Füge eine Handlung in deiner Sprache hinzuA show dog trainer in desperate need of money kidnaps a prized show dog and demands a ransom. The case falls into the hands of a melancholic detective and his new female partner, whose perso... Alles lesenA show dog trainer in desperate need of money kidnaps a prized show dog and demands a ransom. The case falls into the hands of a melancholic detective and his new female partner, whose personal relationship develops throughout the case.A show dog trainer in desperate need of money kidnaps a prized show dog and demands a ransom. The case falls into the hands of a melancholic detective and his new female partner, whose personal relationship develops throughout the case.
- Auszeichnungen
- 1 wins total
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The reason is simple. Robert Foxworth stinks it out. He delivers such a soft center in the role, the proceedings are even difficult to understand.
The other problem is that the dialogue is long long, pointless and drawn out. The action crawls along a foot a minute while the characters make small talk.
Paula Prentiss is fine, as is Harry Dean Stanton. But sometimes movies don't always jell, and this one sure doesn't either.
You never really know where this film is going; all the Ukranian background of Foxworth and Prentiss' patience with this troubled over-worked mess of a guy, patiently works a semi-romantic tinge to this strange cop film. It's a 7 out of 10 for sure.
Wusstest du schon
- WissenswertesJoseph Wambaugh won the 1981 Edgar Award for Best Motion Picture from the Mystery Writers of America for his screenplay for Nieten unter sich (1980).
- PatzerWhen Philo is talking to Mavis after she dismisses Pattie Mae, he is holding a cigarette in his right hand down by his side. In the next shot he is holding it up by his chest. Also, the dog being groomed is suddenly out of its harness.
- Zitate
Philo Skinner: Don't tell me what's possible, you bitch! I warned you, I'm gonna start cutting on your Vicky, do you hear me, woman?
- VerbindungenFeatured in Sneak Previews: Take 2: Going to the Movies (1980)
- SoundtracksOchi chyornye
(Dark Eyes)
Written by Florian Hermann and Adalgiso Ferraris
Top-Auswahl
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Details
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.500.000 $
- Weltweiter Bruttoertrag
- 2.500.000 $