Richard Dreyfuss spielt einen Schauspieler, der die Rolle seines Lebens bekommt, als er gezwungen wird, den faschistischen Präsidenten von Parador zu spielen, nachdem der echte Führer kurz v... Alles lesenRichard Dreyfuss spielt einen Schauspieler, der die Rolle seines Lebens bekommt, als er gezwungen wird, den faschistischen Präsidenten von Parador zu spielen, nachdem der echte Führer kurz vor der Wahl verstorben ist.Richard Dreyfuss spielt einen Schauspieler, der die Rolle seines Lebens bekommt, als er gezwungen wird, den faschistischen Präsidenten von Parador zu spielen, nachdem der echte Führer kurz vor der Wahl verstorben ist.
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A ham actor on location for a movie bears a resemblance to the dictator. When the dictator dies of a heart attack from too much drink and food, the actor is kidnapped and forced to play "the part of a lifetime" by the neo-Nazi head of the secret service. He plays it to the hilt, gets the dictator's girlfriend to fall in love with him and vice versa, and turns the tables on his captors beautifully.
Lots of great shtick by the leads, lots of good work by some unknown supporting actors, particularly the household staff and two members of the palace guard, and fun little cameos abound. Sammy Davis Jr. makes light of himself, Jonathan Winters plays a semi-retired American businessman with something else going on, and Raul Julia, Sonia Braga, and above all Richard Dreyfuss are exceptional.
This is a dumb movie, but it has lots of beautiful locations (in Brazil), a humorous script, and good actors doing their thing and looking like they're actually having fun and not going through the usual existential angst about what is only play-acting!
The theme (a stand-in replaces an incapacitated or unavailable leader) has been a popular subject in film for years (THE PRINCE AND THE PAUPER, THE PRISONER OF ZENDA, I WAS MONTY'S DOUBLE, THE EAGLE HAS LANDED, and DAVE are just a few examples), but Mazursky gives it a novel twist by making the 'hero' a ham actor of epic proportion (and NOBODY plays an egotistical actor better than Dreyfuss!), and the 'villain', a ruthless advisor who is a frustrated director, as well (Raul Julia, who is wickedly funny in the role).The comic chemistry between the pair works so well that you could easily mistake the film as being written by Neil Simon!
Parador, a tiny Caribbean nation where English is the national language, and revolution, the national pastime, is ruled with an iron hand by President Simms (Dreyfuss, with a moustache, paunch, and swarthy complexion). A larger-than-life, womanizing scoundrel, Simms is controlled, in turn, by opportunistic Secret Police chief Roberto Strausmann (Julia). Making a social visit to a American movie set, the dictator meets the picture's star, Jack Noah (Dreyfuss, again), who is goaded by his castmates into doing his popular over-the-top impression of the leader (fortunately for Noah, Simms finds it amusing).
After the shooting wraps, Noah, encouraged by a local American 'businessman' (Jonathan Winters, in a funny cameo), decides to stay for a few days to indulge at a national festival. Meanwhile, Simms is being soundly condemned by Strausmann for his public affair with Madonna, a notorious prostitute (played by Sonia Braga), as well as for his unhealthy lifestyle...and the dictator keels over and dies!
Things look bad for Strausmann, until he remembers the American...and Jack Noah is about to be 'drafted' to play the role of his career...
Full of humorous references to Broadway (Strausmann has reviews of EVERY play Noah had ever appeared in...and quotes some of the more 'colorful' ones, to the actor's chagrin), sight gags (Noah, as Simms, starts the befuddled household staff on a program of aerobics), and cameos (Sammy Davis Jr. sings Parador's 'National Anthem', and Mazursky, himself, appears in drag, as Simm's mother), MOON OVER PARADOR is a comic gem, with an over-the-top climax (which would be 'lifted' for Ivan Reitman's 'American President' comedy, DAVE), and a bittersweet ending that will certainly bring a smile to all but the most jaded viewer.
This film is DEFINITELY a keeper!
Generally untrumpeted and unappreciated, Moon Over Parador allows you to check out of reality and join the fun going on up on the screen. Two thumbs up!
Wusstest du schon
- WissenswertesAccording to director Paul Mazursky's autobiography, Judith Malina was originally cast as the dictator's mother. But there was a mix-up, Malina was unavailable, and the production only had the Rio opera house available for three days. They tried in vain for Zoe Caldwell, and considered a few Brazilian actresses. Mazursky ended up playing the part himself, in drag.
- PatzerWhen Ralph (Jonathan Winters) meets Simms/Jack (Richard Dreyfuss) after the TV speech recording, he asks to use the president's bathroom. Simms gives him the direction "one left, one right, two more left". But as Ralph exits the door, he turns right instead of left.
- Zitate
Jack Noah: [after being asked to be the dead dictator's imposter] Why couldn't you get Bobby DeNiro or Dustin Hoffman?
Roberto Strausmann: Not available! I would have given my right arm to work with Bobby DeNiro and Dustin Hoffman!
Jack Noah: [under his breath] They always say that about DeNiro and Hoffman.
Jack Noah: [comes out later dressed as Simms] Roberto! What happened? I must have fallen asleep in the meat locker.
Roberto Strausmann: [mouth agape at his resemblence to Simms] Bravo!
Jack Noah: [sticks out his tongue] On Bobby DeNiro!
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Details
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 11.444.204 $
- Eröffnungswochenende in den USA und in Kanada
- 3.268.975 $
- 11. Sept. 1988
- Weltweiter Bruttoertrag
- 11.444.204 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1