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Phantom der Oper

Originaltitel: The Phantom of the Opera
  • 1989
  • 18
  • 1 Std. 33 Min.
IMDb-BEWERTUNG
5,5/10
4740
IHRE BEWERTUNG
Robert Englund in Phantom der Oper (1989)
A young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.
trailer wiedergeben1:43
1 Video
99+ Fotos
Psychological DramaSupernatural HorrorDramaHorrorMusicRomance

Eine junge Sopranistin wird zur Besessenheit eines schrecklich entstellten Komponisten, der Pläne für diejenigen hat, die sich ihm oder der jungen Sängerin widersetzen.Eine junge Sopranistin wird zur Besessenheit eines schrecklich entstellten Komponisten, der Pläne für diejenigen hat, die sich ihm oder der jungen Sängerin widersetzen.Eine junge Sopranistin wird zur Besessenheit eines schrecklich entstellten Komponisten, der Pläne für diejenigen hat, die sich ihm oder der jungen Sängerin widersetzen.

  • Regie
    • Dwight H. Little
  • Drehbuch
    • Gaston Leroux
    • Gerry O'Hara
    • Duke Sandefur
  • Hauptbesetzung
    • Robert Englund
    • Jill Schoelen
    • Alex Hyde-White
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,5/10
    4740
    IHRE BEWERTUNG
    • Regie
      • Dwight H. Little
    • Drehbuch
      • Gaston Leroux
      • Gerry O'Hara
      • Duke Sandefur
    • Hauptbesetzung
      • Robert Englund
      • Jill Schoelen
      • Alex Hyde-White
    • 96Benutzerrezensionen
    • 80Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Videos1

    Official Trailer
    Trailer 1:43
    Official Trailer

    Fotos164

    Poster ansehen
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    Topbesetzung30

    Ändern
    Robert Englund
    Robert Englund
    • Erik Destler…
    Jill Schoelen
    Jill Schoelen
    • Christine Day
    Alex Hyde-White
    Alex Hyde-White
    • Richard Dutton
    Bill Nighy
    Bill Nighy
    • Martin Barton
    Stephanie Lawrence
    • La Carlotta
    Terence Harvey
    Terence Harvey
    • Insp. Hawkins
    Nathan Lewis
    • Davies
    Peter Clapham
    • Harrison
    Molly Shannon
    Molly Shannon
    • Meg (New York)
    Emma Rawson
    • Meg (London)
    Mark Ryan
    Mark Ryan
    • Mott
    Yehuda Efroni
    Yehuda Efroni
    • The Rat Catcher
    Terence Beesley
    Terence Beesley
    • Joseph Buquet
    Ray Jewers
    Ray Jewers
    • Elise
    Robin Hunter
    • Roland
    Virginia Fiol
    • Sarah
    Cathy Murphy
    Cathy Murphy
    • Esther
    Andre Thornton Grimes
    • Bartender
    • Regie
      • Dwight H. Little
    • Drehbuch
      • Gaston Leroux
      • Gerry O'Hara
      • Duke Sandefur
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen96

    5,54.7K
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    Empfohlene Bewertungen

    7claudio_carvalho

    Love and Music Are Forever

    In New York, the Julliard student Christine Day (Jill Schoelen) meets her friend Meg (Molly Shannon) in the library where she works and she shows a piece of music from the unknown author Erik Destler that she has found on the shelf. Christine decides to use the music in her audition on the next day for a part in a Faust version in the New York Opera.

    During the audition, there is an accident on the stage and Christine faints. She relives her past life in the Nineteenth Century in London, when she is an aspirant opera singer and becomes the protégée of The Phantom (Robert Englund) of the London Opera House. The Phantom is the unknown composer Erik Destler that makes a pact with the devil in order to the world would love his music. In return, the devil destroys his face and tells that he would never be loved by anyone and would be disfigured forever. After a tragic ending, Christine awakes in the present days and has a great surprise when she is introduced to the producer of the opera.

    "The Phantom of the Opera" (1989) is a gore and bleak version of the classic novel of Gaston Leroux. The make-up of the Phantom is impressive and gruesome. Jill Schoelen moves her lips perfectly and gives the sensation that she is really singing opera. The screenplay is original, with Christine Day living her two lives in two different centuries with the Phantom obsessed by her. My vote is seven.

    Title (Brazil): "O Fantasma da Ópera" ("The Phantom of the Opera")
    sin_operahouse

    Not just another Nightmare Elm flick

    This is not just Robert Englund being Freddy yet again. The music, storyline, and direction are just awesome. The music for one is outstanding (hint try finding the soundtrack though) It is available but hard to get. But I disagree with Tim, this isnt just Englund playing a suave Freddy. Theres a lot more to the whole Phantom of the Opera storyline, and this movie, than Freddy will ever have hands down. Just ask Jason hahahah
    LeilaDessler

    A dark, yet good take on the Phantom

    I like this movie. I'm a purist, which may be surprising, but I am and still like this movie. Why? Because it gives Erik his edge back. True, they give him a good bit extra, but in the novel, Erik could have cruel moments, he had an edge, a threat to him. Ever since the Lon Chaney (which is still the closest to the book version), Erik has lost his edge and become a sort of disfigured James Bond. While I don't have much of a problem, this is a nice beak from that. Robert Englund is one of my favorite actors, and this was the first or second movie I saw him in (the first, if it wasn't this one, would have been Urban Legend, decent movie on TV). He plays Erik with a sinister sensuality. His lanky frame and Kruegeresque swagger are fine qualities, he comes of confident. Erik was like that in the book many times, though he did become a lovesick puppy with Christine. Yes, it's a slasher, yes they make Erik quite cruel in it, but it does have many little tidbits from the book. Plus, it has the masked ball scene, which helps it score high with me!! Go in with an open mind and acceptance of a crueler Erik (or a sickness of a lovey-dovey Erik) and you should enjoy it. At least it's better than the Julian Sands version.
    6SnakesOnAnAfricanPlain

    The Phantom of the Opera (1989)

    Gory slasher interpretation of the story. Overall I liked it. It did pander to a wider audience by beginning and ending in present day. This was also just a bit confusing, and seems to have been done in an attempt to lay the groundwork for some sequels. The makeup was very well realized, and I enjoyed how it allowed the Phantom to go out and about. The kills were gruesome and cruel, and Englund mostly managed to keep his performance away from Krueger territory. A bit of classical literature, mixed with 80's slasher, and some class act British performances, such as a young Nighy, make this a worthwhile watch. Perhaps the music could have been a little bit more engaging/hypnotic.
    moonknight2010

    Good Phantom movie and Great Horror film!

    I am a huge horror movie fan and also a big Phantom of the Opera fan. I remember this film when it came out in 1989 but did not get the chance to see it until years later. I love the 1943 version and also love this one as well. Robert Englund proves in this film that he is a great actor and has moved far beyond his Freddy Kreuger days. This film is also very haunting as a horror film where the 1943 re-make is more of a drama/horror film. Robert is also very haunting as Erik Desller / The Phantom. Tha main thing i loved about this film is the dark and frightening atmosphere that it set out for the viewers. well the rank this film from 1-10 i give it a 8 for sure... Great film for both Horror movie fans and Phantom of the Opera fans.

    Highly recomended!!!!!!!!!!!!!!!!!

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    Handlung

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    • Wissenswertes
      During a scene with fire, hot wax fell on Jill Schoelen, and burned her arm and shoulder. Despite this incident, director Dwight H. Little convinced Schoelen to do two more takes in the fire.
    • Patzer
      When Christine first starts singing to the phantom in front of the fireplace near the beginning, her voice doesn't match her lip movement.
    • Zitate

      Christine Day: [back in the present] You're him, aren't you?

      Erik Destler: [gives a sarcastic gasp] Had you expected someone else? Christine, you have always been my inspiration. You. And now, it's only a question of what you want: Love or music.

      Erik Destler: [after she rips his fake skin off while he screams]

      [seething in discomfort]

      Erik Destler: I have waited a very long time for you to come back to me my dear

      [coughing]

      Erik Destler: We had a bargain you and I

      [barks]

      Erik Destler: FOREVER!

      [now quietly]

      Erik Destler: Forever!

      Christine Day: [snatches up one of his surgical tools] NOT...

      [and stabs him with it]

      Christine Day: ... FOREVER!

    • Crazy Credits
      This Motion Picture is not associated with any current or prior stage play or motion picture of the same title.
    • Alternative Versionen
      Several scenes of extreme graphic violence had to be trimmed/deleted in order to get an R-rating in America.
    • Verbindungen
      Featured in Behind the Mask: The Making of The Phantom of the Opera (2015)
    • Soundtracks
      Don Juan Triumphant
      Composed and Conducted by Misha Segal

    Top-Auswahl

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    FAQ19

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    Details

    Ändern
    • Erscheinungsdatum
      • 22. März 1990 (Westdeutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Vereinigtes Königreich
      • Ungarn
    • Sprache
      • Englisch
    • Auch bekannt als
      • El fantasma de la ópera
    • Drehorte
      • London, England, Vereinigtes Königreich
    • Produktionsfirmen
      • 21st Century Film Corporation
      • Breton Film Productions
      • Columbia Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 3.953.745 $
    • Eröffnungswochenende in den USA und in Kanada
      • 2.050.000 $
      • 5. Nov. 1989
    • Weltweiter Bruttoertrag
      • 3.954.044 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 33 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Ultra Stereo
    • Seitenverhältnis
      • 1.85 : 1

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    Robert Englund in Phantom der Oper (1989)
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