Der ungeratene Sohn

This is one of the more effective films by Sautet, a director who made commercial pictures with Romy Schneider all through the 70's. While I admired the artistry of Les choses de la vie and Cesar et Rosalie, I was a little put off by the rich decors and bourgeois sentiments. Un mauvais fils is a look at blue collar workers--Rene Calgagni is the foreman on a construction site, his son Bruno works first in trucking, then as a furniture maker, then in a bookstore. Madeleine, Rene's girlfriend runs a dry cleaning shop. Bruno is trying to remake his life after the prison sentence, and the difficulties of re-insertion into society are well-described by Sautet.

Patrick Dewaere gives a restrained performance, lacking most of the extraverted action that made Series noire and La meilleure facon de marcher so memorable. Yves Robert, despite the mustache that reminds us of Stalin, is very affecting as the severe father who doesn't know what to do with his errant son. Jacques Dufilho, playing a gay bookseller with many whimsical moments, earned the Cesar award for best supporting actor. Brigitte Fossey, playing a heroin addict who can't quite stay away from the drug even as she becomes involved with Bruno, has some fine scenes.

Claude Sautet's films are always rich in introspective thought, whether the subject is the fragility of existence (Les choses de la vie), the unconditional love of a man toward a woman that wants out of a relationship (César et Rosalie) or the everyday struggles to make it through ordinary existences (Vincent, François, Paul et les autres). In Un mauvais fils, Patrick Dewaere is paradoxely a good person who has made very bad decisions, but now wants to make amends and get a better life, all the while his father is still grieving the death of his wife.

Remarkably, while being usually casted in loser roles, Dewaere redeems himself from loser status to become a good son, a reliable worker and a strong support of his addicted girlfriend. It's too bad that we lost this prodigious actor too early, struggling himself with addiction and depression.

It is not a film to be explained, it is a film to be lived! It goes straight to the heart, simply to the essential. Exceptional in truth and authenticity with a great casting of exceptionnal actors. Wonderful!

I'm the second to review this? I borrowed this film from a local French library. I sat down with a coffee and was entranced with from beginning to end.

The film is about the relationship between a father and son. The son returns to France and to life after several years in an American gaol. The son wants to begin relations with his father anew but the father has trouble with that idea.

You could say that the father is someone who is strict and has trouble expressing his feelings and opening himself up. He is ruthlessly unforgiving with his son. This is not a one dimensional character and thats what makes him so intriguing.

Equally Partick Deweare, whom I've come to know and love, is enchantic as the son. He oozes charm and his mere presence on the screen without saying a word conveys so many things.

The two fight and make up then fight and make up, and like another reviewer said the director takes the time to film them preparing coffee. Even that is fascinating in this film. A true find for me and pure cinematic gem. Enjoy!

It was the first time since "Max et les ferrailleurs "(1971) that Claude Sautet had left the bourgeois milieu for the working class people ;with the exception of the bookseller,an educated man :and even him is part (remember the film was made 42 years ago)of the margins of society ,because of his homosexuality (treated with a great sense of modesty).

The cast is not Sautet's usual suspects;and in this context , they are well chosen:Yves Robert as the blue collar father ,whose son is a bad lot (check the title),because his hasty departure "killed his poor mother" ; but further acquaintance shows that this daddy is not the noble samaritan whose only concern was to take care of a dying wife. Claire Maurier , par excellence the determined woman ,perhaps the only character who has kept some kind of joie de vivre ; the emigrated worker , an exiled , par excellence a man who lives of the fringes of a society not prepared to accept him ,and who becomes the hero's best friend. The gay bookseller ,fond of opera -the only touch of the privileged life Sautet had depicted so many times in the seventies (Cesar,Rosalie ,Vincent,François ,Paul,Mado et les autres ,'in danger of despair" ,to quote the director himself a propos his 1974 effort)- acts like an adoptive father,not only for Bruno but also for Catherine ,an ex-junkie ,so-called clean but extremely frail ; Catherine is probably the weakest link of the chain : badly written :the sullen grumpy girl who inevitably falls in the hero's arms ,how many time has the average viewer seen that, since "it happened one night" (1934);Brigitte Fossey was a memorable child actress ("jeux interdits "= forbidden games) who resumed her career when she became an adult ;she's perhaps too cerebral in this context.....

But it's no coincidence if Sautet paired her with Patrick Dewaere ,himself a child actor on stage,whose brilliant career was brutally interrupted when he committed suicide :it was a major loss for the French cinema ;no other actor was at once frail and strong as he was and he was not replaced in this field ;his hangdog looks , his eyes are always longing for something he's always denied ;with the exception of Romy Schneider -who disappeared in 1982 ,like him- no other actor moved me more deeply than him in Sautet's movies.

Dewaere portrays a looser,an ex-convict who spent five years in an American jail for drug-trafficking and comes back to his native land to find his father apparently compassionate but cold and resentful ,a country in a state of crisis where unemployment runs rampant ; the ending is not that much optimistic as certain critics claim ; it is an open one, and it rather indicates that the fight has only begun for Bruno.