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In the 1990s, the scriptwriters of Columbo started to subtly break with the common episode structures. Humorous and witty episodes like It's All in the Game or Undercover were the result. This 1990 episode was probably one of the first, where the audience was a little bit deceived because they believed to know how Columbo episodes work. Self-irony (`I've never solved a case that quickly!'), a great Brenda Vaccaro and plot twists - not only in connection with the murder! Very good work!

This is the lowest I have rated a Columbo so far (haven't got to "Dagger Of The Mind" yet though!), but after twenty reviews each rating 7 or more out of 10, I have to be honest and say "Murder In Malibu" doesn't really have a lot going for it.

It's perfectly pleasant to have on in the background, but I find it very hard to sit back and concentrate on this episode without drifting off. Even though it's playing as I type, I'm struggling to describe what's going on. There's an awful lot of shouting though, that's for sure.

Very much a "filler" episode with everyone on autopilot. I can't imagine anyone ever thinking "Murder In Malibu" is their favourite Columbo.

In Brenda Vaccaro's first scene her face is narrow and she looks slim, basically like she did in Midnight Cowboy. In the rest of her scenes her face is noticeably fuller and her body is heavy set. There must have been a break in the filming of this episode. She looks totally different for all her scenes after the first scene. I like seeing her because she is such a good actress, much better than Andrew Stevens who overacting this whole episode, but Brenda look changed very noticeably after her first scene. Always great to see Janet Margolin in any of her roles. She didn't get enough parts IMHO. Also, where is Columbo's beat up Volvo sedan? They should have had shot of it next to the red Jaguar two seat sports car that Stevens character drove around in.

Famous authoress Teresa Goren finally wakes up to the truth that her young lover Wayne Jennings is not so much in love with her as he is in love with her money. She tells him the wedding is off and that he'll never get a penny of her assets; this doesn't exactly please Jennings so, before Goren can tell anyone of her decision, he kills her and covers his trail, making it look like a robbery gone wrong in her house. Columbo joins the investigation and notes that the robber was able to cleanly break into the safe but still smashed glass to get through a very basic wooden door. Naturally he suspects Jennings but, with the evidence seemingly clearing him, he turns to him for help.

It may say more about me than anything else but there must be something wrong with a film where the main thing that gets my heart going is the sight of a cherry picker being used without any harnesses being worn and sadly that is the most memorable moment in this film. The plot is pretty much to formula so in theory it should have been OK, which as a fan I suppose it is but the problem is with the delivery of the story. The case is reasonably interesting but it doesn't develop that well and it does involve Columbo knowing an uncomfortable amount about woman's underwear. However the plots have never been the strongest in Columbo and it is usually the formula that carries the film – a formula that we all know but one that involves strong performances from the leads, something that is lacking here.

It isn't Falk's fault because he does his usual stuff pretty well and will please fans with a character that has given him the career that he has. No, the problem is with pretty much everybody else. Stevens is hardly of the standard of suspect that we have come to expect and he doesn't work with Falk at all well. He is bland and dull in a formula that calls for presence, chemistry or at least energy; true to script gave him a soft character but he still has to carry some of the blame. Likewise Vaccaro, Levine, Walters and others all barely do the minimum required of them and nobody really helped Falk do a job that, on this occasion, he couldn't do by himself.

Overall this is an OK Columbo because in essence the formula is in place but really it is done without any great skill or effort. The story is poorly developed and didn't engage me and, with such roundly uninspiring performances, this problem was laid bare and was not one that the film could recover from. Fans might just get something from it but there are many, many better Columbo films out there.

This was a strange Columbo story about a successful romance novelist Janet Margolin who announces on an afternoon talk show host that she's about to marry Andrew Stevens professional tennis player. Part time player and full time gigolo.

But after the show Margolin finds Stevens has been, heaven forfend, unfaithful. She cuts him off and he kills her and in a rather elaborate ruse to first raise and then throw off suspicion on himself. Not something you would think of on the spur of the moment which is the main weakness of the story.

But additionally Stevens is a love 'em and leave 'em type. Margolin is not the first I'm sure to have given him his walking papers. His kind would have gone out and found someone else. Definitely not have killed someone.

Best in the cast is Margolin's overbearing protective sister Brenda Vaccaro who despises Stevens and at the same time lusts after him incredibly. Can't really blame her, she dominates when she's on.

Interesting characters, but the plot makes no real sense.