Paranoia

"Hell Night" is a fun little 1981 horror film from the producer of "Halloween". The plot is as follows - Twelve years ago, a man savagely murdered his wife and three of their deformed and disabled children, leaving only one son as a survivor, then hanging himself in his family mansion. Now, twelve years after the horrible murders, four college pledges for the Alpha Sigma Ro fraternity/sorority are forced to spend the night in Garth manor for their initiation. All seems to be going well, and the upperclassmen play a few tricks on the newcomers to try and scare them. But the jokes become horrifyingly real when the pranksters and the pledges begin to die. Could it be possible that the fourth son of the Garth family is still lurking somewhere on the grounds?

I'd been wanting to see this for quite some time now, and I finally got my hands on the DVD and I thoroughly enjoyed this film. Is it clichéd? Sure it is, very much so, actually. The plot (while it isn't as original as it could be) is well paced and entertaining all the way. It blends both the slasher and haunted house horror sub-genres, and it does it with style. Sure, the horror clichés are present, but these clichés don't take the film down. The mansion was large, old, and creepy inside, adding to the classic haunted-house horror film feeling. Not to mention the pledges are dressed in period costumes reflecting the olden days. The acting was decent, not perfect but good enough. Linda Blair of "The Exorcist" is our main leading heroine, and her innocent character of Marti is likable. Peter Barton plays Jeff, and Vincent Van Patten plays the tough surfer dude along with Suki Goodwin as the party girl. All of the actors performed well for the most part, no real complaints there.

There are some memorable scenes in the film, especially the rug scene and the chase in the underground tunnels with Marti and Jeff and the old deformed psychopath. Speaking of the villain, he was actually rather creepy and the makeup effects were decent, although we don't really get to see his face until the finale. There are some creative murder scenes that have surprisingly good special effects considering the time the film was made. But the film's overall atmosphere was the best part if you asked me. It kind of reminded me of a Scooby Doo episode with it's style and story, but much more violent than anything you'd ever see on a cartoon show.

Overall, "Hell Night" is one of the most fun '80s horror films out there. The whole film has a fun, festive tone, and there are some pretty spooky scenes and the atmosphere was perfect in a classic, haunted-house horror kind of way. The atmosphere is killer (literally), there are some scary murders, and Linda Blair is the leading lady! What more can you ask for? Definitely check it out if you are a fan of the genre. 9/10.

This film is everything most slashers are - i.e. redundant, pointless, silly and all the rest of it. However, unlike the majority of the sub-genre; this one isn't all that bad. The plot is hardly original in it's fusion of the haunted house tradition and eighties slasher trash, but at least it gives the film a slight edge over it's less imaginative counterparts. The plot sees a group of four high school 'kids' having to spend a night in a creepy old house as an initiation ceremony for the fraternity they want to join. However, this isn't just a creepy old house and by way of a super-camp story telling sequence, we learn that the master of the house killed himself, his wife and three of his four horribly deformed children. This, of course, means that one survived; and that one, is course, rumoured to still be hanging around the creepy old house. That is, of course, a rumour that turns out be true! What then follows is the usual slasher sort of stuff, with the kids inside getting sliced and diced along with the ones outside, who were just trying to make their new frat-mate's stay a little scarier.

Linda Blair, now all grown up since her role in The Exorcist, takes the lead role and does pretty much what you would expect the heroine to do. There's some nice murder sequences in this film, but the gore is never over the top. I actually like over the top gore, but despite not having much of it, it never really harms this film. The murders are stylishly shot, and the way it portrays them allows it to be shocking without the need for a lot of bloodshed. In a sub-genre that is primarily concerned with bloodletting; this is actually quite admirable. The sets are one of the best things about this film. The Gothic mansion gives it that great atmosphere that is usually reserved for haunted house movies. The movie doesn't always make best use of it's settings, however, with too many scenes being restricted to close-up's when a shot that takes in more of the surrounding area would have been better. The fact that the killer is deformed gives it a bit of an edge over the likes of Halloween because aside from there being a killer, you also want to see him to find out how badly deformed he is. It is a disappointment when he's finally revealed...but the wait holds some suspense. On the whole, this isn't all that good; but it's not bad either. Slasher fans will find something to like.

Linda Blair and her friends are stranded in a remote mansion with a homicidal maniac, who loves to hack peoples heads off and slash their throats. Sound like a simple, predictable premise? Yeah, it pretty much is. But, the direction is smooth and on target, and the acting is very good. There is a little gore, but not too much, and there is plenty of good suspense. You grow to like the four teens tormented in Garth Manor. A successful, highly watchable slasher movie.

Four college kids are sent to an abandoned mansion to fend for themselves during a hazing ritual gone wrong in "Hell Night." During their stay at Garth Manor, the group deal with pesky pranks from their peers and face off against a "gork" dubbed Andrew. We never find out what a gork is exactly, but it sounds relatively un-PC. At any rate, Andrew "Gork" Garth is a deformed child who has been left alone to his own devices. Now that he's all grown up, he's hellbent on murdering anyone who steps foot onto his property. That's unfortunate for Linda Blair and company, who lack the benefit of something like TripAdvisor. One thing's for sure, though; if they live through the night, this place is getting a dismal one-star review.

"Hell Night" came out in 1981, just as the slasher genre was gaining traction. It is at times derivative, and at others, it surprisingly deviates from the beaten path. The initial set up of four characters who alternate between horny, funny, smart and sympathetic is one we've seen countless times in the genre, but "Hell Night" puts a refreshing spin on things. For starters, its cast has a chemistry and a shared likability rarely seen in the slasher subset. An all-grown-up Linda Blair leads the cast with her charming girl-next-door presence, while pretty-boy Peter Barton ("Friday the 13th: The Final Chapter") plays her good-guy boyfriend. In the next room are the Spicoli-esque surfer dude and his hilariously charming and sexy girlfriend, played by Vincent Van Patten (son of Dick) and Suki Goodwin respectively. Goodwin in particular is a real firecracker, an endless ball of charm. It's a shame she quit acting shortly after this film came out. Her comedic chemistry with Van Patten jumps off the screen and nearly steals the show. That being said, all four actors are quite solid and work together to keep the film going, even through it's duller moments.

Speaking of dull moments, there's more than a few of those here. Since the film is about 15-20 minutes longer than the average slasher, it's only natural this would happen. The atmosphere is pretty well established early on, and while the characters are never a chore to visit, the often-protracted stalking sequences can sometimes feel endless or even pointless. Having said that, when the jump scares hit, they hit hard. The film is a bit of a workhorse in that regard, as by the end, we are treated to a big jump seemingly every other minute. Tim DeSimone, who had previously worked in the adult film industry under the impossibly awesome psuedonym of Lancer Brooks, apes the likes of "Friday the 13th" and "Halloween" quite competently here. There are moments midway through the film that feel like someone traced over John Carpenter's work, right down to the sparse, synth-led score. Yet, for all that it borrows, it never feels entirely redundant. One digression in particular, where a lead character escapes the mansion and goes off to find help, is a welcome curveball. It's little moments like this that give the film its own unique flavor.

While one could probably spend the bulk of its running length nit-picking it to death, there's just something undeniably charming about the way "Hell Night" plays out. It feels familiar, but at the same time, keeps us on our toes. With characters that you actually want to see survive and a killer who is not wearing a mask or wielding a chainsaw, "Hell Night" at least offers something you won't always find in '80s slashers. It's not a classic by any stretch of the imagination, but necessary viewing for any fan of the genre. "Hell Night" is, like the ritual itself: a rite of passage everyone should go through at least once.

Linda Blair, everybody's favorite head-tolling girl, stars as an extremely cute college girl named Marti. Together with 3 other students, she's locked overnight in a haunted mansion as some sort of fraternity initiation rite. The house used to be inhabited by a family of weirdoes (figures…) and the deformed son is believed to still dwell around in the tunnels underneath the mansion's basement. While the other fraternity members are playing pranks to increase the eeriness, the real killer comes to interfere…

Of course, you can't really refer to this 'Hell Night' as being a good film. It's an 80's slasher, produced in-between two 'Halloween'-films. The only reason of this film's existence is to raise more money, so you can't be too demanding for plots, logic or credibility. In it's own specific category, this is a more than decent film. I can name you over a thousand similar films that are worse but only a few that are better. It's amazing what a competent director (Tom DeSimone – specialized in 'Women Behind Bars'-flicks) and a devoted cast (Linda Blair!!) can achieve. There are quite a few suspenseful sequences in Hell Night and the gore is not exploited for once. The settings are decent but sometimes underexposed, which is a bit of a shame. Overall, this a lot more tolerable than the average flick in which teens are slaughtered by the dozen.