Füge eine Handlung in deiner Sprache hinzuUnicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of e... Alles lesenUnicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of economic stability". When a Unicom Synth robot infiltrates a southwest TV station and kills... Alles lesenUnicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of economic stability". When a Unicom Synth robot infiltrates a southwest TV station and kills the manager, a revolutionary against the gestapo-like corporation, a lowly Unicom deliver... Alles lesen
- Auszeichnungen
- 1 Nominierung insgesamt
- Bud
- (as John Chandler)
- ILU Member
- (Nicht genannt)
- ILU Member
- (Nicht genannt)
- Cop
- (Nicht genannt)
Empfohlene Bewertungen
Latest fantasy film from Charles Band is a well-executed but uninspired futuristic tale. It's going direct to video, unlike its recent predecessors from the Full Moon label.
Pic's claustrophobic format resembles scripter J. S. Cardone's previous efort "Shadowzone" in trapping a group of characters at a remote spot with something preying on them.
Story is set in the year 2030, when a technocratic government has outlawed robots and private use of computers. A motley crew is stuck at Ralph Waite's local tv station during a lengthy "thermal" (storm). A synth (robot) is killing the cast.
TItle "Crash and Burn" refers to a type of computer virus use to override the synth's programming (derived fro Isaac Asimov's Laws of Robotics) not to kill humans. There's an okay twist explaining the clue as to the synth's identity, but once this baddie is identified, the film's suspense evaporates.
Band gets good ensemble performances, especially from Waite as the rebellious figure. Young Megan Ward, cast as Waite's daughter, heads the cast of beautiful women, with both Eva LaRue and Katherine Armstrong offering diversion.
As others have noted, the film is set in the future, when giant robots control the earth. Unfortunately Johnny Sucko isn't in this feature, but the other actors make up for this loss. I do wish they'd have added a plot line explaining what happened to Johnny and also why the giant robot can't do his mega-punch anymore.
Megan Ward (any relation to Sela?) does a fine job as Erin. I can see why she's embarked on a fine career, with just the right mixture of emotion and sexiness.
The plot is a bit plodding in places, like most B movies. And the special effects leave more than a bit to be desired. But the concept is quite imaginative and I must say I was impressed with the take on how our society would develop.
The real discovery is the male lead, Paul G. Anus. I'm surprised that he hasn't shown up in other major roles, as he seems to have a certain magnetism. Maybe with his unfortunate surname he's just destined to be in gay porno or something.
I would definitely rent this movie again.
Full Moon productions continues to impress me, with the atmosphere and great b movie schlock they can create, with a shoestring budget.
Then,after I've seen Coronation Street,I race upstairs to watch this baby.Hello,what's this?Not 2 seconds in,and already I've noticed this is'nt shot like a regular film.That's probably one of the biggest,in my many ,complaints about Crash And Burn:if every other film can manage to be shot like a proper film(even the realy,really bad ones)why the hell can't this one pull itself together and do the same thing?This is shot like a poloroid-cum-video recorder.That was my first step towards getting really angry and fed up with this film.In fact,it was the main thing that bugged me about it throughout.Not once did it appear to improve.I'm aware it has the (V)for video symbol by it,but what,is that a direct excuse for crappiness ?(does this serve as a direct example with the Billy Blanks dud 'Tough And Deadly?).
And,what from the back looked like it was going to serve like an original and exciting Sci-Fi venture went totally downhill from there.The special effects were diabolical,the acting was abysmal,the dialogue was atrocious , although the end line 'you really felt for her?Well,she'd only break your heart...then tear it out'had some credit to it.But that only led to a glaring implausibility error that the hero had had sex with the female robot and not noticed she was'nt a real person.And that only lead to the fact this was the only movie I knew that thought it was being clever by giving a human-looking-robot it's own name,a synthoid.Every other Sci-Fi movie calls them cyborgs.And that only led to the fact that the main 'synthoid' in question is a pathetic Terminator rip-off,that gets done in at the end by an impressive giant robot,which we only see for a brief glimpse then disappears,presumably to a better movie because this giant robot has much more talent than all the actors in this drivel.He was cool. , He quashes him in a standard better suited to the Wrigley's Spearmint gum adverts ,the only thing missing was the 'pluuurp'sound.
It really is very unfair.All I asked for was decent entertainment.Society,and hollywood,really should set better examples than this.*
Wusstest du schon
- WissenswertesThe two hookers were also drug users in an earlier draft of the script, but Charles Band requested that this aspect of the screenplay be toned down because he thought the hookers as initially conceived were too vulgar and over the top.
- PatzerReflected in the window behind Quinn when Winston is looking for Arren in the dark.
- VerbindungenEdited from Robotjox - Die Schlacht der Stahlgiganten (1989)
Top-Auswahl
Details
Box Office
- Budget
- 1.000.000 $ (geschätzt)
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1