Tetsuo

It's so visually striking that you could never fully describe Tetsuo in words. But here are a few that apply: Japanese, hyperactive, perverse, industrial, surreal, Faustian bargain, contrasty, black-and-white, Kafkaesque, scifi, stop-motion, manga-influenced, revenge, technology, alienation, supervillains.

Shinya Tsukamoto is an actor (he's the antagonistic "Metals Fetishist" here as well as Jijii in Ichi the Killer) as well as a ground-breaking writer/director/cinematographer. Tetsuo's influence can be seen clearly in directors as diverse as Darren Aronofsky, Takashi Miike, and even David Cronenberg.

There is definitely a plot, but due to the non-linear editing and sparsity of dialogue you'll need to pay close attention on a first viewing or else you'll be overwhelmed by the engrossing visual style (which might be a good thing). It's filmed in contrasty black-and-white. Each frame is cramped and chaotic, much of the time it's filled with wires, pipes, chain-link fences, and all the other incidental debris of life in the late 20th century... which suddenly seems significant and even menacing.

Towards the fifty-minute mark (it's 67 min. total) the willful excess starts to feel a little too excessive, perhaps the manga influence is a bit too strong. But Tetsuo finishes strong, with an end that's at once unexpected and inevitable. Highly recommended.

This is a very artsy and experimental film that is full of disturbing and phantasmagorical images. It is difficult to watch and follow at times. Best viewed as an experiment.

The first time, and perhaps the last, depending on how you feel about it, you watch TETSUO: THE IRON MAN, you'll sit wide-eyed. Your mouth will open, emitting sounds of choking mixed with laughter.

TETSUO is a fever dream at light speed interrupted by jolts of sexual sadism and mega-violence. It's techno-industrial mayhem on acid. Whatever it is, it must be seen many times. Not to further understand it, but to allow the viewer to relive the same nightmare.

Director Shin'ya Tsukamoto not only created this miraculous abomination, but stars in it as the demonic Metal Fetishist, whose plot to dominate the world is fulfilled through metal-flesh infusion.

When your mouth finally snaps shut, love it or hate it, all you'll be able to say is: "Ho-lee $h!t! What the hell was that?!"...

This is another one of those films where you have the "sheer brilliance 10/10" battling against the "worst film of all time 1/10" people. I'm not partial to either, I wanted to see this film after watching a preview that was so intense it made my brain hurt. So I absolutely had to pick it up at the video store.

Tetsuo, more than anything, is absolutely surreal. The cinematography and camera work is way ahead of its time, and I have never seen anything quite like it. The stop motion and use of metal twine and scrap is stunning and also menacing, especially with the heavy industrial-electronic soundtrack thumping throughout most of the film. I imagine that some scenes must have taken ages to go through frame by frame and create the visual image of cyberpunk terror that is conveyed in this film.

Besides these things I can't credit the film for much else. Some say it's impossible to follow, but the story is quite simple. A metal fetishist that has been inserting pieces of metal into his body is hit by a car, and begins to transform and haunt the person responsible. Then he begins to transform, and his world quickly spirals down as he becomes the metal obsessed monster that his crash victim was already into. However, there are lots of parts of this film that don't contribute to the overall image of the film, and a few scenes that could have been replaced with something entirely different and were a little slow and unnecessary. While hilarious, there is a scene involving the man and his "woman" (as credited) that, while serving a purpose, became more of a sick joke than a part of the film.

As the movie continues on you get more and more lost as to what is going on when cuts become more frequent and the film becomes extremely frantic and fast paced. I viewed it a second time to see if I missed anything, but I felt the same after a second view. Tetsuo is good for its expiremental editing and cinematography, and has its place in cyberpunk filmography. But if you're looking for a film with solid scriptwriting and direction, you're not going to be happy.

Sheer genius? On some aspects, yes. Worst movie ever? You have to be kidding me. There isn't much talking in this film, and the worst films ever have way too much talking in them. Sometimes it's nice to have the actors shut up and, maybe, scream in terror at a piece of metal sticking out of their face instead.

This movie can be explored in many ways: the relationship between human life and technology is the first which comes to mind. Then maybe this fits into a larger theme of industrialization. Still, there are several ways of interpreting each scene and at times I had the feeling that they try to show - or to produce a metaphor for - human emotions, such as cheating, sorrow, the will not to die alone. "And we can rust the whole world and scatter it into the dust of universe" You will certainly make what you want of this movie. You may understand that technology is evil, that industrialization takes our souls away, or that even in our worst moments we crave for closeness and we don't want to be alone. This is a special movie - so beware - it is not accessible to most people. There's a chance that you won't be able to think for yourself and that you'll expect some quick & nice Hollywood conclusions which you're not going to get - in which case, this movie will be a waste of your time.