IMDb-BEWERTUNG
5,3/10
1932
IHRE BEWERTUNG
Ein Abgeordneter der heutigen Zeit verfolgt ein entführtes Mädchen in eine Geisterstadt und die Geister der Vergangenheit, die sie entführt haben.Ein Abgeordneter der heutigen Zeit verfolgt ein entführtes Mädchen in eine Geisterstadt und die Geister der Vergangenheit, die sie entführt haben.Ein Abgeordneter der heutigen Zeit verfolgt ein entführtes Mädchen in eine Geisterstadt und die Geister der Vergangenheit, die sie entführt haben.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Henry Kendrick
- Weasel
- (as Henry Max Kendrick)
Empfohlene Bewertungen
I remember seeing this movie on a tape with three other movies. A friend of mind had loaned me the tape for the weekend and I kept it for another week or so because I kept watching over and over and over this movie Ghost Town. It dragged me in so deep, I felt there was a personal message for me that I had to get before I could return the video to my friend.
As you know it is a very interesting film that hops back and forth from present day to the eerie past when Devlin and his cronies ruled supreme in this town. It was of course up to our present day sheriff Langley to first of all rescue the lovely heroine and then in order to return to the present day, he had to kill Devlin.
I think one of the great things about this movie was the characters. I feel that whoever chose the characters in this movie did a fantastic job because each of the actors and actresses were quite believable in their roles--no plastic acting.
Maybe that was the thing that kept me watching that movie 12 times or more during the week I had borrowed my friend's video--the 'believability' of the film thanks to the great acting throughout.
Very worthwhile watching!!!
As you know it is a very interesting film that hops back and forth from present day to the eerie past when Devlin and his cronies ruled supreme in this town. It was of course up to our present day sheriff Langley to first of all rescue the lovely heroine and then in order to return to the present day, he had to kill Devlin.
I think one of the great things about this movie was the characters. I feel that whoever chose the characters in this movie did a fantastic job because each of the actors and actresses were quite believable in their roles--no plastic acting.
Maybe that was the thing that kept me watching that movie 12 times or more during the week I had borrowed my friend's video--the 'believability' of the film thanks to the great acting throughout.
Very worthwhile watching!!!
"Ghost Town" follows Langley, a policeman who arrives in a remote ghost town in search of a missing woman (Catherine Hickland). The town seems to still have some residents lurking about, however—ones from its nineteenth-century past.
This offbeat horror-Western pastiche seems to have flown under the radar of genre fans for nearly three decades now, having been relegated to home video in the late eighties after an extremely small theatrical run. While it's not a masterpiece, "Ghost Town" is a weirdly charming and memorable collision of supernatural horror with the gritty Western; the result is an almost otherworldly atmosphere that is as dreamlike as it is dreary.
Written by David Schmoeller ("Tourist Trap"), the film plays on the Western angle considerably, and the tension between the two genres is a source of both humor and horror. The film is visually striking and atmospheric, drenched in dust and boasting some eerie Western set pieces and a dreary, ominous desert backdrop. The film is surprisingly gore-free for the most part, though it does supply some creative special effects with the gang of outlaws. Pacing-wise, the film does lull in spots, but for the most part keeps its wheels turning. Franc Luz and Catherine Hickland turn in memorable performances, as does Jimmie Skaggs as the zombified antagonist.
Overall, "Ghost Town" is a marginally impressive late-eighties effort that stands out for its unique blend of genres. Its off-kilter atmosphere is a major strength, but there are some memorable scenes throughout, as well as playful and sinister performances from the cast. Definitely not a genre masterwork, but when taken in the context of its peers, it's one of the more unique late-eighties horror films. 7/10.
This offbeat horror-Western pastiche seems to have flown under the radar of genre fans for nearly three decades now, having been relegated to home video in the late eighties after an extremely small theatrical run. While it's not a masterpiece, "Ghost Town" is a weirdly charming and memorable collision of supernatural horror with the gritty Western; the result is an almost otherworldly atmosphere that is as dreamlike as it is dreary.
Written by David Schmoeller ("Tourist Trap"), the film plays on the Western angle considerably, and the tension between the two genres is a source of both humor and horror. The film is visually striking and atmospheric, drenched in dust and boasting some eerie Western set pieces and a dreary, ominous desert backdrop. The film is surprisingly gore-free for the most part, though it does supply some creative special effects with the gang of outlaws. Pacing-wise, the film does lull in spots, but for the most part keeps its wheels turning. Franc Luz and Catherine Hickland turn in memorable performances, as does Jimmie Skaggs as the zombified antagonist.
Overall, "Ghost Town" is a marginally impressive late-eighties effort that stands out for its unique blend of genres. Its off-kilter atmosphere is a major strength, but there are some memorable scenes throughout, as well as playful and sinister performances from the cast. Definitely not a genre masterwork, but when taken in the context of its peers, it's one of the more unique late-eighties horror films. 7/10.
Possibly the most overlooked and under-rated horror movie of all time. An original idea, well put together, should deserve more respect than the 'getting dusty on a video store shelf' this film received. Good movie. 8/10.
Late 80's western horror which has a police officer following up a missing person on a desert highway ending up way off the beaten path. While walking a corpse of a sheriff pops out of the ground telling him that he is their only hope before crumbling into dust. This sets things in motion as he figures out he's not in Kansas anymore. A time warp takes place as he is suddenly doing battle with a demon cowboy at a small town in the late 1800's.
The special effects in this one were pretty good. The demon bad guys rotting flesh was decent. At times this was boring but would compensate with some action. Nothing too heavy in this one.
The special effects in this one were pretty good. The demon bad guys rotting flesh was decent. At times this was boring but would compensate with some action. Nothing too heavy in this one.
Deputy Langley (Franc Luz) picks up the trail of Kate (Catherine Hickland), a runaway bride. Soon, he finds out that she has been abducted by otherworldly forces. He ends up in strange territory, in a century old town that has been cursed for a long, long time. Langley, a fairly unflappable man who adjusts rather well to bizarre circumstances, realizes that he will have to be the one who frees this town of its curse. To do this, he will avenge the long ago sheriff, Harper (Blake Conway), by taking on psychotic, undead outlaw Devlin (Jimmie F. Skaggs) and his minions.
"Ghost Town" bucks the odds to rank as above average for Empire Films product. While some movies from this company are really no more than goofy fun, this one can be taken quite seriously. It benefits a lot from a script (by Duke Sandefur, based on a story by original director David Schmoeller) that is actually not overly predictable from scene to scene. The scenario may test the patience of some, with extended footage devoted to Langley stumbling through his surroundings and taking his bearings, but those who stick it out are rewarded with the perennially strange atmosphere of "Ghost Town". The visual effects are actually nicely done, with a juicy amount of gore as well and some effective makeup on Devlin. The extremely prolific Mac Ahlberg was the cinematographer, and Harvey Cohen composed the eerie score.
Luz is a personable lead, and he's well supported by lovely ladies Hickland, Penelope Windust as barmaid Grace, and Laura Schaefer as the young Etta, as well as an enigmatic Bruce Glover as the "dealer", Zitto Kazann as the blacksmith, and Michael Alldredge as Sheriff Bubba. The standout performance is by Skaggs, who appears to be having a good time as the creepy nemesis.
If you're a fan of '80s genre movies, this is a modestly enjoyable sleeper worthy of discovery.
Seven out of 10.
"Ghost Town" bucks the odds to rank as above average for Empire Films product. While some movies from this company are really no more than goofy fun, this one can be taken quite seriously. It benefits a lot from a script (by Duke Sandefur, based on a story by original director David Schmoeller) that is actually not overly predictable from scene to scene. The scenario may test the patience of some, with extended footage devoted to Langley stumbling through his surroundings and taking his bearings, but those who stick it out are rewarded with the perennially strange atmosphere of "Ghost Town". The visual effects are actually nicely done, with a juicy amount of gore as well and some effective makeup on Devlin. The extremely prolific Mac Ahlberg was the cinematographer, and Harvey Cohen composed the eerie score.
Luz is a personable lead, and he's well supported by lovely ladies Hickland, Penelope Windust as barmaid Grace, and Laura Schaefer as the young Etta, as well as an enigmatic Bruce Glover as the "dealer", Zitto Kazann as the blacksmith, and Michael Alldredge as Sheriff Bubba. The standout performance is by Skaggs, who appears to be having a good time as the creepy nemesis.
If you're a fan of '80s genre movies, this is a modestly enjoyable sleeper worthy of discovery.
Seven out of 10.
WUSSTEST DU SCHON:
- WissenswertesThe final released version of the film is actually a workprint version of the film and not a complete version of the film.
- PatzerTowards the beginning of the film, when Langley kneels down and picks up a handful of sand, you can clearly see the reflection of camera equipment in his sunglasses.
- Alternative VersionenGerman VHS release was cut by 25 seconds in order to reduce violence. Only in 2018 the uncut version was released.
- VerbindungenFeatured in Crystal Lake Memories: The Complete History of Friday the 13th (2013)
- SoundtracksI am The Hunted
Written by Paul Sabu, Neil Citron & Bryant Markovitch
Performed by Swift Kick
Published by Jungle Boy Music, BMI.
Surrounded by Italians, BMI.
Markovitch Entertainment Group, BMI.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 75.000 $
- Eröffnungswochenende in den USA und in Kanada
- 10.478 $
- 13. Nov. 1988
- Weltweiter Bruttoertrag
- 75.000 $
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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