Für Königin und Vaterland

I really didn't know what to expect when some friends and I hired this DVD. Denzel Washington plays Rueben James, a retired English Paratrooper, returning home to the housing estate he grew up in as a child. Here he finds that not much has changed since he left about 10 years beforehand.

Many of Rueben's friends are still involved in 'less than legal' occupations, and the poverty and wretchedness of the estate seems even worse than when he lived there before. He needs to decide just where he fits in back home, and what direction his life will take. Despite trying to make a new life for himself, obstacles from past and present seem to always get in the way.

While I did find this movie slow paced, it captured the dismal feel of this community excellently. It also avoided using simplistic general stereotypes (for example, police are portrayed both in a very positive and very negative light).

I would recommend this movie if you're in the mood for a bit of gritty realism, but don't expect to feel particularly upbeat afterward!

"For Queen and Country" sticks Washington in the center of a bunch of characters as a deadpan British vet of the Falkland Islands war whose come home to find less than a hero's welcome. The film spends the first third fleshing out everyone but the centerpiece and then doesn't give him any depth as he stumbles through his thick cockney mumblings from one costar to the next. The film doesn't really begin to move until close to the end when it winds up and down in about 20 minutes with a less than desirable conclusion. Given the typically British austerity of the film, an illfocused and bleak story, an almost complete absence of passion, and what are by film standards rather sublunary events with no payoff in the end, this flick was barely tolerable. Not recommendable. (C-)

Note - I watched this film back to back with another British film "The Fourth Angel" which didn't receive rave reviews but was still head and shoulders above "For Queen and Country".

Denzel Washington's early career was a test of his accent range. He played a South African in "Cry Freedom," a Jamaican in "The Mighty Quinn," and a Brit in "For Queen & Country." As a Brit he wasn't half bad.

Denzel played Reuben, a recently retired paratrooper getting on with the next part of his life. He lived in a shabby flat and didn't have much going for him. He still had ties to his old life before the army which was the wrong side of the law. He couldn't quite shake that part of his life though his opportunities for doing better for himself legally were infinitesimal.

For all that was going on with Reuben it all boiled down to being marginalized and castaway as a veteran the government has no more use for. Here are your shiny medals, now figure out the rest. It is a movie with universal appeal, or at least U.S.A. appeal because the same treatment happens here. Reuben's situation was relatable for any ex-soldier on the margins of society, and doubly relatable for any Black ex-soldier.

"For Queen & Country" could've used a little touch up to be better. One of the trouble spots was the relationship between Reuben and Stacey (Amanda Redman). It started strangely and ended strangely as well. The character development was somewhat lacking. It may seem like nitpicking, but these are all the things that need to be tight to be considered a topflight movie.

What an early Denzell Washington's performance. I admit that his was not as good as he is now, but that's more his character that is interesting than himself. I like this kind of scheme, usually used by the American directors and speaking of Vietnam war vets who have the greatest difficulties to get back to civilian life. With everything that means. It is question this time of the Faulklands war, back in 1982. Here it is also a social crime drama, a criticsm of the Margaret Thatcher's political regime, poverty, ghettos, dangerous suburbs, soldiers who fought for UK in the war and for whom England refuses the British citizenship; so many British films were - and still are - oriented in this direction. Washington is definitely an anti hero here, trying to desperately make it. It is downbeat, sometimes gloomy, it may hurt. But I love this film.

I have to disagree with the previous commentator's opinion. Washington's accent was about as spot on for a "Yank" as was we'll say Pitt's was in "Snatch" to an Irish tinker's. The movie while obviously low-budget (no different than we'll say "My Beautiful Laundrette" or "Mona Lisa" at this particular time in UK productions), yet its concentration on the inherent drama of a confused and conflicted ex-Para in a non-empathetic society totally over-rode its budgetary limitations.

This was an above-average movie (and a rare one) of its genre and adequately displays Washington's versatility as an actor.