Selbstbildnis eines Mörders

I'm not in the television or visual art business, but I must remark about the interesting composition of what the television viewer sees on the television screen during this singular episode of Columbo. The on screen artwork props are quite tacky, except for the final portrait that appears in the ending credits. But, different scenes in this story are characteristic of various artists when creatively blending the lighting, shading, qualities of color, staging, props, and so on. One scene mimics Norman Rockwell, even. Maybe this is just in my head, but somebody behind the production of the scenes created a television classic. I'm willing to wager that if you were to show this episode to a handful of art enthusiasts in a communal setting, the resulting observations would interestingly quite descriptive.

The Columbo series is a true pleasure to savor… Peter Falk is perfect in his role as the seemingly befuddled on the surface detective with hidden brilliance. Hahaha… we know that is his sly fox ruse. This episode was a marvelous surprise for me! I have spent my life a successful artist in the fine art world and in my youth could relate, somewhat, to Mr. Barsini.; albeit without the murder. What made it extra fun for me personally was that Mr. Falk, as the artist, used to show his works in the same gallery with me in the French Quarter of New Orleans. The fact that the gallery dealer would sell an original, take fifty percent off the top and take twelve months to pay-out our share makes me wonder if Peter had a hand in writing this episode; with a plot where the artist's first murder was that of the unethical art dealer… lol. Anyway it was fun to see a bit of the world as I have known it… once again without the murderous aspect. Lookup Peter Falk's art if you haven't before… he was quite good. What a treasure he was… and still is.

Some say he is a contrary sort but painter Max Barsini is certainly a bit of a character. He lives with his current wife and his model under one roof, while his ex-wife lives next door. It is a complicated situation that seems to work quite easily – until that is, Max's ex starts seeing her psychologist and potentially revealing a secret from his past. To ensure that this does not happen, Max kills her and makes it look like a swimming accident. However for Columbo it doesn't quite add up and he starts asking just one more question to get to the bottom of the mystery.

The Columbo films are enjoyable to those that enjoy them mainly because they just follow the same reliable formula. With the new Columbo films some have tried to vary this with differing degrees of success. Here we have a fairly straight shot at the formula with the usual cat and mouse games, a new world or career for Columbo to be interested in (or feign interest in) and a murder to be solved. At this level the plot does work and fans of the series will find some stuff to enjoy but I didn't think it was one of the better of the series. The dream sequence stuff put me off a little bit and the development of the case left much to be desired – I must confess I wasn't totally engaged in it at any point. That said I did find it distracting and it had enough moments that were typically Columbo to suffice.

The cast are reasonably good. Falk is as enjoyable as ever and he works well with the material. Bauchau is not as good as the series usually demands but he is still a fun presence. Support is not as good from Flanagan, Danese and Lorca but generally they are good enough to do the job. The chemistry between the lead two is pretty good and I would have quite liked to see them served with better material.

Overall this is an OK Columbo film that will please fans of the series but seems unlikely to be good enough to win over new ones. The acting from the lead two is good enough to do the job even if the material is not quite as consistently engaging as at times it is. Worth a look for the formula but there are better Columbo films.

I am a Columbo-fan, and this episode is really one of the best. Max Barsini (played by Patrick Bauchau (Dr. Sydney Green in the drama series "The Pretender" (1996-2000)) has a secret and his wife knows what it is. Max murders her, "pretending" it was an accident. Max also has an alibi: he was painting at Vito's. The case is clear, but then comes a police officer to solve the case: Lt. Columbo.

I was really enjoying this movie. A cast is excellent, many of my favourites (Peter Falk, Shera Danese, Patrick Bauchau to name a few) were here and did a wonderful job. Now I could see behind the scenes of painting artists...

For all Columbo-fan, this movie is a must see!

As a longtime Columbo fan, I in general liked Murder, A Self Portrait, but I don't consider it one of the better episodes. Starting with the problems, I do agree about the ending, the character of Barsini was so strong a vast majority of the episode but the ending where he gives up all too easily I felt weakened his character. I had very mixed feelings on the dream sequences, they are stylishly shot and convincingly played but also convoluted and solved too simply. However Murder, A Self Portrait is beautifully shot with striking scenery and has an atmospheric music score. The dialogue is generally clever and thoughtful, Columbo and Barsini's scenes are fun to watch but I would've loved to have seen more of the other suspects. The story has a few patchy moments here and there and feels a little strtched towards the end, but it is briskly paced and interesting on the whole, and the acting while I have seen better with Columbo episodes is good. Peter Falk as he always is as Columbo is brilliant, and Patrick Bauchau is engaging as Barsini. The support cast don't have as much to do, but Fionnula Flannagan and particularly Shera Danese are good. All in all, an interesting and worthwhile episode, but not one of my favourites. 7/10 Bethany Cox