Die Jugger: Kampf der Besten

What a hidden gem of a cinematic effort! I cannot believe that this film didn't receive the notoriety it deserved back in '88! The backdrop is the standard post-apocalyptic mess that humanity has left itself in after "who knows what." The juggers travel town-to-town in search of food and entertainment, in return for providing matches against the local teams.

The script is well executed and one is led to believe this sport would have a wide following in the aftermath, almost like a team sport of UFC of the future. The characters are superb and Hauer and Chen really give them life. Rutger needs to go back to this flick and see what he has lost! I really cared about this band of juggers and it seemed like everyone in the ensemble was on the same page. The Blood Of Heroes is a tremendous miss in the anals of great sci-fi films. Please go rent it.

I recently rewatched this movie for the first time in ages, and I was pleasantly surprised to find that it held up remarkably well to my older eyes. So many gritty post-apocalyptic hero type flicks that I liked when I was younger turn out upon a more sober "adult" viewing to be amateurish and juvenile. But this movie has real depth, and drew me back in from the opening scene. It fully deserves any cult status it may have achieved, and I went ahead and ordered the DVD (which is finally out) for my collection.

The film is set against the backdrop of a fully realized post-apocalyptic society that actually makes sense (and the "game" the movie is built around is well conceived and executed too). Unlike in many futuristic movies, there is no need for grand exposition explaining why everybody in the film is acting so bizarrely -- in this movie, you understand the people, their desperation, and the certain grim courage of those who dare to dream of more. The movie also has the courage to take itself seriously, while still retaining a light enough touch to throw in spots of humor throughout.

The cast here is several cuts above normal for this sort of thing, with a number of recognizable faces (Chen, D'Onofrio, Hauer, Lindo) making believable and sympathetic characters out of what easily could have been cartoonish cutouts in a lesser film. Chen and Hauer play the two main characters. For Chen, I think it can be argued this is her finest performance, deftly combining vulnerability with courage, innocence with savagery. And for Hauer, an actor who has in more recent times has become a parody of himself, I think this may have represented his last truly effective performance. The stories of these two characters are not stories of grandiose save-the-world heroes, but more down to Earth stories of courage, redemption, and most importantly hope in a world with little of it. The characters aren't pure, they're not pompous, they're just normal people trying to make the best of a tough life. And I think that makes rooting for them all the easier. Its not so important they win -- its important that the find the strength to strive rather than give up. Simple tenacity and the courage to never give up is far more inspiring than the vast majority of the superheroes in the modern comic book adaptation fad. It really is remarkable to find such deft handling of themes like these in an offbeat movie from a genre filled with Grade B quickies.

P.S. I have never seen the longer version, and actually don't really have an interest to. The shorter "Blood of Heroes" is appealing precisely because it manages to scrounge out hope and weary courage from the grim backdrop in a believable fashion.

I am surprised and delighted by the sheer depth of this movie every time I re-watch it. Not only is the jugger sport convincing, well-designed and very enthusiastically played by the excellent cast of actors, but the post-civilised (as opposed to post-apocalyptic) world it takes place in is both subtly drawn and entirely believable. Nowhere in the pithy script is there the usual heavy-handed sci-fi references to the nuclear war (or whatever) that reduced human-kind back to feudal barbarism. We are presented with the world of the juggers as-is, without a single "as you know, our society collapsed after the great firestorm in the sky" speech or a hint that the heroes of the title can improve mankind's sad situation as anything other than gladiatorial entertainers. A masterpiece that should be on DVD, converted into a computer game and, if they can get the original cast and production team together, sequelled.

Don't buy the hype. This Mad Max-esque film is one of the bleakest films I have seen in a long time. All characters are unhappy souls, surviving in a grim world, unable to improve their lot, prone to an almost genetically determined urge to mess things up. They have egos and the big guns aren't used to working with other people or playing by the rules. The cinematography is stark and bare, with only the soundtrack adding some effect. It's an amazing work and everything I had hoped for. From an artistic standpoint, there were some plot elements and character developments I didn't think were totally needed. They do however drive the story, which seemed to be their purpose, so I can accept them. Verdict: 7/10.

Sand, scars and blood just about sums up Salute of the Jugger (the title for the full 104 minute version, not the 90 minute US "Blood of Heroes" cut). Salute is an unapologetically brutal story, perfectly cast, well played and very competently filmed. All the cast acquit themselves well; Hauer is suitably grizzled, and Chen manages (believably) to be cute, scary, vulnerable and savage all at once.

There's very little plot or dialogue in Salute, but this isn't necessarily a bad thing. The showcase here is the heart pounding Jugger matches, which are genuinely gripping and gritty action sequences, shown to a sparse percussive soundtrack that only very occasionally veers slightly too close to smug Americana triumphalism.

Top marks go to the stunt, makeup and continuity people. There are no Jackie Channish balletic combats here - faces smash open under brutal blows, and the face remains smashed in the following scenes. The wounds heal slowly over time, but the grimly realistic scars of the Juggers remain consistent throughout. Continuity is often underemphasised, as you only miss it when it isn't there, but there are no slip ups in Jugger despite its low budget.

One interesting point is the change of emphasis in the 90 minute cut. The title changes to "Blood of Heroes", and the message of "Salute" that there *are* no heroes, only winners who sleep in silk sheets, is diluted by ending prematurely on a victory high. In the full Salute, there's a frank message that for some, beyond "happily after after" lies more sand and scars and blood. If you get the choice, the 104 minute "Salute" is a more complete and consistent film.