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4,9/10
3302
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Füge eine Handlung in deiner Sprache hinzuA young man finds out that his parents had been used in an atomic-weapons experiment shortly before he was born, and that the results have had some unexpected effects on him.A young man finds out that his parents had been used in an atomic-weapons experiment shortly before he was born, and that the results have had some unexpected effects on him.A young man finds out that his parents had been used in an atomic-weapons experiment shortly before he was born, and that the results have had some unexpected effects on him.
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Nevada desert, 1955. Peggy and Brian Bell, are being experimented on by the US Army to test the effects of exposure to atomic energy whilst testing a nuclear bomb. The test seems to go well, and the Bells are located in a picturesque suburbia. However, after giving birth to their son, the couple suddenly spontaneously combusted, a clear effect of the nuclear fallout. The baby boy survives them, and grows up to be Sam (Brad Dourif).
So we flash forward to the present day, where Sam's freakish ability to combust becomes increasingly dangerous to both himself and others around him. In one scene (with a cameo from John Landis), Sam has called into a radio psychic DJ - who has now gone off the air - and gets through to the Landis' radio technician who refuses to pass him onto the DJ (Dr Persons - played by Joe Mays). This increases Sam's anger (which as we have seen previously, makes Sam burnier), and he projects fire through the phone (in a pseudo-telekinetic flash), which results in fire streaming from the knee-caps of poor Landis. Sam's main goal is to find out about his parents and to determine why these phenomena keep occurring.
Tobe Hooper has not had it easy since the release of exceptionally brilliant debut The Texas Chain-Saw Massacre (1974). All of his subsequent films have either fallen foul of studio intervention (Death Trap (1977), The Funhouse (1981)), executive producer Steven Spielberg's ultimate overbearing on-set presence (Poltergeist (1982), or just poorly conceived ideas (Lifeforce (1985), Invaders from Mars (1986) and Texas Chain-Saw Massacre 2 (1986). He seems only in the latter part of the '80's produce Stephen King-like projects, either directly adapting a King novel (Salem's Lot (1979 -TV mini-series), or lifting pseudo-King story devices, much like Spontaneous Combustion. The use of fire as a telekinetic ability had been previously 'explored' in Kings Firestarter.
This is not a great film. The production values are akin to the TV movies/series' that were being broadcast at the time. this was seen throughout the genre in the early years of the decade. This period is almost a vacuum of popular visual culture, with the exception of one horror, the TV series Twin Peaks (1990-1991). The camera movements and compositions are standard television production. Aside from the lack of visual flare, there is one element that never really fails to please. That is of course Brad Dourif. I find everything that Dourif is in to be thoroughly fun to watch. Even, as in this performance, when he is wildly over-the-top. His eyes intense, and his vociferousness projected directly into you brain, sharp and direct. No one does sweaty anger like Dourif does. So, in conclusion. S**t film, but it is totally be forgiven cause Brad Dourif is in it.
www.the-wrath-of-blog.blogspot.com
So we flash forward to the present day, where Sam's freakish ability to combust becomes increasingly dangerous to both himself and others around him. In one scene (with a cameo from John Landis), Sam has called into a radio psychic DJ - who has now gone off the air - and gets through to the Landis' radio technician who refuses to pass him onto the DJ (Dr Persons - played by Joe Mays). This increases Sam's anger (which as we have seen previously, makes Sam burnier), and he projects fire through the phone (in a pseudo-telekinetic flash), which results in fire streaming from the knee-caps of poor Landis. Sam's main goal is to find out about his parents and to determine why these phenomena keep occurring.
Tobe Hooper has not had it easy since the release of exceptionally brilliant debut The Texas Chain-Saw Massacre (1974). All of his subsequent films have either fallen foul of studio intervention (Death Trap (1977), The Funhouse (1981)), executive producer Steven Spielberg's ultimate overbearing on-set presence (Poltergeist (1982), or just poorly conceived ideas (Lifeforce (1985), Invaders from Mars (1986) and Texas Chain-Saw Massacre 2 (1986). He seems only in the latter part of the '80's produce Stephen King-like projects, either directly adapting a King novel (Salem's Lot (1979 -TV mini-series), or lifting pseudo-King story devices, much like Spontaneous Combustion. The use of fire as a telekinetic ability had been previously 'explored' in Kings Firestarter.
This is not a great film. The production values are akin to the TV movies/series' that were being broadcast at the time. this was seen throughout the genre in the early years of the decade. This period is almost a vacuum of popular visual culture, with the exception of one horror, the TV series Twin Peaks (1990-1991). The camera movements and compositions are standard television production. Aside from the lack of visual flare, there is one element that never really fails to please. That is of course Brad Dourif. I find everything that Dourif is in to be thoroughly fun to watch. Even, as in this performance, when he is wildly over-the-top. His eyes intense, and his vociferousness projected directly into you brain, sharp and direct. No one does sweaty anger like Dourif does. So, in conclusion. S**t film, but it is totally be forgiven cause Brad Dourif is in it.
www.the-wrath-of-blog.blogspot.com
Righty right. Here's a bit about SPONTANEOUS COMBUSTION: the government is trying to engineer the perfect weapon for war. It fails, and the project is supposedly buried. Years later, however, a young college student by the name of David (Sam), is finding out slowly that he is something more than human. So, he intends to find out just what he is, and a path of destruction and fire is left in his wake. Now, I can see why this has been called Tobe Hooper's only failure at a movie, but it is a gem. But, the only reason why this is a good flick is because of the presence of Brad Dourif. As always, he's excellent. Rent this flick, that is if you can find it. The beginning is slow, but it is very entertaining.
I really don't understand why so many people hate this movie! I mean, I cry every time I see the end of it, I love the music that gets played over the end credits (the one I like to call the 'Sam & Lisa love theme',) I love the acting, and I love the *tragic* relationship between the two main characters.
Brad Dourif's always been one of my favourite actors, and I think it's really cool that he puts so much into his acting in 'Spontaneous Combustion' that he is actually sweating. (Remember that scene in the phone box when he's talking to Lisa and asking her 'what was in those pills you gave me?'
I think Tobe Hooper did really well making this one. (I'm looking forward to seeing his new film; 'Brew', which also stars Brad Dourif and Bill Moseley from 'House of 1000 Corpses.')
Brad Dourif's always been one of my favourite actors, and I think it's really cool that he puts so much into his acting in 'Spontaneous Combustion' that he is actually sweating. (Remember that scene in the phone box when he's talking to Lisa and asking her 'what was in those pills you gave me?'
I think Tobe Hooper did really well making this one. (I'm looking forward to seeing his new film; 'Brew', which also stars Brad Dourif and Bill Moseley from 'House of 1000 Corpses.')
The picture based allegedly in a reality, concerns about a young man(Brad Dourif) aware his parents(Stacy Edwards and Brian Bremer)had been used in a nuclear experiment. Them, he inherits the power to inflict the title phenomenon on other people . He's recently separated his spouse(Blain)and again appear his ability -called pyrokinesis, though sometimes is incontrollable- to ignite objects and people around him. Then, blazing deaths occur, the result of another evil government experiment.
This is a suspenseful and frightening movie , though regularly paced. The movie contains some flaws and sometimes is silly and ludicrous, furthermore wasting the acting talent. Casting is quite well, Brad Dourif is nice, as usual, in one of his habitual roles as hapless. Magnificent plethora secondaries as Melinda Dillon, John Cypher , William Prince and Dale Dye. Special appearance of Hollywood directors as John Landis and Andre De Toth . The film is in the ink of¨ Firestarter¨(directed by Mark L Lester with Drew Barrymore and George C Scott) and ¨Firestarter 2¨(Robert Iscove with Marguerite Moreau and Malcolm McDowell). The motion picture is regularly directed by Tobe Hooper, who previously acquired success with ¨Texas chainsaw massacre, Salem's Lot,Funhouse,Invaders from Mars and Poltergeist¨, however with 'Spontaneous Combustion' got a failure. Rating : Mediocre though some moments is entertaining.
This is a suspenseful and frightening movie , though regularly paced. The movie contains some flaws and sometimes is silly and ludicrous, furthermore wasting the acting talent. Casting is quite well, Brad Dourif is nice, as usual, in one of his habitual roles as hapless. Magnificent plethora secondaries as Melinda Dillon, John Cypher , William Prince and Dale Dye. Special appearance of Hollywood directors as John Landis and Andre De Toth . The film is in the ink of¨ Firestarter¨(directed by Mark L Lester with Drew Barrymore and George C Scott) and ¨Firestarter 2¨(Robert Iscove with Marguerite Moreau and Malcolm McDowell). The motion picture is regularly directed by Tobe Hooper, who previously acquired success with ¨Texas chainsaw massacre, Salem's Lot,Funhouse,Invaders from Mars and Poltergeist¨, however with 'Spontaneous Combustion' got a failure. Rating : Mediocre though some moments is entertaining.
Eccentric but interesting thriller. Brad Dourif puts a lot into his portrayal of the lead character, a school teacher who discovers he can start fires, and the performance is one of the main things thats lifts the film out of the rut.
With its evocation of a strange little town dominated a large nuclear plant the film recalled for me "Strange Behavior" (1981) (AKA "Dead Kids"). The films show an odd mix of architecture, clothing fashion and interior decoration from different eras that makes placing and dating the film difficult. Overall its look and generally offbeat characters gives the film an effective unreal sort of quality. Also similar to "Strange Behavior" is the murky, complex, slowly unfolding story and the sinister scientist who is controlling everything. Also Dey Young is a cast member of both films, sadly underused here.
With its evocation of a strange little town dominated a large nuclear plant the film recalled for me "Strange Behavior" (1981) (AKA "Dead Kids"). The films show an odd mix of architecture, clothing fashion and interior decoration from different eras that makes placing and dating the film difficult. Overall its look and generally offbeat characters gives the film an effective unreal sort of quality. Also similar to "Strange Behavior" is the murky, complex, slowly unfolding story and the sinister scientist who is controlling everything. Also Dey Young is a cast member of both films, sadly underused here.
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- WissenswertesIn a promotional Fangoria interview for Exorcist 3 (1990), Brad Douriff mentioned how disappointed he was with final version of this film, and how a very interesting, promising movie was ruined by studio interference and producers during production. "You see me playing my heart out in scenes that are not working, and the reason they're not working is that movie doesn't make sense. It's almost funny. As a matter of fact, the better my acting was in some of the later scenes, the funnier film was. I found myself at the mercy of people who didn't know what they were doing. I probably shouldn't be saying this, but my feeling is, the producers destroyed it. Tobe could have made three different movies with material he had, and each one would have worked. But by the time he got it, it had changed from a love story to a suspense thriller about my character's paranoid fantasy, to a 'guy goes crazy' film about this insane killer who becomes a destructive force that's going to wipe out mankind. We went back and kind of restructured it as a love story, but it didn't really help. The beginning of the film was great, and a certain portion of my stuff was fine, but then it became stupid when all the flame stuff started happening."
- PatzerThe position of the syringe stuck in Lisa, changes.
- VerbindungenFeatured in Cinemassacre's Monster Madness: Spontaneous Combustion (2009)
- SoundtracksI Don't Want to Set the World on Fire
Written by Eddie Durham (uncredited), Eddie Seiler (uncredited), Sol Marcus (uncredited) and Bennie Benjamin (uncredited)
Performed by The Ink Spots
Courtesy of MCA Records
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Details
Box Office
- Budget
- 5.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 50.367 $
- Eröffnungswochenende in den USA und in Kanada
- 50.367 $
- 25. Feb. 1990
- Weltweiter Bruttoertrag
- 50.367 $
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