Die unaussprechliche Sünde

Poor David and Lynn! Their father, the only parent they have left, has just died. As a token of their sympathy and concern, Lynn's and David's grandparents allow the kiddies to stay with them. But little do the kids know, their grandparents are actually bloodthirsty killers! ...Or are they? Who cares. I don't, and you won't either. Trust me. This has got to be one of the most painfully uninteresting movies I've ever had the discontentment of seeing. Even with the disgraceful attempts at shocks and unnecessarily complex and nonsensical plot twists, I still wasn't amused. The only thing that kept me watching was an insightful quote made by a boy talking to David: "If I had a sister like that, I'd boff her." Did somebody get paid to write this?!??

Wasn't expecting much from this, to be honest. Discovered it by chance on Prime Video.

I know this genre has been well used, but I found the film to be an enjoyable. Can't believe that I'd never seen it before, as it's some 33 years old now. Yes it does still stand the test of time.

Basically creepy grandparents, living on a creepy farm.

I'd recommend you watch this, if you've not done so already.

When I borrowed this particular film from a friend I was expecting something rather similar to the 1989 horror comedy "Parents" and "Grandmother's House" does start out like that aforementioned film, but in a much serious and second-rate manner. It does go for that psychological edge, but it lacks the finesse and deft touches to carry it along. It's quite straight-up, nothing subtle. But then it takes a sudden turn into mundane psycho-killer territory with one very long chase sequence, to only turn back on itself revealing one very demented, if sudden revelation that comes out of nowhere and which I didn't see coming. By this you can say it's a makeshift of ideas that cheaply executed (there's a made-for-TV feel), but does have its moments.

After the death of their father, David and his older sister Lynn go to live with their grandparents. One day David sees his grandparents dragging a bag, which looks like the shape of a person and strangely enough a body is soon discovered near the lake by their property. Suspicion arises for David even more, especially when he sees them dragging a body of a drifter lady.

Going further into the oddball plot can destroy certain twists. The stilted script has some dumb dialogues and ridiculous inclusions, but it stays entertaining. Suspense kind of comes and goes, being the highlight of a rooftop walk. So does the atmosphere, where it's the music arrangement that keeps it fairly eerie. Performances are ideal with the unnerving Len Lesser giving it his all. Eric Foster and Kim Valentine acquits themselves well enough as the two kids. Then there's Brinke Stevens in a small, but important role. Director Peter Radar does a steadfast job and producing this enterprise happens to be Nico Mastorakis ("Island of Death" & "Blind Date").

This film was made in the late 1980's--basically at the nadir of the horror genre when most alleged "horror" films being made were either half-ass comedies with some wise-cracking Freddy Krueger knock-off, or softcore sextranvaganzas with a bunch of no-talent "scream queens" running around half-naked in some "haunted" house in the San Fernando Valley. This, however, is a genuinely spooky film. It kind reminded of a couple underrated slasher flicks from the early 1980's, "Silent Scream" and "Funeral Home". Like those films it's fairly bloodless, but atmospheric and creepy. But it also has a nice little sting in its tail with some surprising revelations in the final reel.

The plot involves a recently orphaned brother and sister who go to live in their maternal grandparent's house after the death of their father. The grandfather is played by Les Lesser, an actor best known as "uncle Leo" in "Seinfeld", but who was actually quite an accomplished drive-in horror actor, also appearing as a brutal murderous handyman in the lost 70's minor classic "Blood and Lace". He's equally effective here. Strange things begin to happen in the house--the boy thinks he sees his grandparents disposing of a body. Even more disturbing a weird young women seems to be stalking the children. The woman is played by Brinke Stevens, one of the most famous 80's scream queens. Like the rest of her ilk, Stevens was not much of actress, but she did have at least one talent beyond displaying her incredible naked body, and that was playing a mute psycho like she does here and in Fred Olen Ray's "The Haunting Fear". It might not be saying much, but this is easily Steven's best role--she is genuinely scary. The two kids are kind of weak link, but it's good to see Kim Valentine, a strikingly beautiful teenage girl, actually play a strikingly beautiful teenage girl instead of being typecast as a sub-Molly Ringwald type in a sub-John Hughes movie like she was in all her other roles (although I am sad to report that neither she nor Stevens has any nude scenes in this movie).

The best part though is the end, which I REALLY don't want to spoil in any way. Let's just say the film does a really good job keeping you guessing who the real villain(s) is/are. This movie ranks with "the Stepfather", "Parents", "Pin" and "The Reflecting Skin" as one of the best and creepiest films of its (admittedly pretty sorry) era.

'Grandmother's House' is a mystery thriller about to kids going to live with their Grandparents, who are very happy to welcome them into their big home. However, the kids soon realize things are not what they seem.

I enjoyed the characters and the sense of mystery. The film also features good performances, especially the young boy, David (Eric Foster). 'Grandmother's House' is unpredictable and there's a constant eerie feeling. One can't help but always expect the worst. The film hits us with quite a few surprises! I must be honest, I enjoyed this film almost until the very end - until the film's final moments. The twist ending is not very clear (in fact, I had to read up about it to fully understand it), and ends so abruptly, it almost looks as if they ran out of production time or money. The ending could and should have been better explained. The viewer isn't even given time to process the information he's just been given. By the time you understand the twist ending, very little about the movie makes any sense. What a pity.

Would I watch it again? No.