IMDb-BEWERTUNG
6,0/10
14.889
IHRE BEWERTUNG
Ein Junge entdeckt eine unglaubliche und grausame Welt von Monstern unter seinem Bett.Ein Junge entdeckt eine unglaubliche und grausame Welt von Monstern unter seinem Bett.Ein Junge entdeckt eine unglaubliche und grausame Welt von Monstern unter seinem Bett.
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- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Empfohlene Bewertungen
Howie mandell plays a great job as maurice, the boogyman that lives under brians bed. His wacky and fun and really shows off his acting talents here. His makeup along with the design of the rest of the monsters is fun also. We also have Danial stern as brians father, who was fun but wish we saw more of him. The rest of the cast were good and this movie is just a big thrill ride. That is untill brians fun becomes a nightmare but even that is entertaining but also scary at the same time. Overall a good movie but not intended as a family viewing experiance.
Little Monsters will always be an absolute classic from my childhood. It's a movie I've seen many times, and it's just as entertaining now as it was then. The comedy is perfect for all ages, and it's the kind of movie you'll want to see more than once.
The story about two complete opposites becoming best friends wasn't exactly original, but throwing in the monster element, and the fantasy underworld setting definitely made it feel original. The characters/monsters were very creative along with the overall concept for the film, and the cast portrayed those characters great.
This is a great movie that I would recommend to anyone who hasn't seen it.
The story about two complete opposites becoming best friends wasn't exactly original, but throwing in the monster element, and the fantasy underworld setting definitely made it feel original. The characters/monsters were very creative along with the overall concept for the film, and the cast portrayed those characters great.
This is a great movie that I would recommend to anyone who hasn't seen it.
Little Monsters (1989) is a movie I loved as a kid and recently watched again on Netflix with my daughter. The storyline follows a young man whose little brother is plagued by a monster under his bed. When he decides to help his brother get over the problem he offers to switch rooms for a night and discovers the monster is real. The young man becomes best friends with the monster but discovers there may be side effects to being friends with a monster. This movie is directed by Richard Greenberg (Tales from the Crypt episodes) in his directorial debut and stars Fred Savage (Wonder Years), Howie Mandel (Gremlins), Daniel Stern (Home Alone), Margaret Whitton (Major League), Frank Whaley (Pulp Fiction) and Ben Savage (Boy Meets World). The storyline and settings in this are absolutely awesome. They did a great job of establishing relationships between characters and the settings both within the house, school and under the bed were awesome, really captures the imagination. The dialogue in this was very good and creative. Savage and Mandel played off each other to perfection. The makeup and special effects were very good and the conclusion was surprisingly well developed, thought out and intense. There's a lot to like about this film and I would recommend seeing it at least once. I'd score this a 7.5/10.
After moving house and witnessing his parents' marriage crumbling in front of him, Brian (Fred Savage) investigates his brothers claims that monsters keep coming from under his bed and scaring him at night. After swapping rooms, Brian is visited by a big blue monster, and the next night Brian manages to trap him in his room using his engineering skills. The monster turns out to be hyperactive troublemaker Maurice (Howie Mandel) who befriends Brian, and shows him the wonders of the monster world under his bed, where every night, the monsters reek havoc in the homes of young children. But the mysterious monster Boy (Frank Whaley) wants Brian for himself and keep him under the bed until the sun comes up, and thus turning him into a monster.
Apart from the first four Rocky films, Little Monsters was hands down the main film I watched religiously as a child, my face no further than two feet from the TV screen. I remember finding it strangely eerie amongst all the fun, and being genuinely disturbed by some scenes. Boy's henchman Snik, a giant, hunchbacked monster with large bottom teeth, really frightened me, and the scene where he breaks one of Maurice's horns always shocked me. Re-visiting the film, roughly around fifteen years later, I can see that I was right to feel unnerved.
Yes, the film is certainly childish and playful, but has a surprising line of darkness flowing through it from beginning to end. From early on, where Brian finds an overturned TV in the darkness of his closet that is showing the climax of The Fly, to the finale that sees Boy's face burned off to reveal a hideous face underneath, the film often steps out of the childhood safety area. It's certainly refreshing to see, and this sort of atmosphere can only be found in the Golden Age of kiddie flicks, the 80's, where films like The Dark Crystal and The Goonies showed creepy creatures and foul-mouthed kids that the target audience could really enjoy and relate to.
Not to say that Little Monsters quite matches up to the two films just mentioned - it has some annoying child characters and Maurice does become slightly tiresome - but it is certainly an imaginative, funny and exciting little film. It's sad to see another of the key child stars of the era, Fred Savage, come out of the decade and dissolve into the woodwork, similar to the likes of Corey Feldman and Corey Haim. Although his maniacal behaviour does occasionally become exhausting, Howie Mandel's performance is certainly energetic, and you can't help but love him when he drinks a bully's apple juice, only to refill it with p**s. Hardly a classic, but certainly a film I will absolutely cherish from my youth, and will enjoy revisiting once every decade or so.
www.the-wrath-of-blog.blogspot.com
Apart from the first four Rocky films, Little Monsters was hands down the main film I watched religiously as a child, my face no further than two feet from the TV screen. I remember finding it strangely eerie amongst all the fun, and being genuinely disturbed by some scenes. Boy's henchman Snik, a giant, hunchbacked monster with large bottom teeth, really frightened me, and the scene where he breaks one of Maurice's horns always shocked me. Re-visiting the film, roughly around fifteen years later, I can see that I was right to feel unnerved.
Yes, the film is certainly childish and playful, but has a surprising line of darkness flowing through it from beginning to end. From early on, where Brian finds an overturned TV in the darkness of his closet that is showing the climax of The Fly, to the finale that sees Boy's face burned off to reveal a hideous face underneath, the film often steps out of the childhood safety area. It's certainly refreshing to see, and this sort of atmosphere can only be found in the Golden Age of kiddie flicks, the 80's, where films like The Dark Crystal and The Goonies showed creepy creatures and foul-mouthed kids that the target audience could really enjoy and relate to.
Not to say that Little Monsters quite matches up to the two films just mentioned - it has some annoying child characters and Maurice does become slightly tiresome - but it is certainly an imaginative, funny and exciting little film. It's sad to see another of the key child stars of the era, Fred Savage, come out of the decade and dissolve into the woodwork, similar to the likes of Corey Feldman and Corey Haim. Although his maniacal behaviour does occasionally become exhausting, Howie Mandel's performance is certainly energetic, and you can't help but love him when he drinks a bully's apple juice, only to refill it with p**s. Hardly a classic, but certainly a film I will absolutely cherish from my youth, and will enjoy revisiting once every decade or so.
www.the-wrath-of-blog.blogspot.com
Little Monsters is one of those guilty pleasure films that, when viewed through the lens of love and nostalgia I have for it, is quite enjoyable. Looking back more recently and as close to an unbiased viewing as I can get, however, the cracks quickly begin to show in the film.
This film feels like an extension of The Wonder Years, with both Fred Savage and Daniel Stern playing the same basic characters. Opposite them you have the always-manic Maurice, played by Howie Mandel, who has no apparent "off" switch as he pulls a number of mean-spirited "pranks" from his mysterious world accessible from under the bed of a child before dragging Brian, Savage's character, in on the action.
There are a few jokes in the film, but the majority of them are dated and just don't land anymore. There's a lot of humor that comes from the downright hateful tricks the monsters pull on the children (complete, of course, with the horrific reactions from the parents). That humor doesn't land either.
The "mysterious" monster world is literally the equivalent of a studio backlot, full of cardboard boxes and digital effects glittered throughout. The monster world, along with the "real" world, look like something lifted directly from a TV movie.
Then, of course, you have the villains. Boy, the ruler of the monster world, and Snik, the genuinely terrifying creature who exists as an enforcer of the rules. He's truly menacing and about the only thing in the movie that still invokes the intended emotion in the audience.
Nevertheless, nostalgia is a powerful thing, and it's what kept me coming back to this movie time and time again over the years. No matter how bad this movie is in a countless number of ways, it'll always hold a special place in my heart.
This film feels like an extension of The Wonder Years, with both Fred Savage and Daniel Stern playing the same basic characters. Opposite them you have the always-manic Maurice, played by Howie Mandel, who has no apparent "off" switch as he pulls a number of mean-spirited "pranks" from his mysterious world accessible from under the bed of a child before dragging Brian, Savage's character, in on the action.
There are a few jokes in the film, but the majority of them are dated and just don't land anymore. There's a lot of humor that comes from the downright hateful tricks the monsters pull on the children (complete, of course, with the horrific reactions from the parents). That humor doesn't land either.
The "mysterious" monster world is literally the equivalent of a studio backlot, full of cardboard boxes and digital effects glittered throughout. The monster world, along with the "real" world, look like something lifted directly from a TV movie.
Then, of course, you have the villains. Boy, the ruler of the monster world, and Snik, the genuinely terrifying creature who exists as an enforcer of the rules. He's truly menacing and about the only thing in the movie that still invokes the intended emotion in the audience.
Nevertheless, nostalgia is a powerful thing, and it's what kept me coming back to this movie time and time again over the years. No matter how bad this movie is in a countless number of ways, it'll always hold a special place in my heart.
Wusstest du schon
- PatzerWhile it is understood that Brian should not visit the Monsters' world anymore because he may turn into a monster himself, there is no reason to think Maurice cannot continue to visit Brian at night in the human world. This makes the tearful goodbye at the end unnecessary.
- Crazy CreditsAfter the song "Road to Nowhere", the rest of the end credits audio track is Maurice eating Doritos chips.
- Alternative VersionenIn the original theatrical cut, "Little Bitty Pretty One" by Bobby Day plays during the scene where the monsters attempt to scare a baby. On the DVD released by MGM in 2004, this song is replaced with "Ooh Wow" by Buckwheat Zydeco (though the end credits still list the original song). The Blu-ray released by Lionsgate (as part of their Vestron Video series), and the television airings, keep the original song intact.
- SoundtracksHOW I LOVE YOU
Written by Frankie Paul and A. Ellis
Performed by Frankie Paul
Courtesy of Pow Wow Records, Inc.
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- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
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Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 793.775 $
- Eröffnungswochenende in den USA und in Kanada
- 253.834 $
- 27. Aug. 1989
- Weltweiter Bruttoertrag
- 793.775 $
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By what name was Little Monsters: Kleine Monster (1989) officially released in India in English?
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