Das dreckige Spiel

'True Believer' is A Fair Entertainer, with a Winning Performance by James Woods! Woods delivers one of his best performances in this 1989 Courtroom Drama, and he without a doubt, is the biggest merit of this film.

'True Believer' Synopsis: A cynical former civil liberties attorney now reduced to "specializing" in defending drug dealers becomes transformed by an eight-year-old murder case.

Wesley Strick's Screenplay is average in the first-hour, but is arresting & absorbing in the second-hour. I really liked the second-hour of the film, it really caught my attention. Joseph Ruben Directs this Courtroom Drama, nicely. Cinematography, Editing, Art Design & Costume Design, are satisfactory.

Performance-Wise: Woods, obviously, is the show-stealer. As mentioned, The Acting Legend delivers one of his best performances in here. He really rips it up in every scene. Robert Downey Jr. is good. Margaret Colin supports well. Yuji Okumoto is passable, while Kurtwood Smith is excellent. Others fill the bill.

On the whole, 'True Believer' is a decent film, with Woods ruling the show with a memorable performance.

The last decade of the twentieth century is known for the millions of courtroom dramas produced. At the turn of that decade, True Believer was released and countless numbers followed. For the film itself, it was actually pretty good though it seems no one has seen the film. It has all what you would expect in a courtroom drama and it was done fairly well. The film was tense and it has some stirring moments. However, the film needs editing work done as there are many continuity issues and it gives the overall story arch some unnecessary problems.

This film is about a lawyer named Eddie Dodd who used to be a civil rights lawyer and now he is a worn-down defender for drug users. With the help of a younger lawyer just out of grad school Roger Baron, Dodd decides to open an eight-year-old case involving an Asian guy who was wrongly convicted of a gang hit. Now Dodd must fight against wormy prosecutors, corrupt cops, and racial Nazis just to even stay alive.

Roger Ebert has the perfect quote for James Woods performance as he called him "hypnotically watchable." I happen to agree that Woods deliver an excellent performance as he does not hold anything back. Plus you have to give credit to his hairstyle making him look like a lawyer from the 1770's. On the other hand, I didn't quite buy Robert Downey Jr's performance. He is a fantastic actor, but his role here irritated me. He has some good moments, but not enough to prove his worth.

Overall, True Believer is a fine courtroom film that is energized by the fiery James Woods performance. If he was not here, this movie would have been mediocre at best. But the film itself is thrilling and there are even some chilling aspects to the film, almost horror-film like. But there are also some action scenes and chases that will keep normal filmgoers interested. I thought the actual court case was interesting and it shows how racist Americans can be, even twenty plus years after the Civil Rights Act. I rate this film 8/10.

Okay. I'm a huge James Woods fan, so I may be a bit biased. But a lot of these reviews on this movie are pretty unfair - *especially* the one where the only comments made about the entire movie was a detailed description of the "nightmare" Woods' hairpiece inspired for the viewer. C'mon, that has nothing to do with anything. (I, personally, quite liked seeing Woods with long hair for a change - but that's not the point of this review, so I'm moving on.)

This movie's plot, about a disillusioned lawyer who has spent the latter half of his career getting drug dealers freed, and suddenly gets a chance at a case where he can really do something _good_ - namely, free an innocent man - is a story that packs a lot of power. And most of that power comes from Woods in his role as Eddie Dodd, the shambled attorney. Man, if Woods would ever find himself without work, he could always go back to school and go into law; raw passion, this guy has it. The court scenes are brilliant. Actually, all of the scenes are brilliant. You can't watch this movie without being amazed at the depths of emotion that this character is going through, all visible on his face, in his eyes, in his voice. The acting is superb. (A rarity with some more recent movies, in my opinion.) The character is superb. Woods turns him from a character into a real _person_, someone you can relate to, someone you can understand and sympathize with. Which is really what makes a movie great.

The acting is great, the story is gripping - the audience can try to stay one step ahead of the characters, but good luck! Everything unfolds at a good pace, without getting either too slow or too confusing. Robert Downey, Jr., is both amusing and poignant as a green attorney working for Dodds; and Yuji Okumoto, as Shu, has some really in-depth scenes against Dodds. All the characters are great.

It's got action, it's got power, it's got raw emotion, it's got _feeling_. The ending was poignant enough to make me cry. So, hey, if you like watching a film that will get your attention and maybe even make you re-think a few things about how America is handled, give this movie a try. Because, really, the hairpiece on Woods is actually quite attractive. ;-)

Edward Dodd played by James Woods is the disillusioned cynical criminal lawyer who has made a career fighting for ideals such as justice, freedom and equality for all. Fighting against the abuses of the legal system he though has realised that the only way he can protect the ideals he treasures so much is by representing uncouth drug dealers who do not appreciate what he does for them. All of sudden a young idealistic lawyer out of law school played by Robert Downey Jr, joins his firm in pursuit of the same ideals as Edward Dodd. The young lawyer, despite been an irritation to Dodd starts reminding him of the way he was when he started his law practise. One day in his disillusioned state a mother walks into Dodd's office asking him to defend her son who has been falsely accused and convicted of murder. The young lawyer convinces Dodd to take the case and suddenly Dodd's spirit is revived and there is meaning amongst all the hypocrisy once more. The two lawyers then embark on a perilous journey uncovering the truth behind corrupt police officers and state prosecutors who believe that the end justifies the means. Woods is brilliant with his emotional outbursts fighting for justice and fairness against a system which has let him down so many times. Downy portrays the young naive idealist to perfection. Lots of suspense and drama right to the court room climax guaranteed to keep you in suspense right to the end.

Eminently watchable drama from 1989 with Woods as burned-out lawyer Eddie Dodd, formerly idealistic & successful civil liberties attorney who's now a callous defender of drug dealers ("No, pot possession cases are free. Coke dealers pay cash: that subsidizes the pot possession cases." Character reputably based on real-life S.F. lawyer J. Tony Serra; hence the long hair), & Rbt. Downey, Jr., as his idealistic law clerk, fresh out of school. (Downey, Jr.'s, @first incredulous: "You were my age when you defended that case," to which Dodd retorts, "I was never your age.")

There're a few continuity problems here, mainly which fingers the charcoal is on after Dodd's tussle with Chuckie, but they're pretty much overshadowed by some great sub-plots (Manhattan D.A.'s [Kurtwood "70s Show" Smith] curious interest in an 8-year-old murder case, Dodd's faded romance with P.I. Margaret Colin, the sadly schizoid Vietnam vet ["Cecil, are you what heroes are made of?"]) & the main story line, the case of a convicted murderer. Dodd @first dismisses Downey, Jr.'s, suggestion that they take the case but later becomes so emotionally immersed in it that when Roger (Downey, Jr.) spins the futility here with "We all think it's a good fight," Eddie pounces on him with some memorable oratory: "Don't give that liberal, yuppie b***s**t about a good fight; this isn't f*****g Yale! A good fight is one you win!"

Directed by Joseph Ruben, with a nice, incidental orig. score by Brad Fidel & some slick ambient tunes (Doors's Crystal Ship, Lou Reed's Busload of Faith).