Ein Bundesmarschall, der in einer Minenkolonie auf dem Jupitermond Io stationiert ist, deckt eine Verschwörung gegen Drogenschmuggler auf. Er bekommt keine Hilfe von den Arbeitern oder Behör... Alles lesenEin Bundesmarschall, der in einer Minenkolonie auf dem Jupitermond Io stationiert ist, deckt eine Verschwörung gegen Drogenschmuggler auf. Er bekommt keine Hilfe von den Arbeitern oder Behörden, wenn er für einen Mord markiert ist.Ein Bundesmarschall, der in einer Minenkolonie auf dem Jupitermond Io stationiert ist, deckt eine Verschwörung gegen Drogenschmuggler auf. Er bekommt keine Hilfe von den Arbeitern oder Behörden, wenn er für einen Mord markiert ist.
- Für 1 Oscar nominiert
- 1 Gewinn & 7 Nominierungen insgesamt
- Sergeant Montone
- (as James B. Sikking)
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The miniatures and models look fantastic and still hold up today in my opinion. It inhabits that Alien mining operation look throughout and Peter Hyams did a great job on an aesthetic point of view. It's not as detailed as Alien, but what is?
The story is also pretty well written and many have labelled it as High Noon in space. It definitely has that western feeling especially with the showdown climax and your typical western pistols have been replaced with shotguns.
Sean Connery delivers a great performance and I would say this is one of his best post Bond films along with The Name of the Rose.
Despite these positives there are quite a few negatives. The explosive decompression scenes are quite dated and are unintentionally hilarious with peoples heads inflating like balloons. The child actor who plays Marshall O Neill's son is quite possibly the worst child actor ever! It takes you out of the movie for a while but thankfully it's only a brief scene.
If you haven't seen this I would recommend Outland, especially if you're a fan of Alien or any other industrial sci-fi movie from that era. It's quite overlooked so definitely give it a look.
"Outland" shines (or should I say 'pops') with the best of them. And it's a great film to boot. More of a western than a scifi--its story has been compared to "High Noon"--it might be light on spaceships and laser battles, but it's definitely heavy on mood and atmosphere. If you like tense, dark, claustrophobic mood films like "Alien", "Das Boot" or even the recent "Pandorum", this is worth checking out.
Sean Connery plays a great character, not quite the perfect hero as James Bond whom he had played a few years prior, but instead he plays a very human, fallible and slightly vulnerable (if not scared) character reminiscent of the great Jimmy Stewart or Gregory Peck in their roles as reluctant heroes. So don't expect Sean to clean house the way Schwarzenegger might. Here he's clearly outnumbered and outgunned which adds to the chills of this suspenseful story.
Director Peter Hyams was at the peak of his game. Films like this, "Capricorn One" and "2010", all filmed within a 7-year stretch, exhibit the same dark, heavy vibe perfect for science fiction. Again let me repeat, you won't get a ton of flashy action scenes, but what you will get is a thick, suspenseful mood.
If you like old school scifi like the films I've mentioned, or if you like westerns, or if you like moody thrillers, I think you'll like this. You might like it so much your head will explode. And then you too will be awesome.
This a well paced film with a solid acting from Sean Connery. The pursuits, especialy the first in the corridors of the space habitat, are gripping. The film was made in 1981, when the CGI effects were not as prevalent as today. For exemple scenes where humans are dwarfed by huge metalic structures, were executed thanks to a then traditional play of mirrors. I have seen this film at the cinema when it played for the first time in 1981. I have recently watched it again on cable TV and I think it has not aged much. Because it is set on a makeshift sleazy outpost and not a shiny white place as too often in science fiction film, it remains realistic enough, twenty two years later. The themes,a bit overlooked, dangerous mind drugs, greedy multinational (or multi-planet, here) companies, the will and courage of one man against the cowardice of all the others, resonate still in our mind, nowadays. But make no mistake, it not a heavy political film but a good suspense and action film with a science fiction flavour.
Despite some scientific oddities like heads exploding and weightlessness in a zero pressure atmosphere, where as inside the habitat the gravity is normal (by Earth standards), the script remains coherent enough. The strong performance of Sean Connery is helped by those of a serious Peter Boyle and a pre-ER Frances Sternhagen. Rent this film on your local video store or watch it on TV, it is worth seeing it.
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- WissenswertesWriter-director Peter Hyams handled the cinematography for most of this movie, while Stephen Goldblatt usually worked when there was something Hyams did not know how to do. Goldblatt was misleadingly hired by Hyams, who really wanted him to stand aside and do nothing, and to use him as a scapegoat for the Ladd Company in case anything went wrong while using the new IntroVision process. He was furious at being lied to and wouldn't have taken the job if he'd known Hyams' intentions at the outset, but stayed on in order to learn how to use IntroVision, and because as a young cinematographer with a sole prior feature credit, quitting the movie could have ruined his career. It is the only one of his movies whose wrap party he skipped.
- PatzerSeveral times during the first half hour of the movie, O'Niel's uniform name tag changes spelling from "O'Niel" to "O'Neil" and back again.
- Zitate
Dr. Marian Lazarus: You know, if you're the kind of guy you're supposed to be, you wouldn't stick around. That's why they sent you here.
Marshal William T. O'Niel: Maybe they made a mistake.
Dr. Marian Lazarus: I was afraid you'd say something like that. You really think you're making a difference?
[O'Neil is silent]
Dr. Marian Lazarus: Then why, for god's sake?
Marshal William T. O'Niel: Because... maybe they *are* right. They send me here to this pile of shit because they think I belong here. I want to find out if... well, if they're right. There's a whole machine that works because everybody does what they're supposed to. And I found out... I was supposed to be something I didn't like. That's what's in the program. That's my rotten little part, in the rotten machine... I don't like it. So I'm... going to find out if they're right.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Atmósfera cero
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 16.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 17.374.595 $
- Eröffnungswochenende in den USA und in Kanada
- 3.059.638 $
- 25. Mai 1981
- Weltweiter Bruttoertrag
- 17.374.595 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1