other cut scenes also include cuts made on some of the more violent scenes in the film.
Hong Kong trailer for the film shows some alternate takes and edits of some scenes and three deleted scenes; During the Vietnam protestation sequence one protestor is being clubbed to death on the head by members of the Vietnamese troops while blood is gushing out of his head, infamous deleted scene where Ben, Frank and Paul are forced to drink urine after Mr Leong suspects them of wanting to take Sally away from him (this scene was actually mentioned by Chow Yun Fat's character Mark in A Better Tomorrow), and extra part of the Bolero action sequence where Frank who is armed with two pistols is shooting at a long array of Vietnamese baddies who are standing in the corridor.
Some versions of the film also include alternate shorter ending which doesn't ends with Ben chasing Paul in the car and two of them having a shootout, but instead in this alternate ending Ben kills Paul in the boardroom after he shows him Frank's skull and tells him what happened to him.
John Woo secretly hoped that as soon as he got to Hollywood, he would acquire the rights to his old films (including Bullet) and put back in all the things that he was once forced to cut. But when he tried to do so, he was told that all the material he had cut, hadn't been preserved, but instead wandered straight into the garbage bin.
However, some time later Woo created what would become known as "the festival print" which was the longest version of the movie seen since the original Hong Kong premiere and was 136 minutes long and it included the infamous urine drinking scene. It has been illegally released on a bootleg VHS.
Another 135 minute version released on DVD has been sold to the public legally. It is distributed by Joy Sales; this ultimate 2 disc-set edition has seamless branching which can be shown in its Theatrical Version, Alternate Ending version and the Festival Print version but the deleted scenes maintain a blue tint (possibly from the chemicals of the film reacting badly) and also frame jumping (film preservation done too late by the director himself).
- Alternative VersionenThe subtitles accompanying the Cantonese soundtrack on the 'Hong Kong Legends' DVD were translated more accurately and also restored the proper Chinese names. The English export international versions made the following name changes: Bee = Ben, Fai = Frank, Sai Wing = Paul, Sau Ching = Sally, Lok = Luke, Siu Jan = Jane.
- VerbindungenFeatured in Kain's Quest: A Better Tomorrow (2015)
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- Budget
- 3.500.000 $ (geschätzt)
- Laufzeit2 Stunden 16 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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