Füge eine Handlung in deiner Sprache hinzuFrancois, 49, is a happily married teacher. Concerned that rebellious student Mathilde is going to be expelled he sets out to help her but is soon drawn into a passionate relationship with h... Alles lesenFrancois, 49, is a happily married teacher. Concerned that rebellious student Mathilde is going to be expelled he sets out to help her but is soon drawn into a passionate relationship with her which has devastating consequences.Francois, 49, is a happily married teacher. Concerned that rebellious student Mathilde is going to be expelled he sets out to help her but is soon drawn into a passionate relationship with her which has devastating consequences.
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I would love to see the film again, but it seems it hasn't been widely circulated on DVD, and the R2 disc is hard to find. What a pity.
There are two particularly interesting philosophical ideas that come up in François' classes, that we are the unknowing accomplices of our "other self" the subconscious, prisoners of its fate, and also that people who choose to study metaphysics, choose death, as a preference over life.
The aesthetics of the movie are very subtle, it could easily be mistaken for one of those French dramas where the camera is simply pointed at the actors, but there is a palette of blue and greys here, and I ended up freezing the view a few times to admire the stills. It is far from being ostentatious or mannered however.
The story ends up feeling quite Grecian in the end, but who am I to say unrealistic, reality is almost always stranger than fiction. Works for purposes of titillation for sure, but also has great depths. Two successful watches in a row from Brisseau for me, following on from The Girl From Nowhere, more adventures to come!
The bigger problem with these French "lolita" movies is the plausibility. Middle-age men don't generally date teenage girls, not because they find them icky and physically unappealing, but because they're very rarely as worldly and sophisticated as the fictional nymphets in these French movies. Moreover, even in France very few girls that age are probably too interested in ennui-filled men old enough to be their spry young grandfathers. It's actually understandable that the married middle-aged philosophy teacher in this movie would fall in love with his brilliant but troubled student since she is absolutely beautiful (clothed and unclothed) and wise beyond her years. But Paradis' character is supposed to be this streetwise urchin who has dabbled in prostitution in the past, and it is a little hard to believe she'd fall madly, obsessively in love with a fifty year man just because he shows her some kindness. (Also, while 17 may not get you twenty in a French bastile, I'm pretty sure it would get you kicked out of the teaching profession).
Paradis is indeed pretty good in this (although she would be better playing another troubled teenager a few years later in "Elisa"). And this movie is definitely well-made with some memorable scenes of sad beauty. It still remains somewhat of a middle-age male sex fantasy however, which doesn't make it at all distasteful, but does make it somewhat implausible.
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- WissenswertesVanessa Paradis's film debut. She was only 16, Jean-Claude Brisseau made her rehearse fourteen hours a day. She often cried. It was morally difficult for her. "Brisseau was extremely special. Very tall, very authoritarian, with that deep voice, "she recalls. And if it wasn't the director who insulted her, it was his assistant. He told her, "We watched the footage, you were so bad yesterday, try to make an effort today ...".
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Mathilde Tessier: I like you.
Mathilde Tessier: Because you're like me.Alone.
François Hainaut: Why do you say that?I have a wife,friends,students...
Mathilde Tessier: *laughs*
- VerbindungenFeatures Das grüne Leuchten (1986)
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