Der nun erwachsene Antichrist schmiedet Pläne, seinen zukünftigen göttlichen Gegner auszuschalten, während eine Kabale von Mönchen plant, ihn aufzuhalten.Der nun erwachsene Antichrist schmiedet Pläne, seinen zukünftigen göttlichen Gegner auszuschalten, während eine Kabale von Mönchen plant, ihn aufzuhalten.Der nun erwachsene Antichrist schmiedet Pläne, seinen zukünftigen göttlichen Gegner auszuschalten, während eine Kabale von Mönchen plant, ihn aufzuhalten.
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Neill has some ear popping monologues with a statue of Jesus. It's so obnoxious that I'm half amazed it wasn't cut. It all strikes me as rather career threatening for an actor and I wonder if any American actor would have done it.
But those scenes do help give this movie a bit of depth.
The first Omen was great because the Thorns weren't sure if crazy supernatural things were occurring, or if they were just crazy. Unfortunately, this one, like Omen II mostly boil down to crazy death scenes.
There's one major annoyance here... why does Damien believe the second coming will be a child*? He literally reads from the Bible. And the producers were well aware that was wrong, considering the display the relevant passages of the Bible.
It's certainly not terrible, and has some effective horror scenes. Looked at simply as a horror movie, it's kind of an oddball, but it works. But considering the seemingly end of time apocalyptic stakes, not to mention closure of the three movie arc, it's lacking, and the world surrounding Damien seems surprisingly small.
* I think the reason Damien decides to kill babies is obvious: the production wanted to do the baby killing thing.
A couple shocking violent scenes, really creepy atmosphere, great cinematogrpahy - this film is clearly from an analogue age, before digital anything was in use. Perhaps this is part of the reason many don't like this movie, today's horror films are a lot easier to make due to digital advances (which is a good thing) so they appear to have high production quality, but are really terrible made, written and directed. The final conflict is well made, and of course the score by Jerry Goldsmith is excellent and adds much to the film, definitely would have been a worse movie without his score, I can't say enough how good it is. The mix of very old musical ideas with modern ones, (as well as a few tritones of course) really makes the movie in many ways for me.
So see The Final Conflict if your a horror fan.
On the other hand, the smart and pretty lady reporter gets her hands on Damien right away, without any trouble. It's said that Sam Neill who plays Damien and Lisa Harrow who plays Kate Reynolds were actually falling in love for real as this movie was being made. It really shows! Aside from being just gorgeous, Lisa Harrow was a good actress. You can see that her character has at least three sides to her. As a reporter, she's intrigued by Damien's vast wealth and growing political power. As a mother, she's frightened of his influence over her troubled teenage son. And as a woman, she can't help responding to the sheer excitement of his darkly sexual charisma. But what makes this interesting is that the story line always treats her character with respect. Her sexual feelings don't cancel out her heart or her intelligence, they just make her more mature and sympathetic.
Why is it that major stars like Julia Roberts and Meg Ryan never play anyone half as interesting as this?
This is the third movie of the series and guess what, the style isn't there anymore. There isn't one memorable scene in this movie. The biggest draw is the acting skills of Sam Neill. He shows that he has power and the presence to be the antichrist. Other than him, there isn't anything there. He's very compelling as the evil Damien, but there is a lot of unreasonableness going on here. It seems that the cops would notice something is going on. And it seems that the priests should be better armed. I know only the knives can kill Damien but having guns would be very useful.
WUSSTEST DU SCHON:
- WissenswertesActor James Mason acted as a sponsor to the production for actor Sam Neill. Mason originally suggested to the film's producers that they should check out Neill. Producer Harvey Bernhard had Neill flown in to London for an audition, paid for by Mason. Neill later reimbursed Mason for the airfare. Neill drew on some of Mason's mannerisms for his performance and characterization.
- PatzerAs stated in the first film, the Daggers of Megiddo must all be used in order to destroy Damien completely. One of them alone would not be enough, and yet the monks each take one of the daggers with them in their separate attempts to kill him.
- Zitate
Damien Thorn: Oh my Father, Lord of Silence, Supreme God of Desolation, though mankind reviles yet aches to embrace, strengthen my purpose to save the world from a second ordeal of Jesus Christ and his grubby mundane creed. Two thousand years have been enough. Show man instead the raptures of Thy kingdom. Infuse in him the grandeur of melancholy, the divinity of loneliness, the purity of evil, the paradise of pain. What perverted imagination has fed man the lie that Hell festers in the bowels of the Earth? There is only one Hell, the leaden monotony of human existence. There is only one Heaven, the ecstasy of my Father's kingdom.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- The Final Conflict
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.471.382 $
- Eröffnungswochenende in den USA und in Kanada
- 5.571.675 $
- 22. März 1981
- Weltweiter Bruttoertrag
- 20.471.382 $