Ein Flugzeug, das der Strahlung ausgesetzt ist, landet, und Blut trinkende Zombies entstehen, bewaffnet mit Messern, Gewehren und Zähnen! Sie toben, schneiden, würfeln und beißen sich durch ... Alles lesenEin Flugzeug, das der Strahlung ausgesetzt ist, landet, und Blut trinkende Zombies entstehen, bewaffnet mit Messern, Gewehren und Zähnen! Sie toben, schneiden, würfeln und beißen sich durch die italienische Landschaft.Ein Flugzeug, das der Strahlung ausgesetzt ist, landet, und Blut trinkende Zombies entstehen, bewaffnet mit Messern, Gewehren und Zähnen! Sie toben, schneiden, würfeln und beißen sich durch die italienische Landschaft.
- Regie
- Drehbuch
- Hauptbesetzung
- Col. Frank Donahue
- (as Manolo Zarzo)
- Lieutenant Reedman
- (as Tom Felleghi)
- Soldier
- (Nicht genannt)
- Zombie at the TV station
- (Nicht genannt)
- Man in Elevator
- (Nicht genannt)
- Military Officer
- (Nicht genannt)
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The make-up effects are so cheap and nasty it almost becomes hilarious. It seems like the zombies' heads are covered in mud and you can almost smell their rotting flesh. Lots of heads are being shot off and multiple throats are being slit perfect entertainment if you're a horror lover in other words. Don't bother if you're an opinionated horror-hater or an amateur-critic, though. I'll spare you the effort: the script of `Nightmare City' is as weak as they come (with a very disappointing ending) and the acting is atrocious. If you're a diehard horror-freak with a soft spot for Italian cult, however, this will be one of the most pleasing films you'll ever see.
The trash "Incubo Sulla Città Contaminate" a.k.a. "City of the Walking Dead" or "Nightmare City" is a weird horror movie that could be better and better with a best selection of the lead couple. The uptight Hugo Stiglitz is not tailored for the role of hero and is an awful selection from the producers, and Laura Trotter is too stupid for a doctor, recalling those women from the 40's or 50's that used to scream in every dangerous situation and run to the arms of the hero. The killers are not zombies like in "The Last Man on Earth" or the way George A. Romero has become famous in "Night of the Living Dead", with slow and gruesome movements, but actually a kind of unbeatable "warrior vampire" with appearance of zombie. My vote is six.
Title (Brazil): Not Available
Instead of going with "living dead"-style zombies (i.e. lumbering oafs) Lenzi - against producers wishes who wanted basically a Romero-style-clone - instead argued for and got his wish of the 'zombies' simply being victims of a nuclear radiation accident. All the 'creatures' become supermen of sorts - with heightened strength etc. - not to mention retaining their human faculties of running, driving, being able to fight with weapons etc.
As a result though - pretty much all suspense is thrown out the window, as the movie quickly bogs down into a violent and graphic game of hide and seek. The action is intense (and the blood and gore plentiful) but the 'creatures' or victims simply look like poorly-designed Halloween costume party attendees, who - after realizing they are late for their scheduled gathering - grabbed whatever they could out of their fridge and slapped it on their faces. The result is an unconvincing and inconsistent mess of effects that underwhelms the viewer. Some victims have little makeup, others are nearly indistinguishable under piles of green and red facial clay, (yet ALL sneer menacingly at the camera) and ALL are out for the blood of their next human victim (the creatures need blood to regenerate their cells to keep living. As a result, their victims in turn become creatures as well).
While I applaud Lenzi for at least attempting something different (in an interview on the disk, he explains how he wanted the film to be viewed as an environmental warning etc.) it comes down to the simple fact that the movie ends up failing - the zombies move too fast to be truly creepy and come off as poorly-dressed terrorists from a bad Chuck Norris movie - and basically plays out as a b-level gore bore, weaker on the gore, heavier on the B-bore.
While NIGHTMARE CITY may not be totally rank, let's say ya might wanna drink that milk today - know what I mean?? As in, it smells a little funny - not totally spoiled, but nowhere near fresh-enough to serve to guests. Feelin' lucky??
Recommended for genre completists only.
On an unassuming day, a nuclear scientist is supposed to arrive with important research. His plane breaks flight patterns and lands unannounced. When authorities go to investigate, they find all the people on board are infected with strange kind of radiation poisoning and have turned into violent, cannibalistic zombies. The zombies then begin attacking any and every one in sight; hacking, shooting and eating all they can. Escaping the city is the only hope.
Coming out in 1980, this was pretty late in the cannibal/zombie movie cycle. Fortunately, Lenzi changes up the formula just enough to keep things from being stale. The zombies are are fast, intelligent and have no problem utilizing tools and weapons. Lenzi also ad hears to just enough genre clichés to keep fans happy. There is blood and gore aplenty, random flashes of nudity and some wonderfully cheesy dialogue.
On the technical side, the film is right on par with other films in the same category. Acting ranges from to OK to plain bad, lighting and sound get the job done but never excel, and the writing works well enough to move from point A to point B. One nice element is the pacing, which is refreshingly brisk and free of clutter.
Over all, this is one of the better made and more amusing of the cannibal/zombie films from days gone by. Genre fans should check it out.
7/10
Wusstest du schon
- WissenswertesAccording to director Umberto Lenzi, both Franco Nero and Fabio Testi were considered for the lead in the film, but the producer insisted on a Mexican leading man to appeal to Mexican audiences. Hence, the role went to Hugo Stiglitz.
- PatzerWhen Dean and Laura take refuge in the church and encounter the infected priest, he makes a dramatic turn toward the camera to display his facial wounds to the audience, and then finishes the turn, whereupon Dean and Laura react. But given where the priest's injury is, and given that the priest makes a full 360 degree turn, Dean and Laura would've seen the infection immediately.
- Zitate
Dr. Anna Miller: I'm tired. Really tired. And I'm frightened. We'll never get away from these... these monsters. What are we going to do?
Dean Miller: Alright. Nothing is going to happen as long as we stay together I promise you. What we've got to do now is get away from here as fast as we can.
Dr. Anna Miller: Let go of me. Why don't you face it. There's no place for us to go. They're we too will be killed. I don't want us to die I don't want us to but there's nothing we can do. They're everywhere...
Dean Miller: [Dean slaps his wife and then kisses her] Stop it...
- Crazy CreditsThe message "THE NIGHTMARE BECOMES REALITY..." just before the end credits
- Alternative VersionenThe 1986 UK Stablecane video version was cut by 3 minutes 5 secs by the BBFC to heavily edit shots of exploding heads, neck bitings, a woman's eye and breast being stabbed with a spike, an arm removal, the elevator attack, shots of bloody wounds, and a woman's breast being sliced off with a knife. All the cuts were fully waived for the 2003 Anchor Bay DVD release.
- VerbindungenEdited into Cent une tueries de zombies (2012)
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- Nightmare City
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- 2.35 : 1