Der Tod des älteren Sohnes einer wohlhabenden Familie belastet die Beziehungen zwischen der Mutter, dem Vater und dem sich schuldig fühlenden jüngeren Sohn.Der Tod des älteren Sohnes einer wohlhabenden Familie belastet die Beziehungen zwischen der Mutter, dem Vater und dem sich schuldig fühlenden jüngeren Sohn.Der Tod des älteren Sohnes einer wohlhabenden Familie belastet die Beziehungen zwischen der Mutter, dem Vater und dem sich schuldig fühlenden jüngeren Sohn.
- Regie
- Drehbuch
- Hauptbesetzung
- 4 Oscars gewonnen
- 21 Gewinne & 14 Nominierungen insgesamt
- Ray
- (as James B. Sikking)
- Ward - Beth's Brother
- (as Quinn Redeker)
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I do think though, that a certain element of maturity is needed to view this, there are few I know who have not been touched or upset by the story and if one is to young or just not in the right mood to handle the heaviness(as I wasn't at the time),they may not be able to fully appreciate it. I still know people who cannot sit through this and I understand why but I hope this movie will be viewed by many who can handle it, it's impact is fierce, all the performances are incredible and Mary Tyler Moore's performance is among the best of any female lead ever.
Having said that, the reality of the movie is so heartbreaking and so real that you feel every emotion and understand the characters feelings, whether you liked them or not. Mary Tyler Moore's performance of Beth Jarrett is so powerful that you forget Moore's comedic repertoire and immerse yourself into her persona as a cold, distant wife that can not show emotion for her son. It is disturbing that Beth can not show Conrad love and it breaks your heart when you see the awkwardness as he tries so hard to get any love or recognition from her. Her breakdown scene at the golf course and the realization at the end of the movie that she is incapable of affectionate love are powerful performances.
Donald Sutherland's understated and beautiful performance is brilliant. His making up for Beth's shortcomings as an affectionate human being are so touching. He does all he can to keep the rest of his family together. Why he was not nominated for an Oscar is beyond comprehension.
Timothy Hutton absolutely shines as the troubled Conrad. All you want to do is hug him, love him, after his rejections from his own mother. The torture and pain he is in is portrayed so stunningly. His guilt over the death of his brother and subsequent depression are heartbreaking.
Growing up in suburban America, the film rings many a truth to the insights of what people perceive as a "normal family". The cocktail parties, the school activities, the socialization of Beth and her friends over the recognition of her son do happen in suburban America. Robert Redford recognized every real detail of the facades that people put up and the reality of what happens at home. They are poignantly and chillingly realized.
Definitely one of the most deserved Best Picture Oscars given. Please don't miss this one.
"Ordinary People" (1980) was Robert Redford's debut movie in the director's chair and it was a huge success. The story is two-pronged: It's a coming-of-age drama about the anxious son at home, school, therapy and his relationships with the fairer sex, as well as a marital drama about the parents.
This was Hutton's first theatrical movie, but you wouldn't know that by his powerhouse performance, which is on the level of Brando. It's interesting how simple, realistic drama can be more compelling than some overblown "blockbuster" with an explosion every five minutes.
Winsome Elizabeth McGovern is a highlight as one of the girls the son dates.
On the negative side, the storm sequences are pretty artificial, reminiscent of a TV flick, and the story almost drowns in its unrelenting drama in the last act (I said "almost").
The film runs 2 hours, 4 minutes, and was mostly shot in suburbs north of Chicago, e.g. Lake Forest and Highland Park.
GRADE: B
Conrad, played brilliantly by Timothy Hutton in an Oscar winning role, is the depressed suicidal son of a couple struggling to cope with their son's drowning death. Conrad of course feels responsible, and has already tried to take his own life once before.
Reluctantly, he begins to see a shrink at the advice of his father. Dr. Berger, also played brilliantly by Judd Hirsch {though there are no slouches in the cast}, helps Conrad through thick and thin. By the end of the movie, the audience truly feels for all characters to some degree.
As has been stated, the acting is magnificent. The story may seem simple but this type of film really doesn't need a heavy plot. Its an excellent look at the problems we all face. When I first saw this at a young age I related completely to Conrad's character. When I saw this tonight, I related more to the adults and could really feel for them a lot more than I remembered. Each character has a unique sense of reality to them. The actors really carry the film, making the characters seem like real people we've known for years.
Unfortunately this movie has received somewhat of a bad reputation over the years as the film that beat Raging Bull in 1980 for the Best Picture and Director Oscars. While both movies are excellent, its sad that one has to be better than the other and people just don't enjoy both movies for what they are. Many people have preconceived opinions about this 'small' film they have not heard of. After all, Raging Bull is an all time classic. Just watch this movie with an open mind, because it really works on every level as a powerful family drama detailing the persona of many different types of people.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
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- WissenswertesTimothy Hutton's father, actor Jim Hutton, died just months prior to filming. However, Hutton stated he did not use his mourning as a basis for Conrad's depression. Also, actress Mary Tyler Moore's only son, Richie Meeker, accidentally shot himself a month after the film's release. Moore was also separated from her husband, producer Grant Tinker, during filming.
- PatzerThe golf scene is set on the 18th hole of the golf course but they are seen leaving the practice green (multiple holes in the putting surface are visible).
- Zitate
Beth Jarrett: Calvin? Why are you crying? Can I, uh... can I get you something?
Calvin "Cal" Jarrett: I don't...
Beth Jarrett: What did you say? Calvin, what did you say?
[Calvin sighs heavily]
Beth Jarrett: Tell me.
Calvin "Cal" Jarrett: You are beautiful. And you are unpredictable. But you're so cautious. You're determined, Beth, but you know something? You're not strong. And I don't know if you're really giving. Tell me something. Do you love me? Do you really love me?
Beth Jarrett: I feel the way I've always felt about you.
[pause]
Calvin "Cal" Jarrett: We would have been all right if there hadn't been any... mess. But you can't handle mess. You need everything neat and easy. I don't know. Maybe you can't love anybody. It was so much Buck. When Buck died, it was as if you buried all your love with him, and I don't understand that. I just don't know, I don't... maybe it wasn't even Buck. Maybe it was just you. Maybe, finally, it was the best of you that you buried. But whatever it was... I don't know who you are. And I don't know what we've been playing at. So I was crying. Because I don't know if I love you anymore. And I don't know what I'm going to do without that.
- VerbindungenEdited into Give Me Your Answer True (1987)
- SoundtracksCanon in D major
Composed by Johann Pachelbel
Arranged for mixed voices by Noel Goemanne
Additional arrangement by Jean-François Paillard (as Jean-Francois Paillard)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
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Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 54.766.923 $
- Eröffnungswochenende in den USA und in Kanada
- 170.335 $
- 21. Sept. 1980
- Weltweiter Bruttoertrag
- 54.766.923 $