Chip & Chap - Die Ritter des Rechts

This is one of my favourite Disney cartoons along with Darkwing Duck, Talespin and Ducktales,and I am flabbergasted that Disney don't show this anymore. everything about it is amazing, though if I had a minor criticism I just wished it lasted longer. The animation is superb, the character movements are sharp,and the colours fluid and solid-looking. The theme tune is delightfully catchy, and never fails to make me want to sing along. And what about the characters? A real delight. Chipand Dale are hilarious, with their fast talking and irresistible personalities,and Gadget and Monteroy Jack are great characters that add a lot to the show. And where would we be without the villains? My favourites were FatCat and Professor Nimmel. The voice acting from Corey Burton, Tress MacNeille and Jim Cummings is of high calibre, the stories are outstanding and there are plenty of laugh-out-loud-funny moments. All in all, I just wish it lasted longer,otherwise brilliant and a must-see! 9/10 Bethany Cox

Chip and Dale's Rescue Rangers was pretty good, with nifty vehicles made of old toys and garbage, quality animation and good voice acting. However, it could have stood a few more episodes. The balance of characters was strong enough to carry out another season's worth of plots without any slowdown.

There was Gadget, unaware of her genius and beauty, Monteray Jack, tough guy with a cheese fetish, Zipper, a fly who frequently acted as a parachute for the various rangers, and Chip 'n Dale, constantly bickering and talking incredibly fast.

Disney did occasionally add new episodes to their animated shows, Gargoyles for example. I've seen Chip 'n Dale and I've seen Gargoyles. And I think Chip 'n Dale could have produced more episodes than Gargoyles.

Though essentially a children's program, Chip N' Dale's Rescue Rangers possesses that wonderful quality which makes it enjoyable to both young and old alike. The story follows four noble-minded rodents and a house fly who solve mysteries and generally help people, and others, in need. The villains are often hysterical and their diabolical schemes hilariously absurd. There is physical comedy aplenty and enough action to keep the wee ones interested. Meanwhile, the not-so-wee ones will be recognizing referenes to everything from Rocky and Bullwinkle to The Fly. The voice acting is clever, and the charaters are easy and likeable.

Of the five main charaters, Chip is the sharp-witted, responsible one. That of course means he often has to play the unfortunate straight man to the others' hijinks. Dale is the silly, fun-loving one who likes to play jokes (usually on Chip) and basically have a good time. Monterey Jack's the affable, adventurous Aussie wth a nose for trouble and even more so for cheese. Monterey's "little pally" Zipper the housefly courageosly performs feats above and beyond the call of duty of a "household pest." Gadget is the MacGyver of the group. She's an absent minded, though unquestionably brilliant, engineer who can make just about anything out of practically nothing.

It's fun. It's funny. It's the Rescue Rangers. Enjoy!

Everybody has a series of some sort that started them on a path of what they come to expect from nearly everything else in the genre proceeding it, whether it be a "Batman", a "Star Wars", or more aptly in my case, "Chip 'n Dale Rescue Rangers". It was released in '89 to be one of 4 original series on a new 2-hour block of cartoon TV known as the Disney Afternoon. Perfect timing for me, what being around 7 years old. Upon first seeing it I became enthralled. It seems that everyone also has a character whom they feel they can identify with in some degree. I remember being a somewhat scatterbrained kid...goofy, funny, if even also bucktoothed. And I want(ed) a shirt like Dale's pretty bad.

Over the years, I've found that, even having evolved into supposed adulthood, good cartoons are hard to come by and stay with. When I saw the series as a little kid, there was no way I could've pointed out all the little nagging errors in it, like sometimes slippery animation, thoroughly worn music and tired sound effects. Rather, they were counter-balanced with interest by the intriguing concept of a band of tree-residing rodents out to further the cause of justice, no matter how seemingly small the battle.

Just how could the police solve crimes like widespread cheese disappearances, mysterious weather patterns or potential citywide destruction...from a record player? Well, they can't. They don't have the necessary perspective. They aren't 2 and a half inches tall. Naw, these cases are best left for Chip, Dale, Gadget, Monterey Jack and his winged pal, Zipper. Of course, not every team is a perfect unit. Chip might over-analyze a case, leading to missing out on an opportunity to act. Gadget's latest gadget is liable to act in an un-anticipated way. Monty's next rush to action might get the gang in a bit of a pinch. And Dale...well, a "creative" solution is a creative solution, after all. Might just not work, though.

So then, why are the chronicles of diminutive crime-fighters so awesomely excellent? I find that, among many reasons, there don't seem to be many cartoons that can practice what they preach without doing just that. Teamwork, detective work, creativity and tolerance can be extolled without preaching, and to boot, while having fun! Cunning and eccentric baddies like the aptly named Fat Cat don't stand a chance against this well-oiled machine...no matter how well-thought out a devious star constellation rouse is.

It's really quite amazing how Disney's bargain-basement cartoon of the bunch came to be one of the most well-received of them. Of other Disney Afternoon favorites like "Duck Tales", "TaleSpin", and "Darkwing Duck", this is the least expensive to produce, and as aforementioned, my favorite. It just goes to show that a mix of the old-fashioned Disney magic and awesome character interactions make the show over "special effects". About 16 years after the fact, I find this show has not aged, despite my more discriminating tastes, and has remained my all-time favorite cartoon series. Whenever my inner child wells to the surface, I still pop in a long-ago-recorded VHS episode. And dare I say, I hold the series in such high regard that if the latest and greatest can't stack up to the Rescue Rangers, it's just not old-fashioned enough.

"Chip 'n Dale Rescue Rangers" gets a well-earned 10 of 10 stars.

The Rescue Rangers consisting of stern, no-nonsense chipmunk leader Chip (Tress MacNeille), laid back goofball Dale (Corey burton), muscular but cheese crazed Aussie mouse adventurer Monterey "Monty" Jack (Peter Cullen and Jim Cummings), team mechanic/inventor genius mouse Gadget (Tress Macneile), and their mostly mute housefly friend Zipper (Corey burton) solve cases that are too small to get the attention of the police and do everything from helping both humans and animals finding stolen or missing items to thwarting plans of villains such as criminal mastermind Fat Cat (Jim Cummings) or mad scientist professor Norton Nimnul (Jim Cummings).

Chip 'n' Dale: Rescue Rangers was the fifth show Disney produced for televison following the success of Gummi Bears, DuckTales, and The New Adventures of Winnie the Pooh, as well as the failures of The Wuzzles and the one off pilot turned telefilm Fluppy Dogs. Initially planned as a companion series for DuckTales alongside two other projects Talespin and Double-O Duck (which would be retooled as Darkwing Duck), the series initially was pitched as being based on The Rescuers but was rejected due to Disney in development on the theatrical sequel The Rescuers: Down Under. The series was then retooled as an unrelated concept called Metro Mice featuring a new team lineup with early versions of Gadget and Monterey Jack, as well as a scrapped chameleon character and Indiana Jones-esque mouse Kit Colby. While the concept was better received, the kit Colby character was not and Jeffrey katzenberg and Michael Eisner suggested the established chipmunk duo of Chip 'n' Dale for the leads. The show was a solid success upon release becoming briefly becoming the top cartoon in Syndication, and alongside staples like Talespin and Darkwing Duck helped to give The Disney Afternoon the clout it so enjoyed. At its core Chip 'n' Dale: Rescue Rangers is a pretty standard sleuthing show that owes much of its existence to precursors like Scooby-Doo and its various imitators (and also the Nancy Drew/hardy boys mysteries but beside the point), but it's in the creativity of its animation and characters the show really succeeds.

If you remember the Chip 'n' Dale shorts where the duo had abrasive encounters with Donald Duck or Pluto the dog, their personalities are kept pretty intact with only the addition of details such as Chip's Indiana Jones inspired jacket and fedora or Dale's Hawaiian shirt which was a reference to Magnum P. I., and yes, I'm serious about both those points. New characters such as Monterey jack with him serving as the team's muscle fits with the 80s era in which the show was produced as you can see clear influence on the character with American fascination with Aussie "bushman" culture that came about from the likes of such films as Crocodile Dundee. While Monterey jack is undeniably inspired by America's Aussie craze of the time, he's given enough personality that he feels like his own creation rather than a reskin of popular trends of the time, Gadget is also quite fun playing the very MacGyver esque tech genius of the team whose inventions made of discarded household trash or appliances create some memorable devices like submarines, zeppelins, cars, or other assorted gizmos that serve the exact needed purpose to get the team. We also have Zipper, who serves in a similar capacity to the Recue Rangers how Slimer served the Ghostbusters in The Real Ghostbusters, only with Zipper being much more endearing and less abrasive.

The plots of Rescue Rangers are pretty standard for the type of show this is, unlike the pulp adventure inspired approach by Ducktales or slice of life adventures in The New Adventures of Winnie the Pooh, Rescue Rangers has a lot in common with the various Hanna-Barbera sleuth shows produced during the 70s in an attempt to capture the success of Scooby-Doo, while it's a well worn formula that has often been the subject of parody the fact that it's formula isn't bad because just because something is formula doesn't make it bad, but laziness with that formula is. Rescue Rangers while it uses a well-worn formula, it sprinkles in enough details to keep it engaging with a world that's illy but also not afraid to get legitimately threatening or unnerving at certain points with episodes "Pound of the baskervilles" featuring strong gothic atmosphere that pays homage to Sherlock Holmes adventures or "The Case of the Cola Cult" which took a relatively taboo topic of cults and tried to explain it and their dangers to viewers of the time. It's little details and extra bits of effort that made the show a cut above the Hanna Barbera schlock that recycled that formula, that and of course the animation which par for the course for Disney Television was putting out higher than average quality in comparison to other syndicated cartoons of the era such as Rankin/Bass or Dic.

Chip 'n' Dale: Rescue Rangers doesn't stray far from the formula established by children's sleuth shows, but thanks to creativity in both the writing, characters, and world created it manages to refresh it and make it feel new again. The animation is as expected really strong and puts many other syndicated cartoons of the era to shame, and there's a fun sense of comradery among the central cast of characters that makes them fun to join on adventures.