Eine junge Sopranistin wird zur Besessenheit eines schrecklich entstellten Komponisten, der Pläne für diejenigen hat, die sich ihm oder der jungen Sängerin widersetzen.Eine junge Sopranistin wird zur Besessenheit eines schrecklich entstellten Komponisten, der Pläne für diejenigen hat, die sich ihm oder der jungen Sängerin widersetzen.Eine junge Sopranistin wird zur Besessenheit eines schrecklich entstellten Komponisten, der Pläne für diejenigen hat, die sich ihm oder der jungen Sängerin widersetzen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 wins total
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During the audition, there is an accident on the stage and Christine faints. She relives her past life in the Nineteenth Century in London, when she is an aspirant opera singer and becomes the protégée of The Phantom (Robert Englund) of the London Opera House. The Phantom is the unknown composer Erik Destler that makes a pact with the devil in order to the world would love his music. In return, the devil destroys his face and tells that he would never be loved by anyone and would be disfigured forever. After a tragic ending, Christine awakes in the present days and has a great surprise when she is introduced to the producer of the opera.
"The Phantom of the Opera" (1989) is a gore and bleak version of the classic novel of Gaston Leroux. The make-up of the Phantom is impressive and gruesome. Jill Schoelen moves her lips perfectly and gives the sensation that she is really singing opera. The screenplay is original, with Christine Day living her two lives in two different centuries with the Phantom obsessed by her. My vote is seven.
Title (Brazil): "O Fantasma da Ópera" ("The Phantom of the Opera")
Highly recomended!!!!!!!!!!!!!!!!!
Wusstest du schon
- WissenswertesDuring a scene with fire, hot wax fell on Jill Schoelen, and burned her arm and shoulder. Despite this incident, director Dwight H. Little convinced Schoelen to do two more takes in the fire.
- PatzerWhen Christine first starts singing to the phantom in front of the fireplace near the beginning, her voice doesn't match her lip movement.
- Zitate
Christine Day: [back in the present] You're him, aren't you?
Erik Destler: [gives a sarcastic gasp] Had you expected someone else? Christine, you have always been my inspiration. You. And now, it's only a question of what you want: Love or music.
Erik Destler: [after she rips his fake skin off while he screams]
[seething in discomfort]
Erik Destler: I have waited a very long time for you to come back to me my dear
[coughing]
Erik Destler: We had a bargain you and I
[barks]
Erik Destler: FOREVER!
[now quietly]
Erik Destler: Forever!
Christine Day: [snatches up one of his surgical tools] NOT...
[and stabs him with it]
Christine Day: ... FOREVER!
- Crazy CreditsThis Motion Picture is not associated with any current or prior stage play or motion picture of the same title.
- Alternative VersionenSeveral scenes of extreme graphic violence had to be trimmed/deleted in order to get an R-rating in America.
- VerbindungenFeatured in Behind the Mask: The Making of The Phantom of the Opera (2015)
- SoundtracksDon Juan Triumphant
Composed and Conducted by Misha Segal
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- El fantasma de la ópera
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 3.953.745 $
- Eröffnungswochenende in den USA und in Kanada
- 2.050.000 $
- 5. Nov. 1989
- Weltweiter Bruttoertrag
- 3.954.044 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1