Olivia - Im Blutrausch des Wahnsinns

You all can read the plot summary from IMDb, so I won't write about it.

I got my hands on the DVD of "Olivia" yesterday. DVD cover didn't look great, more like erotic b-film, but WOW! The film runs only 1 h 20 minutes but many things happens during the film, and you won't be bored. There is something for everybody; romance, thrill, erotic and murders. Does that sound awesome combination? Maybe not, but in this film it is.

It looks like a big Hollywood studio film from the end of 1970's, but it was actually made with budget of $500,000. I have to admit that there are few moments when you can see that it was made with small budget, but it doesn't bother watching.

A must see for people who likes to see erotic thriller, but also for the IMDb users here who says that Lommel hasn't done any good film.

This is incredible.

My review was written in March 1983 after a screening in the Bronx.

Filmed half in London and half in Arizona in 1981 with the shooting title "Faces of Fear", "A Taste of Sin" is an effective psychological horror thriller from prolific Germany-to-U;S. Filmmaker Uli Lommel. Biggest treat her for film buffs and horror fans is Lommel's equal-time raiding of not merely the works of Alfred Hitchcock, but also the Hitchcock-derived thrillers of Brian DePalma.

Prior to its present (tacked-on to suit a sex-themed ad campaign) moniker, picture bore a series of better titles: "Beyond the Bridge", "Double Jeopardy" and "Olivia".

Opening (culled from Hitchcock's "Marnie") has 6-year-old Olivia (Amy Robinson) watching (through a keyhole) her British prostitute mother servicing a G. I. who's into bondage. She helplessly sees her mom killed by the G. I. Fifteen years later, Olivia (played as an adult by Suzanna Love, star of all even of Lommel's U. S.-made pics) has a British husband Richard (Jeff Winchester), and dresses up at night to relive her mom's experience as a streetwalker near London Bridge. Controlled by her (imagined) mom's voice from beyond the grave, she starts killing her customers while being wracked with guilt for not coming to mom's aid versus the G. I. Olivia falls in love with Michael Grant (Robert Walker), an American working on a project to restore the bridge. In a fight with Richard over her that takes place on the bridge, Grant is victorious, and Richard ends up hurtling into the water below.

With the film half over, scene shifts to Arizona four years later where London Bridge has been transplanted (along with its fatalistic associations for the lead characters). Grant finds Olivia working as a condominium saleslady using a new name (Jenny) and with a new mousy appearance and American accent. Suspenseful plot twists (and red herrings) involve lifts from "Vertigo", "Obsession", "Sisters","Psycho" -you name it.

Though this type of derivative filmmaking is hotgly criticized these dys (with DePalma perhaps the number one whipping boy), Lommel plays it straight and comes up with an entertaining B picture. He obviously enjoys the Hitchcock association, even casting Vera Miles from "Psycho" in his next film "Brainwave" (opposite Tony Curtis instead of Janet Leigh) and recalling Walker (son of "Strangers on a Train" namesake and near lookalike) for the lead in "Devonsville Terror".

Suzanna Love is quite impressive in the chameleon lead role, calling for at least three distinct personalities. Walker, still looking boyish at age 40, is an empathetic hero, though one keeps expecting him to become sinister, given Hitchcok's switcheroo casting of his dad 30 years earlier. Joel Goldsmith's synthesizer music score is effective, but the film is hampered by drab would-be film noir visuals, for which five cinematographers are credited.

I saw this for the first time recently n I still cannot fathom why I got pulled into seeing this. It's not a bad film but erotic dramas n thrillers ain't my cup of tea. Nevertheless, the lead actress' beautiful face kept me going. Suzanna Love was truly attractive n her brief nudity was an icing on the cake. Plot wise it is a bit far fetched but some scenes r pretty atmospheric. I really wanted to know how the husband survived n how he tracked her down. Also did she purposely migrate to Arizona so that she can bump into her lover.

Variously known as, Olivia, A Taste of Sin, Prozzie and Double Jeopardy, this has as many twists and turns as it does titles. Eccentric ex art house director Ulli Lommel, writes, directs and even looks after camerawork here in a very strange film. Seemingly considered by the makers as 'Hitchcockian' there is only one decent scene of suspense and lots more that appear to have crept in from many and varied a genre. As so often with low budget fare the bonus is that you never quite know where things might go, but who expects the evil child, slasher, sexploitation movie to tell the story of the moving of London Bridge to Arizona?! Likeable, varied, ludicrous but involving with Suzanna Love helping enormously in a most convincing central role. Crazy, but cool.

An English woman in a loveless marriage (Suzanna Love) meets a man from America involved in the dismantling and sale of the London Bridge (Robert Walker Jr.). Events eventually switch to Lake Havasu City where the bridge has been reconstructed.

Shot in early 1981, "Olivia" is a Hitchcockian psychological drama/thriller helmed by Ulli Lommel for $500,000 (which would be equal to $1.7 million today). While there are bits borrowed from "Nightmare" (1981) and "Psycho," this isn't a slasher.

The pace is unhurried and there's a cinematic beauty to the proceedings with its soothing piano-oriented score, DESPITE the seedy side issue of prostitution and the troubling death scenes. Along with the artistry, there are some interesting themes, such as bad childhood experiences haunting one's adulthood, raw sex vs making love and a woman finding her "prince."

Suzanna is a highlight and was the director's wife from 1979-1987. In my opinion she looks best as a brunette in glasses. She's (unnecessarily) shown nude, but in a tasteful way; stay away if you find that disagreeable. On the other side of the gender spectrum, Robert Walker Jr is perhaps best known for playing the titular character in the 1966 Star Trek episode "Charlie X."

There are several alternative titles, including "Double Jeopardy," "A Taste of Sin" and "Beyond the Bridge."

It runs 1 hour, 25 minutes, and was shot in London and Lake Havasu City in west-central Arizona.

GRADE: B-