Das verflixte erste Mal

Gavin (Birdsall) is a handsome and proper thirty-something "straight" virgin and a hair cutter in a chic London salon who is surrounded by quirky and idiosyncratic characters. Although not shy, anxiety, trepidation, and the desire to "get it right" has kept him from finding true love.

"Getting It Right", a charming little British romantic comedy, is all about Gavin's quest to find "Ms. Right". Even tempered and self-narrated, "GIR" is laced with droll British humor, offers some pearls of wisdom, and is thoroughly charming. Enjoyable stuff for people like me who are suckers for the romantic comedy genre and into British humor.

This film doesn't try and break any new ground: It just wants to make a little romantic comedy with some likeable main characters, some amusing supporting roles and a few good laughs. I think it's charming. A little flimsy, but sweet. Worth a watch when it turns up again on cable.

This was a highly rated, now forgotten, trifle. Though surrounded by opportunities, uptight Gavin can't make a choice on a date or a career, saying (without elaborating on his criteria) "I just want to get it right." He investigates a bit, but his interest seems to be in inaction or only stale, bourgeoise standards. Sex is had, but Gavin makes a rather numb protagonist. I have a friend like him, but at least he eventually came out of the closet, which is what you begin to suspect about G. The movie is harmless but kind of goes nowhere. Lynn Redgrave is there as the older woman who still recalls the swinging London of the 60s. This is proof why some British chaps are indistinguishable from the deceased.

Gavin Lamb (Jesse Birdsall) is a shy, sensitive and virgin hair cutter, completely dominated by his mother, and working in a salon in London, having Jenny (Jane Horrocks) as his assistant. When he is thirty-one years old, he meets three women that changes his life and behavior: the older (and very gorgeous) one, Joan (Lynn Redgrave), with whom he has his first sexual relation and learns about sex; the other one, the rebel and selfish Lady Minerva Munday (Helena Bonham Carter), with whom he learns to think about his feelings first and be less indulgent with other persons; and Jenny, who he starts seeing with different eyes and for whom he falls in love. The story is a surprisingly good romance, with excellent direction and performance of the whole cast and a very tight screenplay. The story is not corny, but delightful and charming. The humor is too British, and sometimes is not funny or does not make much sense for a Brazilian, but anyway it is always classy and enjoyable. One problem in my country is the commercial title adopted by the distributors. The Brazilian title of `Getting It Right' is `Minha Primeira Transa' (the translation would be `My First Shag'). This title is very vulgar and does not correspond to the reality of such elegant, sensitive and touching romance. Therefore, it reaches a public totally different from the original target. Conclusion: persons whom wants to see `My First Shag' get disappointed, and persons with my profile, that would appreciate this romance, do not get even close to the film in the rental or the store. They certainly will associate this movie with `Porky's', `American Pie' and others of the same genre. Since the end of June I am including a comment in IMDB of each movie that I watch. Some friends of mine, also users of this marvelous site, have requested me to include the Brazilian title in my comments to facilitate them to find the subjected film. If IMDB direction has no objection, I am going to include the Brazilian title in Portuguese (with a free translation to English) in the end of my comments from now on for reference only. Concluding my comments of `Getting It Right', my vote is eight.

Title (Brazil): `Minha Primeira Transa' (`My First Shag')

Given the talent and general excellence of this film, one would think it would have made it to DVD. It has that hard to define quality that certain films achieve, the ability to bring a smile to your face when you weren't expecting to. While I watch films mainly to laugh or get an adrenaline rush, those flicks that make me smile and keep me smiling long after they're over have a magic that should have it's own name. The same magic is the prevailing quality of better known films, like "Love Actually" or several other Hugh Grant British romantic comedies. The storyline is almost formulaic. The acting is good, professional, and heartfelt though unexceptional. The laughs are few though solid. The tears are available but not overpowering. The romance is tender and sincere bot again, not overwhelming. There is nothing in this film that is very over the top. Nothing exceptionally memorable like John Cusack standing outside the girl's window holding a boom-box with an anthem pounding into your brain. It's rather like a date flick for pleasantly married people who love their spouses. But just because an emotion isn't screamingly loud and in your face, that doesn't mean that it isn't deep and meaningful. This movie is both deep and meaningful, on a pleasant journey in the life of Gavin Lamb. If you want to smile, spend a couple of hours with Gavin getting it right. (If you can find this film - it doesn't play often enough for me, and I've bought it twice on VHS.)