Blues Brothers

What is this film about?

It's a love-letter to Chicago, disguised as a road picture. In this case, Dan and John on an almost continuous journey around more Chicago locales than you can count on all of your available digits.

It's a musical. Throughout the "road trip", the film exploits every opportunity to enlist so many musical legends (who find reasons to "break out in song"), that you probably won't be able to keep track of all of them, either.

It's an excuse to throw in a long list of famous comedians, and other celebrities, strewn throughout the movie in bit parts, just for grins. (You should pay attention to almost every character that shows up along the journey, as virtually all of them are someone famous, e.g. even Twiggy shows up at one point.)

It's an excuse to destroy, in unimaginably creative ways, an entire mall, and numerous other buildings, as a result of chases, vendettas, etc., just in case you need an "action fix" to "round out" the movie's musical and comedic experience. (A decent percentage of those destructive activities, perpetrated by Carrie Fisher's character.)

There is a "plot thread" that provides an underlying reason for Dan and John's journey, but it's just there to facilitate all of the craziness. The journey is never boring (there's never time to get bored), and it is an awful lot of fun.

I finally decided to review this, while watching the 2020 4K UHD release (which, as an aside, looks great). I would be remiss not to mention that it's a bit hard to watch the film, and not feel a hint of sadness, based upon the fact that 40 years on, from its original release, so many of the actors, musicians, and comedians it features, are simply not with us anymore. For some, that is simply a consequence of age, but there are far too many others that should have still been with us. The only silver lining is that we get to see why we enjoyed them, while we had them.

I highly recommend this. It successfully melds so many film genres together into a single film, that it's almost impossible not to have fun.

Just as with "Ghostbusters," the characters in this film are so likable and so in your face, you can't help but love it. It also gives us a taste of the blues and its roots. There are songs throughout, including one by Aretha Franklin that will live forever. The choreography is terrific, and, of course, there are only two Blues Brothers, John Belushi and Dan Aykroyd. It doesn't matter what their reason is for doing what they do. They have determined they are on "a mission from God." Belushi was such a genius, though a troubled performer. Aykroyd was not nearly so gifted but played a very nice straight man to Belushi's insanity. We are slipping away from an era that provided us with some of the most memorable comedians we will ever see. This was a vehicle to bring much of that to fruition.

This definitive cult classic combines two of the pioneers of Saturday Night Live in a hilarious comedy, indulging into their characters from the show. John Belushi and Dan Akroyd are Jake and Elwood Blues, two eccentric brothers who are "On A Mission From God". They seem to inevitably find themselves in large amounts of trouble. The most fun is living vicariously through them as they stick it to the police and other authority figures and evade the consequences. Blues fans will rave over the fantastic soundtrack full of classic blues tunes from the biggest stars. This film is one that will have you quoting lines, singing along, and quite possibly dancing like Elwood. By the way, sunglasses can be worn at all times, black never goes out of style, and dry white toast is quite possibly the world's perfect food.

It started out as a bit on Saturday Night Live, and grew into probably THE most successful movie ever to have had it's genesis in that particular medium. And who would've thought that a couple of character actor/comedians would emerge from an innovative four-or-five minute act as `legendary' bluesmen of their era? Which is exactly what John Belushi and Dan Aykroyd did after first taking their show on the road as an opening act for the likes of Steve Martin, and then parlaying it into a feature length motion picture, `The Blues Brothers,' directed by John Landis. When Joliet Jake Blues (Belushi) is released from prison, his brother Elwood (Aykroyd) is there to pick him up, in-- of all things-- a used police car. And it doesn't bode well for this particular pair of out-of-work musicians, who on a visit to the orphanage in which they grew up discover that it is about to be shut down unless some taxes are paid on it, and soon. But what can Jake and Elwood do to help? They're broke. Well, after a bit of pondering and a couple of good production numbers later, Jake sees the light (literally), and it all becomes perfectly clear: They have to put their band back together and stage a concert, the proceeds of which should more than pay for the taxes on the orphanage. It's a tough job, but somebody's got to do it, and don't tell Jake and Elwood it's not possible, because they're on a mission from God...

It's a fairly simple plot, told in a straightforward manner by Landis, who creates a visually stimulating and aurally satisfying movie that follows the adventures of the Brothers Blues as they travel around the good state of Illinois, seeking out the members of their former band and formulating their plan to save the orphanage. Along the way they run afoul of a country/western band, incite the ire of some Illinois Nazis, ingratiate themselves to the diners in a classy restaurant, wreck an entire mall and generally wreak havoc wherever they go. It's a total rush of excitement, backed with a blur of real blues, served up by some of the truly legendary performers of our time, like Aretha Franklin, James Brown, Ray Charles, Cab Calloway (doing his trademark `Minnie the Moocher') and John Lee Hooker. Not to mention the `band' itself, comprised of Steve `The Colonel' Cropper, Donald `Duck' Dunn, Murphy Dunne, Willie Hall, Tom `Bones' Malone, Lou `Blue Lou' Marini, Matt `Guitar' Murphy and `Mr. Fabulous' himself, Alan Rubin, all there to back the incomparable vocal stylings of Joliet Jake and Elwood Blues, who are determined to save their old home, now under the auspices of `The Penguin,' Sister Mary Stigmata (Kathleen Freeman). But one question remains to be answered: Who is Camille Ztdetelik (Carrie Fisher), and just what is she trying to do to Jake?

Without question, this was a great gig for Belushi and Aykroyd, who to millions of people ARE, and will forever be, the `Blues Brothers.' And forevermore shall they be linked in the memories of anyone who has seen this movie, heard their records or caught their act on SNL. Dan Aykroyd has gone on to have a successful and varied career in movies, including an Academy Award nomination for Best Supporting Actor (for `Driving Miss Daisy' in 1989), while John Belushi, of course, left us quite suddenly and way too soon, just as his career was on the rise. Were they great singers? Of course not; but they were accomplished performers who sagely surrounded themselves with the best of the best, a `band's' band that really made this gig work, because the music worked. Add to that the energy, excitement and passion they themselves brought to it, and you have their formula for success, which can be measured by the strong following they still enjoy to this day. And what a pity that Belushi isn't around to realize it.

Memorable in supporting roles are John Candy as Burton Mercer (who uttered the unforgettable line, `Orange whip? Orange whip?--); Henry Gibson as the steel-eyed head Nazi; Steve Lawrence, as agent Maury Sline; Charles Napier as Tucker McElroy, `Lead singer and driver of the Winnebago'; and Jeff Morris, who will always be remembered as Bob, owner of `Bob's Country Bunker,' the place with `both' kinds of music, Country `and' Western.

The additional supporting cast includes Steven Williams (Trooper Mount), Armand Cerami (Trooper Daniel), Layne Britton (The `Cheese Whiz'), Ralph Foody (Police Dispatcher) and John Landis (Trooper La Fong). Also, watch for cameos by Paul Reubens (Waiter), Frank Oz (Corrections Officer), Twiggy Lawson (Chic Lady) and Steven Spielberg as the County Clerk. A thoroughly entertaining and enjoyable movie, filled with memorable scenes and lines you'll be quoting for years to come (Aykroyd, in that `clipped' Elwood Blues delivery, to Tucker McElroy: `We'll, ah-- we'll talk to Bob--'), `The Blues Brothers' is a great film-- not in the sense of a film that should have walked away with a bagful of Oscars, but great for what it is and for the special place it holds in the history of the cinema. And, yes, it does have a place all it's own. Because a movie doesn't have to be `Citizen Kane,' or `Gone With the Wind' to be `great.' It's the ones that make you feel something for whatever reason, or make you laugh; the ones you remember because they're unique or have left their imprint on our culture in some way. So, check `All of the above,' or add your own reasons. For all that it's worth, this is the magic of the movies. I rate this one 9/10.

My high school music teacher screened this for class all those years ago, and it's one I can watch over and over for sure. Sure it has its laugh out loud moments, but it's a film for the ages where absurdity is the new level of normality for the Blues Brothers.