Brubaker

In my summary, I say not to watch this film unless you he two and a quarter hours to spare. That's because I made the mistake of starting the film around midnight--intending to only watch a few minutes and then go to bed. However, at almost 2:30am, I was still awake--ratcheted to the TV screen watching "Brubaker" until its exciting conclusion.

The film is essentially the experiences of Tom Murton as warden of a hellish prison in Arkansas--although unlike the movie, he did NOT enter the prison disguised as a prisoner. The horror of it all is what makes this very compelling viewing--and a film you should NOT let your kids watch. Rather vivid depictions of beatings, rapes and other violence against the prisoners (mostly by other prisoners) make this tough viewing--and the viewer should think about this first. Now this is NOT a criticism--the harsh language and violence is necessary to adequately show the horrible conditions existing in this prison in the 1960s. In many ways, it's much more horrific than "The Shawshank Redemption"--and unlike this Stephen King story, "Brubaker" is true. Corruption on a massive scale and the state's unwillingness to reform make this a very compelling movie.

Excellent acting by the ensemble cast make this an amazing movie to watch. And, not surprisingly, Robert Redford is his usual exceptional self. The only negative is that despite a great story and acting, the direction and editing are poor. An egregious example is late in the story. One of the trustees escape during a rain storm and is being tracked down by Brubaker and some other trustees. However, as they track him down there is dust everywhere and no trace of rain---talk about sloppy! Still, this is a minor technical quibble and the film is one of the best prison films I have seen.

This almost forgotten film should be analyzed today after its unexpected and unimagined possibility of an alternate reality that wasn't a complete fabrication. The story of a prison warden who wants to change everything that's wrong in the prison system of his state really happened. "Brubaker" focus on a challenge to a corrupt system that on the surface seems to be doing its service of punishing convicted criminals but also is a vile and dirty business whose purpose is to profit above all costs.

The lead character, played by an unusual and remarkable Robert Redford, is introduced to us as a prisoner who barely speaks but observers everything concerning how inmates are treated by the guards, how the machine works behind bars and the constant brutality of the place. The plot twist to everyone is when he presents himself as the new warden and he sets up a whole reformation on the place, condemning what's wrong and doing what he believes it's right. There's plenty of benefits for the prisoners but the guards and the businessman who always gained advantages with the old administration aren't happy about this, and that misery and dissatisfaction goes back to the people who hired him, the governor and his staff who now pressure the man to go easy with his work. After all, they are losing a lot of money obtained with frauds and illegal schemes. One man alone means nothing so Brubaker is helped by some inmates and a local authority (Jane Alexander) who is close to the state governor, and will try to convince everyone that Brubaker's idealism if put to work can be profitable for everyone involved.

Brubaker's idea isn't just to denounce the illegal affairs of the state and make budget cuts. He's more concerned with the way convicted felons are treated, want to stop their exploitation and make the place a safe environment instead of the critical animal factories that don't punish anyone but is only useful to transform them into bigger monsters whose only fate is either death, or commit more violent crimes or to return to the animal factory again. Sure, this idea is good and valuable but not practical. In the film's case, it fails because one can't change a system unless if one being part of it; Brubaker made the terrible mistake of not firing the whole officials team, and those guys still managed to cause harm and work their way behind his back; and the people with the money will always speak higher.

Such idealism wouldn't work today, that's sure but it could worth a shot, specially in countries where the private initiative isn't the option (because politics are having their big time with a failing system that pays them well). Today's criminal minds are far more worse than the ones from the 1980's when this was made and they probably wouldn't leave a place where they could feel as if being on a hotel, practically with the cell keys on their hands, dictating orders like Pablo Escobar did in his "prison" time. But it can be made. And that final image of accomplish given here says everything even though things didn't turned the way it could.

The film has a fine progression and it's greatly well acted by Alexander, Redford and heightened by convincing performances from trustworthy character actors Everett McGill, David Keith, Yaphet Kotto, Matt Clark, M. Emmet Walsh, Murray Hamilton and a young Morgan Freeman. "Brubaker" has that rare quality of being dreamy, that enlightening power some movies have in our reality and we want to believe of making a dream possible. To change the world. 8/10

It's odd that whenever talk of Prison base films crops up you rarely see Brubaker mentioned as a viable piece of work, which to me personally is a damn shame because it's origin source provides a worthy story to be involved in.

Based on the writings of Tom Murton, a Prison Farm Reform Warden in Arkansas in the late 60s, the corruption and murder the film deals with is a very frightening reality, and although this film is obviously fictionalised to a degree, the evidence of the main themes can be found from many sources.

Robert Redford plays the title character who chooses to go into the prison farm as a convict to see at first hand how the Farm is run, what he sees shocks him to the core, which in turn rightly shocks the viewer as well. After learning all he needs to, he comes forward to take control of the Farm and tries to put an end to the torture, corruption and dank depression that is rife at the Farm. He has to deal with many obstacles along the way, and it's the strength of the man that has the viewer firmly onside all through the film.

The acting is emotionally spot on, the title role calls for a cool persona to not get flustered when faced with mounting resistance, and Redford delivers in spades. The main supporting cast of Yaphet Kotto, David Keith, Morgan Freeman, and Jane Alexander do very good work (believable), whilst the direction from Stuart Rosenberg ("Cool Hand Luke") is paced to perfection. The story is grimy and gnaws away at you, and then we get the ending that frustrates as much as it lifts the spirit, this is in my opinion a criminally undervalued piece of work. 8/10

BRUBAKER is my kind of movie; grim, realistic, stimulating and a story based around a great struggle between right and wrong. Robert Redford plays Brubaker (based on the real life story of one Thomas Murton of Arkansas, not to be confused with Thomas Merton, the poet) who tries to bring decency to an Arkansas prison that is corrupt from top to bottom. There are rotten scoundrels among the prisoners and some decent men as well. What is worse, Brubaker has to fight a State bureaucracy full of characters who are even more slimy and despicable than the worst of the prisoners. Along with basic reforms, he is out to uncover a series of murders, prisoners who were murdered and secretly buried. He is really up against it and its tough not to get emotionally involved. The writing and acting is more than ok. Redford is very good in spite of being a little too pretty for the rugged guy part. He's the only one in the movie with the 300-dollar blow dry haircut. This reminds me of the movie MARIE, another flick about a single warrior battling a corrupt state system. The Grape Nuts Guy (W Brimley) and the guy who played Mrs. Robinson's husband (M Hamilton)put in a good performance as despicable bureaucrats. Very little background music is another mature plus.

A good, feel-bad movie; and as a Bostonian, it's hard to hate a film that has a character in it named Fenway Park.

Though Shawshank Redemption has gotten the critical raves and the box office receipts that could make it the best prison story ever filmed, my personal choice for the best film ever done about the penal system is Brubaker.

Based on the true life experiences of Thomas Murton, the co-author of the book the film is based on, Brubaker captures the realities of prison life, the complexities of trying to "reform" the system without sacrificing one iota of entertainment.

Robert Redford leads a great ensemble cast in this film. The people here are real, dealing with complex issues for which there are no simple answers. The corruption of the penal system runs deep and helped in part by the prisoners themselves who don't want to see too much change at once or have a vested interest in seeing things run just as they are. Yaphetto Kotto and Tim McIntire are two such prison trustees, both of them showing very different reasons why they don't like some or all of what Redford is doing as warden.

Among the supporting cast, I'd like to single out David Keith who was the best as the prisoner whose life Brubaker saves and ultimately becomes his biggest booster in the joint. A really outstanding job by David Keith as this simple country kid who just got caught up in "the system."

Rare you can say a film is informative as well as entertaining, but Brubaker definitely fits in both categories.