Für Königin und Vaterland

This film is a harsh reality of life after the army. The British Paras are an elite fighting force, but they are there to kill the enemy. You don't really have a trade when you leave, except how to jump out of planes & kill. However, the British Army today has an excellent support sytem, unlike the mid 1980s when this film was set. This is highlighted in the movie as we see Reuben returning after leaving the Paras, during which he did a tour in Northern Ireland and fought in the 1982 Falklands war. We see him struggling to get any meaningful employment until he links up with a criminal friend. His mate Fish, who was wounded in the Falklands, is living on disability allowance, and is suffering too, being in a wheelchair. It is a sad, gritty look at life at the lower end of the scale in a run-down urban council estate in London. Having served his country with pride as a British paratrooper, he is left with nothing except the prospect of drifting into crime.

I have to disagree with the previous commentator's opinion. Washington's accent was about as spot on for a "Yank" as was we'll say Pitt's was in "Snatch" to an Irish tinker's. The movie while obviously low-budget (no different than we'll say "My Beautiful Laundrette" or "Mona Lisa" at this particular time in UK productions), yet its concentration on the inherent drama of a confused and conflicted ex-Para in a non-empathetic society totally over-rode its budgetary limitations.

This was an above-average movie (and a rare one) of its genre and adequately displays Washington's versatility as an actor.

"For Queen and Country" sticks Washington in the center of a bunch of characters as a deadpan British vet of the Falkland Islands war whose come home to find less than a hero's welcome. The film spends the first third fleshing out everyone but the centerpiece and then doesn't give him any depth as he stumbles through his thick cockney mumblings from one costar to the next. The film doesn't really begin to move until close to the end when it winds up and down in about 20 minutes with a less than desirable conclusion. Given the typically British austerity of the film, an illfocused and bleak story, an almost complete absence of passion, and what are by film standards rather sublunary events with no payoff in the end, this flick was barely tolerable. Not recommendable. (C-)

Note - I watched this film back to back with another British film "The Fourth Angel" which didn't receive rave reviews but was still head and shoulders above "For Queen and Country".

The choice of Reuben James as the name of Denzel Washington's character is surely not a coincidence.

In 1804, during the Barbary Wars, US Sailor Reuben James, positioned himself between his captain, Stephen Decatur, and a pirate; taking the sword blows directed at Decatur.

In October, 1941, before the US entered WW2, the first USS Reuben James, a destroyer on convoy duty in the North Atlantic, positioned herself between an ammunition ship and the known location of a German U-Boat. Struck by a torpedo which ignited her magazine, the Reuben James sank in five minutes. Two thirds of her crew perished. Woody Guthrie wrote a song "The Sinking of the Reuben James".

Denzel Washington's character, Reuben James, likewise, positions himself in harm's way to protect others. ,

I really didn't know what to expect when some friends and I hired this DVD. Denzel Washington plays Rueben James, a retired English Paratrooper, returning home to the housing estate he grew up in as a child. Here he finds that not much has changed since he left about 10 years beforehand.

Many of Rueben's friends are still involved in 'less than legal' occupations, and the poverty and wretchedness of the estate seems even worse than when he lived there before. He needs to decide just where he fits in back home, and what direction his life will take. Despite trying to make a new life for himself, obstacles from past and present seem to always get in the way.

While I did find this movie slow paced, it captured the dismal feel of this community excellently. It also avoided using simplistic general stereotypes (for example, police are portrayed both in a very positive and very negative light).

I would recommend this movie if you're in the mood for a bit of gritty realism, but don't expect to feel particularly upbeat afterward!