Diabel

Thick smoke, nuns and screams. Crazy people and blood. Intense lighting and use of colour amidst the chaos. Each frame seems crowded - either through closeup or frenzy; moments of stillness are rare. Who is the stranger who saves Jakub? Why the nun? The madness of his surroundings - acrobats and theatricals, dancers and whores, mirror the insanity of the world. There is no goodness here. Monstrosity is the only answer.

Along with "The Silver Globe", this is my favorite Zulawski film. Why? Well, maybe because both of them are so utterly insane. Zulawski is hardly known here in the states, and the only film of his that is available domestically (thanks to Anchor Bay) is "Possession". Sad really but that's life. As the saying goes, the depth of an idea is inversely proportional to the mass perception. It isn't the case for many famous artists of course, but for Zulawski it rings true. I haven't seen any of the stuff he made while living in France (I understand that many of them are on the more erotic side of things) with the exception of the above-mentioned "Possession" and "The Importance of Love" (with Romy Schneider and Fabio Testi), which was definitely *something". I also watched Zulwaski's later effort "Szamanka" which I have no comment on because I viewed a bootleg copy in Polish with French subtitles, and I speak neither of the languages. The same basically goes for "The Silver Globe" actually, which, as far as I know, can only be seen in Polish with German subtitles. But damn it, this film (which was never even finished) was nuts with or without English subtitles. And so is "Diabel". which I was lucky enough to find WITH the English subs! Hooray!!! Why this movie scared both the erstwhile Polish communist authorities, who were highly confused by it and suspected that it carried hidden anti-government messages, and the Catholic Church, which was completely outraged for reasons quite obvious if you've seen the film, much more so than the secular authorities, is clear even thirty something years (made around 1972 and then shelved by the censors until the late 80's) after it was made. Human insanity, cruelty and depravity are all here on display, wrapped in a guise of a historical epic and punctuated by Zulawski's trademark chaotic camera work and overall delivery. Is the film excessive and gratuitously shocking? Yes! But why shouldn't it be? Zulawski was young (and surely angry) back then, and the things he was going up against were, still are, and have always been a thousand times more excessive. If you can't take it - oh well. Maybe you should pull the wool off your eyes and look around. Another reason why I chose "Diabel" and "The Silver Globe" as favs is because of the time and place. They were made in the then Eastern Block during the Cold War and on the director's native soil, which must count for something, right? - all of which might have(or not) added more poignancy to the films (don't tell that to Roman Polanski though).After you move to France, the Artist's paradise that it is, it becomes safe for you to do what you do. The chance to suffer for your art diminishes significantly. Although, of course, you could suffer financially instead, which is something many Eastern European film makers discovered after the ascent of the market economy. Then again, in the new world disorder things change rather quickly. The recent slaying of a Dutch film director (Theo van Gogh was his name, I believe) by Muslim extremists shows that an artist in need can still fully suffer if he wants to. Anyway, back to "Diabel" - I love it. It's not something to be taken lightly of course. As a friend of mine wistfully observed: "the scene where a guy gets shot in the face is one of the most memorable I've seen in any film. So jarringly sudden, I was literally shocked - I don't know why it affected my like that." And I suppose I'll just leave it at that. I mean, how often does that happen in this day and age? Blessed be the sick! Amen.

I wouldn't call this horror at least not in the traditional sense. Jakob freed from jail tries to return to his previous life with a aid who has his own agenda. The Devil is in the details indeed as you the viewer are forced to play catch up with a series of events that must be interpreted to understand the craziness and violence this movie portrays.

There is in impatience that plagues every event along with musical scores that tries as it does to build tempo and rhythm to the maniacal. Does it really matter who Jacob was? Butchery to betrayal, the nun and a whole lot of death and suffering all wrapped up in a wacky 70's score. Best not to leave out that almost every character is full of self loathing.

Not sure if I'd watch it twice though, the dialog isn't very captivating and the story isn't really what you are here for. You watch it because someone didn't want you to see something with a powerful political message. Like having your world turned upside down. So you'll watch it like I did, hoping to find something everyone else missed.

Andrzej Zulawski's 'The Devil' is a real oddity from the early 1970s. Originally released in 1972, but banned at the behest of the Catholic church, it has been little seen, which is a pity, because it is a fascinating movie that deserves a larger audience. Reminiscent at times of Jodorowsky and sometimes Fellini, this is a very puzzling movie steeped in religious symbolism.

In 18th Century Poland the Prussian army are in the process of conquering the country. In the midst of this chaos a mysterious figure arrives at a convent with orders to escort a political prisoner. The prisoner, a young man named Jakub, was accused of attempting to murder the King. The man finds Jakub, and along with a young nun they flee the oncoming troops. Once they are safe Jakub is freed and urged to return home. When he arrives he finds that nothing is as before. His father burnt down the family home before committing suicide, his pregnant fiancee has married one of his friends, and his mother is a whore. Jakub is constantly described by others as being a lunatic or "sick" yet in many ways he appears to be the sanest one of the lot. To complicate matters the man who initially rescued him shadows his every move and seems to have a strange agenda of his own. Is Jakub mad or is the world? Who is the enigmatic stranger and what does he want of Jakub? 'The Devil' will appeal to fans of strange, multi-layered movies.

Well, i went into this completely blind. Had no clue this movie existed. I can tell you that this movie is really hard to follow. I wanted to watch this with subs from my country, but sadly i found it only with English subs, so it was really, REALLY hard to follow. But what i followed was pretty good.

This movie never got boring, maybe a tiny bit, but for the most part it's really sharp. I can tell you that the movie has a clear message: A King that's being influenced with God and Evil. The King (who was said to be mentally ill at times, not 100% sure bout that), only followed the Diabel, while the Nun the Good, he just ignored her, and she was there for nothing.

This movie depicts in a very brutal, way how it is to be forgotten. This King has been sentenced to death, and when he escaped, nobody really cared for him: His wife re-married, his mother is a prostitute, his sister barely cared, it's like when you get locked up for such a long time, when people forget about you, they just dont care anymore.

Also, what we forget, is how many people have been killed because of the Diabel, even though these people did not care, the King killed people that nothing to do with being forgotten, like the Turkish woman, and the other actor... He killed people that had nothing to do with this, and then he Diablo forced him into self destruction, untill in the end, when the Devil shows it's true face.

This is an amazing movie, i actually wanted to give it 10/10, but it's just too difficult to follow. I think this movie was inspired based on 1971 The Devils, they seem kinda similar, and i loved 1971 The Devils, this is kinda in the same boat. I think this is the first movie ive seen from Poland, and it's worth watching.

I enjoyed what was served, even though i think i didn't pick up on a lot of what was being said, but still pretty well made movie for what it is. A lot of people are complaining over bad acting, and bad "directing". No, to everything seemed to work pretty well. And as i say 100 times, the MOST important thing when it comes to movies, is the plot, this had a strong plot, and i enjoyed it.