Mord nach Plan

This is an excellent, heart wrenching film; I cry every time I see how devastated those children were with the murder of their loving mom and the trial of their father. This film, more than any other film depicting a true crime story, takes one through the tumultuous upheaval that a victim of a violent crime suffers(in this case, these boys are the victims of their mom's murder by their dad.) Other true crime story films depict the violence or the plight of the defendant. As a former prosecutor and prison counselor, I know first hand that the victims of crime are too often ignored by the criminal justice system. This film hits an emotional home run in telling the victims' stories. The relationship between Maria Marshall and her sons is the cornerstone of the film, and it makes one realize the depth of suffering one endures with so senseless a crime. Her beauty as a loving mother is contrasted with Robert Marshall's self absorbed obsession with himself and his needs. Caught in the middle are three innocent children, devoted sons to both parents, believing with "blind faith" in the innocence of their dad despite the overwhelming evidence unfolding before them. Despite its length (4 hours), the film and the book by Joe McGinnis are worth your time. The 20th anniversary of Maria's murder is September 7, 2004.

This is a well-acted and absorbing drama, with appealing and talented actors. The piano soundtrack by Laurence Rosenthal was absolutely beautiful -- poignant and evocative. Robert Urich was very good as the weak and self-absorbed husband, and everybody in the movie was watchable, really. To me, the most tragic thing about the aftermath of Maria Marshall's murder was that her sons couldn't even look back on happy memories for comfort. In one scene, the boys are watching some old home movies of their parents and themselves when they were just toddlers. Their mother is laughing and playing with them in the swimming pool, while the father is roughhousing with them and laughing into the camera. But these sweet scenes are fractured by the knowledge that the mother they loved so much was murdered by their father, and they can no longer watch them with a normal feeling of nostalgia, or look back in sentimental memory at their family life.

I voted this 7/10 because I like made for TV true crime movies, but it has its flaws.

It's about the murder of Maria Marshall (Joanna Kerns) in 1984 at a rest stop along the Garden State Parkway in New Jersey where her husband, Rob Marshall (Robert Urich), has stopped to examine a tire that he thinks is going flat. He is hit in the head by an assailant. She is shot in the back. The motive appears to be robbery though nothing was taken.

I just rewatched "Echoes In the Darkness", and that true crime film was by far the better made and more suspenseful film with much smarter villains. I don't really blame the production that much as the widowed husband is beyond goofy and stupid. You can only do so much with a true crime film if you have an uninspiring villain. After his wife is murdered, all Rob Marshall can talk about is Felice Richmond (Robin Strasser) with whom he was having an affair and was planning to marry after he left his wife. He seems to openly pine away for Felice MUCH more than he is mourning his wife, which makes him unlikeable to his friends and alienates his grown sons. Then there is the 1.5 million dollars in life insurance he just recently took out on his wife and his own mounting money problems. 1.5 million dollars would be about five million dollars in 2025. Complications and suspicions ensue.

The movie tries to drag out the proceedings longer than needed. There is an entire scene about the Marshall's 20th wedding anniversary, two years before the murder, that makes the family and the marriage seem quite happy. Was this the true state of things, or was this just a mirage? It's never clearly stated.

Then there is just the overall rather weird tone of the film. The first half of the film takes on an oddly spiritual tone while overdoing the deifying of the victim.

There's lots of acting talent on the screen, including an early performance by Johnny Galecki of Roseanne and Big Bang Theory fame. Dennis Farina takes on an unusual straight-arrow role as the prosecutor.

If you like true crime I think you'll like this, but you may have the same small complaints about the production that I had.

This mini-series is one of my personal favorites. It was one of the first to show New Jersey not as gang-related or as urban but suburban Ocean County in Toms River, New Jersey. Joanna Kerns does a beautiful job playing the mother and the late Robert Urich does an equally superb job playing the father. The boys were played exceptionally well in despite of the growing suspicion of the father's involvement and his obvious guilt. He is still on New Jersey's death row and will never get executed in the state. I remember when I first watched this mini-series on television and later I watched it on lifetime. The mini-series depicts the story of a family who should have had it all only to blow up in the face of Mr. Marshall who arranged his wife's murder to collect insurance money. You can't forget Dennis Farina as the prosecutor in the role, Doris Roberts who plays the loving blinded older woman who helps with the boys, and Robin Strasser does a superb job playing the mistress who finally helps bring down Marshall. I am not saying that she wasn't guilty but you know that you can't judge somebody.

I'll admit, I haven't seen Blind Faith since it first aired on television 22 years ago and my memory of this 1990 movie is a little blurry. But it did impact me enough at age 15 so that to this day anytime I hear the song "Take the Long Way Home" I am reminded of a scene from the movie (still clear as day in my mind), where the 1979 Supertramp hit plays on the car radio while a bubbly Joanna Kerns drives one of her sons home. It's one of the sweetest scenes in the movie, which fans of Robert Ullrich, Ms. Kerns, true-crime stories, and New Jersey history should enjoy if they're in the mood for a vintage TV movie. The acting is top-notch, the characters likable and memorable, and the plot is intriguing (even gripping, given the fact that it's based on a true story). However, like most films of this genre—TV movies—it does require the right day and state of mind to fully appreciate and enjoy.