Signs of Life

Everything was by the numbers for this melodramatic soap operaesque movie. No worse or better than others from this era, which isn't really saying anything. The story is good, and the location is beautiful. The execution falls way short of the mark, unfortunately. The cast is spotty, ranging from absulutely awful performances to quite decent ones. Inane dialogue ruins the day, and inept directing spoils what may have been entertaining viewing. The highlights of the movie are the muscle car and the boats. Beau's performance is hardly adequate. Mary Louise Parker is captivating as always, but ultimately her role amounts to zilch. Very clumsy direction and pointless side stories detract from any momentum. The rating here is preposterous as usual. A forgettable movie from start to finish. The old bugger who runs the failing boatyard is incompetent as an actor, whoever he is. It starts bad and gets worse as it unfolds. The characters end up coming across as idiotic bumbling morons, and that's not the case with the people of the era at all. Horrendous. One star for Parker and one for the scenery, which we don't get to see nearly enough of. Half the movie is filler of dragging scenes with close ups on faces which seem to be hoping this film doesn't sink their career. Rightfully so. The stupidity of it all will astound even people who usually lap up this inane drivel. Pure slop.

I first saw "Signs of Life" on PBS as an American Playhouse presentation. It's a wonderfully written, ensemble production with terrific performances by Michael Lewis as Joey and Vincent D'Onofrio as his brother, Daryl. Arthur Kennedy, in one of his last roles, is also excellent as an aging shipbuilder whose family business is about to close. The rest of the cast which includes Beau Bridges, Kathy Bates and Mary-Louise Parker give remarkable clarity and substance to their characters.

The direction is subtle and effective. I've watched this movie several times over the years and would very much recommend it. A beautiful piece of filmmaking.

It's not real flashy, but this movie does a great job of developing a large cast of characters, and letting you know their hopes and desires, while still managing to be both funny and bittersweet. A very sweet movie. Fun, also, to see Vincent D'Onofrio and Mary-Louise Parker so early in their careers.

A boat builder in a sleepy town in Maine is going out of business, and the lives of all of the (soon to be ex-)workers and families are disrupted. The biggest disappointment is that the two stars--Bates and Bridges--have only bit parts.

Interesting, but not something you would see twice.

I saw this movie on PBS the first time. Then I bought the video and watched it countless times. Every time I watch it, I can get something else out of it. It's a real testament to wanting to hold onto a life that was good, but now the world is changing. But you don't have to be older to hold onto the past, even the young characters, like Charlotte don't want things to change. The overall tone and mood is excellent. The cast is outstanding with all-stars like Kathy Bates, Beau Bridges and Arthur Kennedy. And its fun to see the upcoming stars before they hit more recognizable feature films, like Kevin J. O'Connor (The Mummy) and Vincent D'Onofrio (Men in Black and Law & Order: Criminal Intent-one of my favorite shows). Its just one of those movies that stays with you.