Deadly Manor

Six youths on their way to an elusive lake in upstate New York pick up a dubious hitchhiker and are eventually compelled to stay at a remote, dilapidated mansion in the sticks. Will they make it out alive?

"Deadly Manor" (1990) combines 80's slasher with spooky house à la "Hell Night" (1981). Coming out ten years after the seminal "Friday the 13th," it's rather late in the game but fans of those movies and "Tourist Trap" (1979), "The Funhouse" (1981), "The Prowler" (1981), "Frightmare" (1983), "Zombie High" (1987) and "Prom Night IV: Deliver Us from Evil" (1991) should appreciate it even though it ranks with the least of em'. Like "Slugs" (1988), it's a Spanish production shot in the USA.

Some critics understandably complain that the going is slow but, despite some dubious make-up at the end, I felt the flick works up some nice spookiness, as well as some quality mystery in regards to what's going on at the remote, rundown manor. Clark Tufts stands out in the cast as Jack, looking like a rock star.

The female cast consists of Claudia Franjul (Helen), Liz Hitchler (Susan) and Kathleen Patane (Anne), but the highlight is Jennifer DeLora, who shows up around the midway mark. Speaking of whom, she appears nude in one sequence, as well as in photos. There's additional overt nudity involving several bike enthusiasts, mostly in the form of old photos. Just a heads up.

The film runs 1 hour, 26 minutes, and was shot at Hillburn Manor, a derelict 100-year-old mansion in Suffern, New York, that was demolished after the film was shot in five weeks around September, 1989. Suffern is located about 40 minutes north of Manhattan near the border of northeastern New Jersey.

GRADE: B-

Some friends break down and don't want to stay in the car as it thunderstorms, so they hike to an abandoned house, let themselves in, and are surprised when a masked killer does away with them for breaking into their house.

Nothing about Deadly Manor makes any sense. Even the premise itself is silly. What rational group of people would all nod their heads and say "yes" to the idea of breaking into a creepy looking mansion in the middle of nowhere just so they won't have to stay in their car as it rains? Even at under 90 minutes, the film drags because we can't relate to any of these people why they're doing what they're doing. You'd think that, knowing their premise was inept, they'd at least try to spice it up with some clever kills here and there, but I can't remember a single kill in this movie and I watched it last night.

Director Joseph Larraz's first venture into the slasher genre - Edge of the axe - was a fairly decent attempt with an interesting premise, plenty of gore and a likable if not immensely talented cast. I had high expectations for his second effort and hoped that the six-year gap between the two films had given him time to improve on his promising hack and slash debut. Deadly Manor was released during the 'silent years' of the slasher genre; a fair time after the boom of the eighties had died down and three years before Wes Craven revived things with his semi-parody, Scream.

Six youngsters head out on a camping trip deep into the wilderness where one of them knows of a beautiful lake. On the drive through the long winding roads, the group loose their way and pick up a mysterious hitchhiker that says he knows how to get to the area that they're seeking. As the warm summer day gives way to a stormy night sky, the gang decides that they better find some shelter for the night. As they search the woodland for a place to settle, they come across an eerie derelict mansion shrouded by the darkness of the surrounding trees. Curiosities arise when they discover a car-wreck statue in the front garden that looks like some kind of bizarre shrine. On closer exploration of the premises they discover coffins in the basement and an array of photos of a beautiful woman. Although they feel uneasy, the weather has become unbearable outside and they realise that the only option is to stay for the night. Before long a masked psycho begins to brutally murder the kids one by one. But what is the reason for these ruthless unprovoked murders?

Wow, what a difference six years can make, is this really the same guy? Any credibility Larraz garnered from the positive aspects of his previous stalk and slash attempt has been completely shattered by this inane and ultimately yawn-inducing mess of a movie. He's replaced an unknown cast - that at least showed potential - with actors so wooden, they make my neighbour's picket fence look plastic. An interesting premise has been ditched in favour of a synopsis so asinine that you'll cringe every time one of the dumb bimbos wanders off to their doom. Finally he seems to have strangely lost any sense of creativity or flair that looked so promising in his earlier work. Now I know that the ability to act convincingly is a skill that isn't easy to come by. Of all the dramatic performances we see year after year, probably a mere 40% are worthy of further recognition. However, these guys are so flat it's like they had lost a fight with a steamroller just before they turned up for the shoot. What the hell was wrong with them? Were they reading from a well-hidden autocue? I wonder what the cast themselves made of their performances when they watched them back? I'd love to find out. Did they think that the next stop was Hollywood's walk of fame? Did they believe that the next movie would be the one that gets their first nomination? OK, so I'm being a little cruel. But look at it this way; I'm an awful shopper, so I stay well clear of supermarkets. These guys should have avoided any film making equipment in a similar fashion.

I must mention the set locations that were satisfactorily spooky for the most part and did at least create a credibly creepy backdrop. But even this positive sheen was ruined by the awfully inadequate lighting. The murders are mainly bloodless and poorly staged and if you're watching this snooze marathon late at night, you'll probably fall asleep during the long and boring character development that precedes the first lacklustre slaughter. Yes, if you suffer from insomnia then here's a good alternative to sleep aids that will almost guarantee a cosy night's rest!

Now I realise that it's customary for a slasher victim to be as dumb as possible. It would be no fun if a young Einstein outsmarted the masked maniac at every turn, would it? Unfortunately these guys take the biscuit when it comes to stupidity. In fact they run off with the whole pack. It begins to get a little tedious after a while as they continue stating the obvious and overacting like Ashton Kutcher on speed.

There's really not too much left to say about Deadly Manor. I could go on about the obvious plot holes that you could park a jumbo jet in, but I'll save you the boredom of reading about them. The one thing that the movie has got going for it is a deep-rooted moral to its story. If ever you're out in the woods and you discover an 'abandoned' house that has coffins in the basement, strange occult signatures garnishing the walls and human's scalps lying around freely on the mantelpiece, then it's a good idea NOT to just ignore these signs and think that they're just 'inspired' décor. Instead you should realise someone with a severe mental impediment must be nearby and it's a good idea to get in your car and head for somewhere else... on the double! This is utter trash I'm afraid and I thoroughly recommend you avoid it....

"Deadly Manor" was José Ramón Larraz's final stab at the slasher movie following 1988's "Edge of the Axe," and this offering has a different flavor to it, and is perhaps more bizarre. It follows a group of young people who, for no legitimate reason, decide to stay the night at an abandoned mansion in the woods. Outside is a wrecked car converted into a shrine, and photos of a beautiful woman are pasted on the walls throughout the house. Of course, they start to die one by one as the night rolls on.

As is the case with most Larraz's films, "Deadly Manor" is more an exercise in atmosphere than it is anything else. The bare bones of the plot are standard and fairly unremarkable, though the finer details of it all--including the killer and motives--are a bit offbeat. The film is at its most effective when it lingers on these details, and the recurrent shots of the woman's photographs that adorn the walls are off-putting and at times notably creepy; while she is not onscreen, it instills a menacing presence.

Where the film is a bit weak is in its pacing; the film seems to lag in the middle, and works its way toward setting up a red herring that proves meaningless before the kids are hacked and slashed in a rapid-fire succession. The film does surprise in that it subverts expectation of who the hero or heroes are going to be, but the last 10 minutes ultimately feel a bit anticlimactic.

Overall, "Deadly Manor" makes for an enjoyable watch due to its atmospheric backdrop, accentuated by some very good cinematography. The film is fairly run-of-the-mill in most regards, and much less offbeat than "Edge of the Axe," but just weird enough to keep you on your toes. Especially worthwhile for fans of late '80s aesthetics. 6/10.

A group of friends headed to a lake for a little weekend fun pick up a dangerous hitchhiker and then they stop off at a seemingly deserted mansion instead of sleeping in their car when it gets dark. Little do they know that the house is inhabited by a psychotic killer who will spend the rest of the evening dispatching of them in the most boring ways imaginable.

Deadly Manor's plotting is so nonsensical it sometimes feel like watching someone else's dream. People pick up and believe random hitchhikers, they walk into creepy mansions that don't belong to them to sleep, they go off and investigate strange noises in the night, etc. The acting is about as good as this story deserves, which is to say that it's equally as uninteresting. Nothing about this movie makes any sense and, even worse, it's pretty boring and doesn't even have a few stylish death scenes to make up for it.